Although he already has searched Iraq unsuccessfully for weapons of mass destruction as a member of a UN mission, German bio-weapons expert Arndt Wolf is still obsessed with the idea that Saddam Hussein is hiding something. Nobody around him is interested in this topic any more. This changes abruptly when an Iraqi asylum seeker claims to have been involved in the manufacture of chemical weapons. The German Federal Intelligence Service summons Dr. Wolf to ascertain the legitimacy of the claims made by the informant, who has been given the code name “Curveball”.
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Art | Ruckert Astrid | Art Direction |
Sound | Marvin Keil | Sound Re-Recording Mixer |
Art | Adam Aguidi | Set Decoration |
Sound | Etienne Haug | Boom Operator |
Art | Jenni Werche | Production Design |
Art | Seth Turner | Art Direction |
Sound | Tobias Fleig | Sound Re-Recording Mixer |
Sound | Tina Laschke | Sound Designer |
Sound | Andrew Mottl | Sound Editor |
Sound | Benjamin Hörbe | Sound Designer |
Lighting | Thomas von Klier | Gaffer |
Sound | André Zacher | Sound |
Camera | Ricarda Hibbeln | Assistant Camera |
Directing | Johannes Naber | Director |
Costume & Make-Up | Juliane Maier | Costume Designer |
Directing | Sven Kämmerer | Assistant Director |
Camera | Sten Mende | Director of Photography |
Sound | Johannes Naber | Original Music Composer |
Production | Christian Springer | Producer |
Writing | Johannes Naber | Screenplay |
Production | Suse Marquardt | Casting |
Costume & Make-Up | Stefanie Gredig | Makeup Artist |
Production | Amir Hamz | Producer |
Writing | Oliver Keidel | Screenplay |
Art | Tamo Kunz | Production Design |
Production | Antonio Exacoustos | Co-Producer |
Production | Fahri Yardım | Producer |
Costume & Make-Up | Christian Röhrs | Costume Designer |
Production | Joseph M'Barek | Co-Producer |
Editing | Anne Jünemann | Editor |
Production | Dorissa Berninger | Production Manager |
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