A man gets out of prison after 15 years for stabbing his wife to death, and his social worker becomes convinced he was innocent. As she researches his case, and interviews other people who were involved, she begins to fall in love with him, as her friends warn her that he's dangerous.
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| Crew | Billy D. Lucas | Stunts |
| Directing | Jan Eliasberg | Director |
| Production | Quentin Tarantino | Associate Producer |
| Writing | Frank Norwood | Writer |
| Production | Lisa M. Hansen | Producer |
| Production | Nancy Rae Stone | Co-Producer |
| Production | Catalaine Knell | Associate Producer |
| Production | Paul Hertzberg | Executive Producer |
| Crew | Cheryl Wheeler Duncan | Stunts |
| Crew | Shane Dixon | Stunts |
| Crew | Phil Chong | Stunts |
| Editing | Christopher Rouse | Editor |
| Crew | Spiro Razatos | Stunt Coordinator |
| Crew | Chris Durand | Stunts |
| Production | Paul Adler | Casting |
| Costume & Make-Up | Michael White | Key Hair Stylist |
| Camera | Robert D. Yeoman | Director of Photography |
| Art | Sharon Seymour | Production Design |
| Production | Jodi Rothfield | Casting |
| Costume & Make-Up | Keith Hall | Makeup Department Head |
| Costume & Make-Up | Ronald Leamon | Costume Design |
| Sound | Terry Rodman | Supervising Sound Editor |
| Crew | David Boushey | Stunts |
| Production | Bonnie Timmermann | Casting Consultant |
| Sound | Steve Bartek | Original Music Composer |
| Art | Loren McNamara | Leadman |
| Directing | Mary Ellen Woods | First Assistant Director |
| Camera | Ken Glassing | Second Assistant Camera |
| Art | Amanda Fin | Set Dresser |
| Art | Benjamin Hayden | Leadman |
| Directing | Lynn Wegenka | Second Assistant Director |
| Production | L. Hansen | Unit Manager |
| Camera | John Boccaccio | First Assistant Camera |
| Art | Sue Reeve | Set Dresser |
| Art | Daniel Self | Art Direction |
| Art | Chad Jacobsen | Set Dresser |
| Art | Michael Bernard Anderson | Set Decoration |
| Sound | H. Thomas Condon III | Boom Operator |
| Art | John Ceniceros | Assistant Property Master |
| Art | Michael McCombe | Greensman |
| Art | Geof Spencer | Set Dresser |
| Crew | Carl Choquette | Carpenter |
| Art | Mike Lopez | Painter |
| Sound | Robert Marts | Sound Mixer |
| Crew | Aimee J. Miller-Rickel | Scenic Artist |
| Crew | Anne Hyvarinen | Charge Scenic Artist |
| Crew | Isabella “Laurie” LeClair | Scenic Artist |
| Production | Linda A. Borgeson | Executive In Charge Of Production |
| Art | Alexander Maloney Lamb | Painter |
| Directing | Karen Thorndike | Script Supervisor |
| Camera | Craig C. Wallace Jr. | Best Boy Grip |
| Camera | Peter Riches | Still Photographer |
| Costume & Make-Up | Henry Earl Lewis | Wardrobe Supervisor |
| Production | Charlie Davidson | Assistant Accountant |
| Art | Scott Tabor | Property Master |
| Production | Peter E. Hirsch | Assistant Location Manager |
| Crew | Bruce Tyler | Special Effects Assistant |
| Production | Kathleen “Arias” McKenzie | Assistant Production Coordinator |
| Production | Alisoun F. Lamb | Production Coordinator |
| Editing | William Marrinson | Assistant Editor |
| Sound | Paul Pirola | Sound Editor |
| Sound | Terry Rodman | Sound Re-Recording Mixer |
| Sound | Ted Swanscott | ADR Mixer |
| Sound | Leon Gaer | Music Coordinator |
| Crew | Bruno Stempel | Special Effects Assistant |
| Production | Frank Norwood | Associate Producer |
| Lighting | Chris Morley | Gaffer |
| Lighting | Michael Gall | Best Boy Electric |
| Production | Pauline Muñoz | Assistant Accountant |
| Production | Vicky Berglund-Davenport | Location Manager |
| Sound | Jeff Courtie | ADR Mixer |
| Sound | Tommy Tycho | Conductor |
| Costume & Make-Up | Michele Dunn | Wardrobe Assistant |
| Camera | Renton-Paul Medcalf | Key Grip |
| Camera | Mark Lorge | Dolly Grip |
| Costume & Make-Up | Tania McComas | Key Makeup Artist |
| Crew | Casey E. Quinn | Special Effects Assistant |
| Sound | Glenn Newnham | Sound Editor |
| Art | Norma Jean Austin | Set Dresser |
| Crew | Steven Lambert | Stunt Coordinator |
| Art | David Lowery | Storyboard Artist |
| Crew | Kevin McCarthy | Special Effects |
| Production | Cheryl L. Hayes | Production Supervisor |
| Editing | Mark Fitzgerald | Assistant Editor |
| Sound | Yvonne van Gyen | Sound Editor |
| Crew | James Barry Phillips | Transportation Captain |
| Editing | Linda Shamest | First Assistant Editor |
| Sound | Douglas M. Lackey | Music Editor |
| Sound | Sue Clancy | Assistant Sound Editor |
| Sound | David Harrison | Dialogue Editor |
| Lighting | Bob Leitelt | Electrician |
| Crew | Richard Lush | Score Engineer |
| Lighting | Colin R. Kell | Electrician |
| Sound | Bob Badami | Music Editor |
| Crew | Robert T. Chestnut | Transportation Coordinator |
| Sound | David Harrison | Sound Re-Recording Mixer |
| Sound | Peter Gordon | Orchestrator |
| Production | Darren G. Frale | Casting Assistant |
| Sound | Andrew Lancaster | Music Editor |
| Camera | Michael DiIorio | Grip |
| Camera | Hunter Mann | Grip |
| Camera | Gregory D. Smith | Grip |
| Sound | Steve Burgess | Foley Mixer |
| Camera | Janine M. Cook | Grip |
| Editing | Heidi Zellner | Negative Cutter |
| Sound | Peter Burgess | Sound Editor |
| Crew | Sandee Terzis | Post Production Supervisor |
| Sound | Gerry Long | Foley Artist |
| Art | Neal Thompson | Title Designer |
| Lighting | Don Mosley | Electrician |
| Camera | Chris Thornton | Grip |
| Editing | Ray Morfino | Color Timer |
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