In 1971, due to the world premiere of Death in Venice, Italian director Lucino Visconti proclaimed his Tadzio as the world’s most beautiful boy. A shadow that today, 50 years later, weighs Björn Andrésen’s life.
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| Camera | Erik Vallsten | Director of Photography |
| Production | Stina Gardell | Producer |
| Editing | Dino Jonsäter | Editor |
| Sound | Kristoffer Salting | Sound Designer |
| Sound | Brian Dyrby | Sound Designer |
| Editing | Hanna Lejonqvist | Editor |
| Editing | Kalle Lindberg | Additional Editing |
| Writing | Kristina Lindström | Writer |
| Sound | Jonas Goldmann | Sound |
| Sound | Kristoffer Salting | Sound Mixer |
| Editing | Charlotte Landelius | Additional Editing |
| Camera | Moa Lichtenstein | Additional Photography |
| Writing | Kristian Petri | Writer |
| Camera | Iván Blanco | Additional Photography |
| Sound | Brian Dyrby | Sound Mixer |
| Production | Sabine Bubeck-Paaz | Co-Producer |
| Production | Sam Trelje | Post Production Coordinator |
| Editing | Lars-Olof Lampers | Archival Footage Research |
| Production | Jonas Gardell | Co-Producer |
| Production | Frida Neema Järnbert | Production Coordinator |
| Production | Ann-Louice Dahlgren | Production Manager |
| Editing | Kristian Petri | Archival Footage Research |
| Production | Ingemar Persson | Co-Producer |
| Production | Stina Gardell | Unit Manager |
| Crew | Charlotte Hellström | Commissioning Editor |
| Production | Chika Yoshida | Researcher |
| Production | Jonas Goldmann | Post Production Producer |
| Crew | Magnus Limnell | Thanks |
| Crew | Miyuki Tamura | Thanks |
| Editing | Jonas Goldmann | Archival Footage Research |
| Editing | Kristina Lindström | Archival Footage Research |
| Production | Ulrika Yui | Production Coordinator |
| Editing | Stina Gardell | Archival Footage Coordinator |
| Editing | Miho Goto | Archival Footage Research |
| Production | Johan Nordström | Researcher |
| Crew | Ari Aster | Thanks |
| Visual Effects | Peter Karlsson | VFX Artist |
| Editing | Annike Andresen | Archival Footage Research |
| Editing | Frida Neema Järnbert | Archival Footage Research |
| Art | Martin Hultman | Graphic Designer |
| Editing | Ann-Louice Dahlgren | Archival Footage Research |
| Production | Sara Henriksson | Production Assistant |
| Production | Anette Mattsson | Co-Producer |
| Production | Ulrika Yui | Researcher |
| Crew | Nina Königs Hallberg | Thanks |
| Crew | Roy Andersson | Thanks |
| Crew | Anna Nilsdotter Strömholm | Thanks |
| Crew | Joakim Strömholm | Thanks |
| Sound | Lee Chung-gyu | Foley Artist |
| Production | Reiko Watanabe | Researcher |
| Editing | Jonas Goldmann | Online Editor |
| Crew | Jonathan Mair | Translator |
| Crew | Susanna Román | Thanks |
| Visual Effects | Evelina Åström | VFX Artist |
| Editing | Ola Bäccman | Digital Colorist |
| Editing | Lena Dahlberg-Runge | Consulting Editor |
| Editing | Mats Holmberg | Digital Colorist |
| Production | Pär Lindström | Controller |
| Crew | Jael Waern | Thanks |
| Crew | Jennie Kastberg | Legal Services |
| Directing | Kristina Lindström | Director |
| Directing | Kristian Petri | Director |
| Sound | Anna von Hausswolff | Music |
| Sound | Filip Leyman | Music |
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