Pursued by detectives, Johnny Walters leaves the city to visit his family in a small California town. Among the household: his dead brother's luscious widow Helen, who soon is attracted to him. Ominous events and conflicting evidence leave Helen suspicious, but uncertain about her brother-in-law as tension builds...
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Editing | Frank Gross | Editor |
Directing | Harry Keller | Director |
Camera | Russell Metty | Director of Photography |
Writing | Gordon McDonell | Story |
Production | Joseph Gershenson | Producer |
Sound | Leslie I. Carey | Sound |
Writing | Sy Gomberg | Screenplay |
Sound | Robert Pritchard | Sound |
Costume & Make-Up | Bill Thomas | Costume Design |
Directing | Marshall Green | Assistant Director |
Visual Effects | Clifford Stine | Visual Effects |
Writing | Mel Dinelli | Screenplay |
Art | Alexander Golitzen | Art Direction |
Costume & Make-Up | Bud Westmore | Makeup Artist |
Art | Russell A. Gausman | Set Decoration |
Art | Julia Heron | Set Decoration |
Writing | Czenzi Ormonde | Screenplay |
Costume & Make-Up | Martha Bunch | Wardrobe Master |
Crew | Harold Goodwin | Dialogue Coach |
Camera | Eddie Pyle | Camera Operator |
Sound | Herman Stein | Music |
Costume & Make-Up | Monty Westmore | Makeup Artist |
Crew | Fred Carson | Stunts |
Sound | Heinz Roemheld | Music |
Camera | Ledge Haddow | Assistant Camera |
Sound | William Lava | Music |
Sound | Frank Skinner | Music |
Art | Solly Martino | Props |
Camera | Clifford Stine | Still Photographer |
Editing | Richard Bracken | Assistant Editor |
Crew | Michael S. Baumohl | Unit Publicist |
Directing | James Welch | Assistant Director |
Lighting | Max Nippell | Gaffer |
Sound | Henry Mancini | Music |
Art | Bud Laraby | Props |
Camera | Charles Cowie | Grip |
Costume & Make-Up | Bucky Rous | Wardrobe Master |
Sound | Hans J. Salter | Music |
Camera | Virgil Proctor | Best Boy Grip |
Costume & Make-Up | Nick Marcellino | Makeup Artist |
Directing | Betty A. Griffin | Script Supervisor |
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