County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
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| Crew | Peter Darling | Choreographer |
| Production | Jina Jay | Casting |
| Camera | Brian Tufano | Director of Photography |
| Production | Jonathan Finn | Producer |
| Directing | Stephen Daldry | Director |
| Sound | Stephen Warbeck | Original Music Composer |
| Sound | Mark Holding | Sound Designer |
| Art | Maria Djurkovic | Production Design |
| Production | Greg Brenman | Producer |
| Editing | John Wilson | Editor |
| Writing | Lee Hall | Writer |
| Directing | Zoe Morgan | Script Supervisor |
| Crew | Nevette Previd | Unit Publicist |
| Sound | Ian Thomas | Musician |
| Crew | Rob Inch | Stunts |
| Crew | Seon Rogers | Stunts |
| Crew | Steve Griffin | Stunts |
| Sound | Peter Eusebe | Sound |
| Sound | Stewart Henderson | ADR Editor |
| Crew | Nick Hobbs | Stunts |
| Visual Effects | Richard Briscoe | Visual Effects |
| Crew | Richard Hammatt | Stunts |
| Crew | Lee Sheward | Stunts |
| Crew | Alan Stuart | Stunts |
| Production | Tori Parry | Line Producer |
| Costume & Make-Up | Ivana Primorac | Hair Designer |
| Sound | Zane Hayward | Supervising Sound Editor |
| Crew | Daniel Wright | Special Effects Technician |
| Crew | Mark Southworth | Stunts |
| Production | Charles Brand | Executive Producer |
| Costume & Make-Up | Nikita Rae | Hairstylist |
| Directing | Finn McGrath | Second Assistant Director |
| Sound | Mike Prestwood Smith | Sound Re-Recording Mixer |
| Crew | Andrew Lambert | Stunts |
| Costume & Make-Up | Stewart Meachem | Costume Design |
| Costume & Make-Up | Michael Birtley | Makeup Artist |
| Directing | Alison Banks | First Assistant Director |
| Sound | Richard Finney | Sound |
| Crew | C.C. Smiff | Stunts |
| Camera | Robert Fabbri | Second Unit Director of Photography |
| Directing | Alex Bignell | Second Assistant Director |
| Directing | Aurelia Thomas | Third Assistant Director |
| Sound | Mark Holding | Production Sound Mixer |
| Lighting | Liam McGill | Gaffer |
| Production | David M. Thompson | Executive Producer |
| Art | Tatiana Macdonald | Set Decoration |
| Costume & Make-Up | Ivana Primorac | Makeup Designer |
| Crew | Richard Bradshaw | Stunts |
| Crew | Paul Heasman | Stunts |
| Costume & Make-Up | Nikita Rae | Makeup Artist |
| Production | Natascha Wharton | Executive Producer |
| Crew | Neil Finnighan | Stunts |
| Directing | Martin Harrison | First Assistant Director |
| Sound | Matthew Gough | Sound Re-Recording Mixer |
| Crew | Derek Lea | Stunts |
| Sound | Ted Swanscott | ADR Recordist |
| Production | Tessa Ross | Executive Producer |
| Directing | Mike Hanley | Third Assistant Director |
| Sound | Darren McQuade | ADR Recordist |
| Visual Effects | Stuart Murdoch | Special Effects Supervisor |
| Art | Adam O'Neill | Art Direction |
| Crew | Ray Nicholas | Stunts |
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