In a parallel present, delivery man Ray Tincelli is struggling to support himself and his ailing younger brother. After a series of two-bit hustles and unsuccessful swindles, Ray takes a job in a strange new realm of the gig economy: trekking deep into the forest, pulling cable over miles of terrain to connect large, metal cubes that link together the new quantum trading market. As he gets pulled deeper into the zone, he encounters growing hostility and the threat of robot cablers, and must choose to either help his fellow workers or to get rich and get out.
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| Camera | Mike Gomes | Director of Photography |
| Editing | Noah Hutton | Editor |
| Art | Alexander Linde | Production Design |
| Costume & Make-Up | Esther Kwon | Special Effects Makeup Artist |
| Costume & Make-Up | Sandy Siu | Costume Design |
| Production | Alex Peace | Line Producer |
| Production | Rich Winter | Executive Producer |
| Art | Sam Bader | Set Decoration |
| Costume & Make-Up | Doria Riker | Makeup Artist |
| Production | Taylor Hess | Producer |
| Production | Joseph Varca | Producer |
| Production | Alexandra Winter | Executive Producer |
| Production | Erica A. Hart | Casting |
| Production | Abigail Rieger | Co-Producer |
| Art | Judith C. Posey | Art Direction |
| Sound | Dominick Michele | Sound Effects Editor |
| Production | Anthony James Faure | Production Supervisor |
| Sound | Josh Heilbronner | Sound Re-Recording Mixer |
| Directing | Alex Burstein | First Assistant Director |
| Crew | Patrick M. Walsh | Stunt Coordinator |
| Directing | Tony Clemente Jr | Second Assistant Director |
| Art | Alisha Schuett | Property Master |
| Directing | Tony Manzo | Second Second Assistant Director |
| Camera | Troy Dorbertin | First Assistant Camera |
| Production | Alex Peace | Unit Production Manager |
| Camera | Mo Shane | Second Assistant Camera |
| Art | Luis Marciliano | Assistant Property Master |
| Production | Taylor Hess | Associate Producer |
| Sound | Noah Hutton | Original Music Composer |
| Art | Sam Bader | Art Direction |
| Production | Bailey Popeck | Production Coordinator |
| Camera | Louise Bartolotta | Camera Loader |
| Production | Hilary Greer | Locale Casting Director |
| Camera | Peter Sikkens | Key Grip |
| Sound | Josh Heilbronner | Supervising Sound Editor |
| Sound | Petyr Van Hoeraoerk | Sound Effects |
| Sound | Ian Orlando | Boom Operator |
| Art | Steven Teitter | Construction Coordinator |
| Art | Darren McInerney | Leadman |
| Costume & Make-Up | Grace Hill | Wardrobe Supervisor |
| Sound | William S. Pawlowski | Production Sound Mixer |
| Costume & Make-Up | Kerry Hassler | Assistant Costume Designer |
| Production | Damoon Parsa | Location Manager |
| Costume & Make-Up | Ori Gilady | Key Hair Stylist |
| Costume & Make-Up | Shannon Rae Mulligan | Assistant Makeup Artist |
| Sound | Jan Van Jergenhoek | Music Supervisor |
| Crew | Hayley Palmaer | Transportation Coordinator |
| Camera | Leo Shevchuk | Best Boy Grip |
| Sound | Noah Chevan | Sound Effects |
| Costume & Make-Up | Ori Gilady | Key Makeup Artist |
| Crew | Michael Viola | Stunts |
| Sound | Dominick Michele | Foley Editor |
| Camera | Jared Diaw | Key Grip |
| Production | EJ Argenio | Location Manager |
| Sound | Petyr Van Hoeraoerk | Foley |
| Directing | Noah Hutton | Director |
| Writing | Noah Hutton | Writer |
| Production | Jesse Miller | Producer |
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