When a handshake deal goes sour, funeral home owner Jeremiah O'Keefe enlists charismatic, smooth-talking attorney Willie E. Gary to save his family business. Tempers flare and laughter ensues as the unlikely pair bond while exposing corporate corruption and racial injustice.
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| Writing | Jonathan Harr | Original Story |
| Writing | Margaret Betts | Screenplay |
| Art | Ashley Clements | Assistant Property Master |
| Sound | Michael Abels | Music |
| Costume & Make-Up | Suzy Laney | Makeup Artist |
| Art | Marine Pascetta | Props |
| Art | Michael S. Martin | Property Master |
| Crew | Adam Barth | Video Assist Operator |
| Art | Eric Ringbloom | Set Dresser |
| Costume & Make-Up | Anouck Sullivan | Makeup Department Head |
| Production | Pamela Monroe | Executive In Charge Of Production |
| Art | Michele Bardwell | Set Decoration Buyer |
| Production | Celine Rattray | Producer |
| Editing | Lee Percy | Editor |
| Costume & Make-Up | Mirren Gordon-Crozier | Costume Design |
| Art | Alice Alward | Art Direction |
| Visual Effects | Nicolas Decara | Digital Compositor |
| Camera | Raheem Allen | Second Assistant Camera |
| Production | Ian Watermeier | Executive Producer |
| Production | Trudie Styler | Producer |
| Costume & Make-Up | Michelle Cardoza | Key Makeup Artist |
| Costume & Make-Up | Melissa Forney | Hair Department Head |
| Costume & Make-Up | Shawn Janifer | Makeup Artist |
| Production | Kim Taylor-Coleman | Casting Director |
| Art | Kay Lee | Production Design |
| Art | Claire Sanchez | Set Decoration |
| Art | Jubilate Cox | Set Designer |
| Art | Adam Alonso | Assistant Art Director |
| Costume & Make-Up | Joie Todd Kerns | On Set Dresser |
| Costume & Make-Up | Allison Lacour | Makeup Artist |
| Art | Eric Jihwan Jeon | Art Direction |
| Lighting | Cole Thomas Barranco | Lighting Technician |
| Costume & Make-Up | Laura Gorman | Makeup Artist |
| Costume & Make-Up | Alana J. Hogg | Makeup Artist |
| Production | Scott Foundas | Executive In Charge Of Production |
| Directing | Joe May | First Assistant Director |
| Directing | Ian Watermeier | Second Unit Director |
| Directing | Lee Blaine | First Assistant Director |
| Art | Stephen Dudro | Assistant Art Director |
| Camera | Maryse Alberti | Director of Photography |
| Art | Evan Maddalena | Graphic Designer |
| Visual Effects | George Loucas | Visual Effects Supervisor |
| Production | Charlotte Gale | Extras Casting |
| Costume & Make-Up | Jennifer Kennedy | Assistant Costume Designer |
| Art | McKensie McNeely | Props |
| Sound | Benjamin Farthing | Boom Operator |
| Camera | Bruce Vincent Logan | Aerial Camera Technician |
| Editing | Leeza Diott | Dailies Manager |
| Directing | Steve Lonano | Second Assistant Director |
| Art | Twig Leveque | Graphic Designer |
| Art | Erik van Haaren | Construction Coordinator |
| Visual Effects | Martín Zequeira | Digital Compositor |
| Camera | Skip Bolen | Still Photographer |
| Crew | Fernando MacFarlane | Drone Operator |
| Production | Ian Watermeier | Unit Production Manager |
| Lighting | Ryan Goss | Electrician |
| Sound | Dustin Fleetwood | Production Sound Mixer |
| Visual Effects | Cameron Target | Visual Effects Coordinator |
| Camera | Josef Hensgens | Grip |
| Camera | Nick Nicolay | Key Grip |
| Camera | Jack Patterson | Grip |
| Camera | Jim Wayer | Best Boy Grip |
| Production | Chelsea Krant | Production Supervisor |
| Production | Anna P. McCarthy | Casting Associate |
| Costume & Make-Up | Leigha K. Lindsay | Costume Supervisor |
| Art | Gregory T. Geniusz | Set Dresser |
| Art | Cydney Tucker | Construction Buyer |
| Crew | Liam Hoppe | Special Effects Coordinator |
| Visual Effects | Matt Russell | Visual Effects Producer |
| Camera | Brandon Dauzat | First Assistant "B" Camera |
| Camera | Nick Ramey | Aerial Camera Technician |
| Camera | Paul Rahfield | Digital Imaging Technician |
| Camera | Daniel Waghorne | Drone Pilot |
| Production | Meagan Lewis | Location Casting |
| Camera | Ryosuke Kawanaka | First Assistant "A" Camera |
| Lighting | Joseph Paolucci Jr. | Rigging Gaffer |
| Lighting | Alex Vucic | Best Boy Electric |
| Art | Katia Nájera | Set Designer |
| Visual Effects | Daniel Fradkin | Visual Effects |
| Camera | Austin Alward | "B" Camera Operator |
| Camera | Mason Blair | Grip |
| Editing | Ryan Hymel | Colorist |
| Editing | Nia Rose | Assistant Editor |
| Camera | Henry Tirl | "A" Camera Operator |
| Editing | Julie Carr | Additional Editor |
| Lighting | Chip Carey | Chief Lighting Technician |
| Camera | Chad Taylor | Second Assistant Camera |
| Camera | Henry Tirl | Steadicam Operator |
| Production | Theresa Hernandez | Casting Associate |
| Costume & Make-Up | Stefana A Campbell | Costume Coordinator |
| Camera | Aha Hasan | Grip |
| Camera | Andy Luce | Dolly Grip |
| Camera | Chris Salamone | Dolly Grip |
| Crew | Vinny Dovichi | Transportation Captain |
| Editing | Tim Stipan | Digital Intermediate Colorist |
| Production | David Fields | Assistant Location Manager |
| Writing | Doug Wright | Screenplay |
| Production | Adam Richman | Producer |
| Production | Jenette Kahn | Producer |
| Production | Bobby Shriver | Producer |
| Production | Jamie Foxx | Producer |
| Production | Datari Turner | Producer |
| Directing | Margaret Betts | Director |
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