1968: Martin Luther King, Robert Kennedy, and Bobby Hutton are among the recent dead. In Nigeria, the Civil War is entering its second year with no end in sight. In San Francisco, the adventures of Gabriel, a young Nigerian reflects tribal, personal, and racial frictions during the tumultuous sixties. Truth is stranger than fiction in Bushman, a rare sort of film portrait, part document, part imagined - poetic in its approach to real events.
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| Camera | David Myers | Director of Photography |
| Editing | Andrew Drapkin | Color Grading |
| Camera | Kirk Smallman | Additional Director of Photography |
| Directing | Cindy Harwood | Script Supervisor |
| Production | James Spears | Producer |
| Camera | Stephen Lighthill | Additional Director of Photography |
| Production | Pat Riley | Producer |
| Production | Arnie Cohen | Producer |
| Sound | Paul Oppenheim | Sound Recordist |
| Production | Ken Valentine | Producer |
| Production | Gene Doherty | Production Manager |
| Production | Mary Colwell | Producer |
| Production | Rick Paup | Producer |
| Editing | David Schickele | Editor |
| Production | Daniel Loewenthal | Producer |
| Sound | David Ames | Music |
| Editing | Jennifer Chinlund | Editor |
| Crew | Steve Wax | Special Effects |
| Sound | Peter More | Sound Mixer |
| Directing | David Schickele | Director |
| Writing | David Schickele | Writer |
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