The feature film directing debut of Spike Lee protege Lee Davis takes the viewer into the world of taxi drivers. Developed in the Sundance Laboratory, this film offers dove-tailing stories centering on the lives of individual taxi drivers as they reflect on and experience romance, politics, sociology, and spirituality.
Unfortunately the movie 3 A.M. is not yet available on Netflix. Follow us on Facebook to see when 3 A.M. becomes available on Netflix!
| Directing | Lee Davis | Director |
| Writing | Lee Davis | Writer |
| Production | Sam Kitt | Co-Executive Producer |
| Production | Sam Kitt | Producer |
| Production | Lina Todd | Casting |
| Editing | Susan E. Morse | Editor |
| Camera | Enrique Chediak | Director of Photography |
| Production | Spike Lee | Producer |
| Art | Ted Glass | Production Design |
| Crew | Ann Marie Auricchio | Scenic Artist |
| Crew | John Patrick McLaughlin | Stunts |
| Crew | Mike Easter | Transportation Co-Captain |
| Crew | Lisa France | Stunts |
| Production | Callum Greene | Co-Producer |
| Costume & Make-Up | Mary Cooke | Key Hair Stylist |
| Sound | James Flatto | Music Editor |
| Sound | Branford Marsalis | Original Music Composer |
| Costume & Make-Up | Diane Hammond | Makeup Artist |
| Visual Effects | Steven Meyer | Visual Effects Supervisor |
| Crew | Jamey Pryde | Post Production Supervisor |
| Camera | Gary Martone | Grip |
| Editing | Perri Pivovar | Assistant Editor |
| Sound | Glenfield Payne | Sound Effects Editor |
| Production | Paul Kurta | Co-Executive Producer |
| Directing | Michael Taylor | Script Supervisor |
| Camera | John Bentham | Additional Camera |
| Production | Nicole Wohl | Casting Associate |
| Lighting | James J. Ferris | Electrician |
| Camera | Tally Morse | Grip |
| Production | Anthony Katagas | Co-Producer |
| Production | Anthony Katagas | Production Manager |
| Costume & Make-Up | Luca Mosca | Costume Design |
| Camera | David Knox | Camera Operator |
| Production | Danny Glover | Executive Producer |
| Production | Spike Lee | Co-Executive Producer |
| Art | Andrew Baseman | Set Decoration |
| Lighting | Brooke Stanford | Best Boy Electric |
| Production | Jonathan Shepard | Location Manager |
| Sound | Todd Milner | Production Sound Mixer |
| Crew | Paul Leonardo Jr. | Post Production Supervisor |
| Art | Courtney Engelstein | Art Department Assistant |
| Editing | Alfredo Frasson | Color Timer |
| Art | Doug Ellis | Art Direction |
| Crew | Andrew Mortelliti | Special Effects |
| Directing | Sarah Gyllenstierna | First Assistant Director |
| Art | Peter Gelfman | Property Master |
| Directing | Rafael Osorio | Second Assistant Director |
| Sound | Kimberly R. McCord-Wilson | Dialogue Editor |
| Sound | Dave Flynch | Foley Editor |
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!
