Four Londoners are inseparably linked by their wartime experiences. In a time when the barriers of sexuality and social convention have been broken down, they enjoy a freedom never experienced before.
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| Directing | Richard Laxton | Director |
| Writing | Paula Milne | Screenplay |
| Writing | Sarah Waters | Novel |
| Production | Ann Tricklebank | Producer |
| Editing | Philip Kloss | Editor |
| Camera | Meg De Koning | Camera Trainee |
| Production | Carmel Maloney | Production Consultant |
| Production | Julia Crampsie | Casting Director |
| Art | John Brown | Property Master |
| Art | Mike Hennessey | Dressing Prop |
| Art | Peter Potter | Dressing Prop |
| Art | Malcolm Chilcott | Standby Painter |
| Editing | Victoria Stevens | Assistant Editor |
| Editing | Anya Dillon | Assistant Editor |
| Production | Mally Chung | Unit Manager |
| Lighting | Paul Benson | Best Boy Electrician |
| Lighting | David Keogh | Electrician |
| Costume & Make-Up | Diana McDonald | Makeup Artist |
| Costume & Make-Up | Jacqueline Russon | Makeup Artist |
| Sound | Pietro Dalmasso | Sound Effects Editor |
| Production | Liz Stoll | Casting Director |
| Sound | Nina Humphreys | Original Music Composer |
| Editing | David Chisholm | Online Editor |
| Crew | Katy Bishop | Post Production Supervisor |
| Camera | Tim Hyson | Clapper Loader |
| Crew | Stephanie Carey | Stunt Double |
| Costume & Make-Up | Louise Fisher | Makeup Supervisor |
| Editing | Vincent Narduzzo | Colorist |
| Sound | Colin Martin | Sound Re-Recording Mixer |
| Costume & Make-Up | Louise Fisher | Hair Supervisor |
| Camera | David Katznelson | Director of Photography |
| Camera | Paddy Blake | Camera Operator |
| Art | Bob Hutton | Standby Art Director |
| Sound | Ian Wilkinson | Dialogue Editor |
| Directing | Simon Whitby | Third Assistant Director |
| Visual Effects | Tom Harris | Special Effects Supervisor |
| Costume & Make-Up | Charlotte Mitchell | Assistant Costume Designer |
| Production | Maria Hurley | Production Accountant |
| Crew | Ciarron Clarkson | Floor Runner |
| Camera | James Scott | Focus Puller |
| Sound | Adam Margetts | Boom Operator |
| Costume & Make-Up | Ilishio Lovejoy | Costume Standby |
| Costume & Make-Up | Daphne Croker-Saunders | Makeup Artist |
| Costume & Make-Up | Daphne Croker-Saunders | Hairstylist |
| Costume & Make-Up | Pam Downe | Costume Designer |
| Production | Rufus Andrews | Location Manager |
| Production | David Packham | Production Coordinator |
| Production | Ian Conway | Production Runner |
| Costume & Make-Up | Hannah Summers | Costume Standby |
| Costume & Make-Up | Stella O'Farrell | Hair Designer |
| Directing | Lydia Currie | First Assistant Director |
| Art | Nandie Narishkin | Standby Art Director |
| Crew | Tom Lucy | Stunt Coordinator |
| Costume & Make-Up | Diana McDonald | Hairstylist |
| Production | Margaret Conway | Line Producer |
| Lighting | Andreas Kragh-Jacobsen | Gaffer |
| Production | Caroline McCarthy | Location Manager |
| Lighting | David Fowler | Electrician |
| Art | Martin Boddison | Production Design |
| Production | Daley Turner | Production Runner |
| Directing | Amanda Lean | Script Supervisor |
| Art | Mark Hudson | Art Direction |
| Costume & Make-Up | Jacqueline Russon | Hairstylist |
| Directing | Caroline Richards | Second Assistant Director |
| Camera | Simon Fogg | Grip |
| Writing | Janet Tyler | Script Editor |
| Sound | Chris Ashworth | Sound Recordist |
| Production | Hilary Salmon | Executive Producer |
| Costume & Make-Up | Stella O'Farrell | Makeup Designer |
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