On the Arabian Peninsula in the 1930s, two warring leaders come face to face. The victorious Nesib, Emir of Hobeika, lays down his peace terms to rival Amar, Sultan of Salmaah. The two men agree that neither can lay claim to the area of no man’s land between them called The Yellow Belt. In return, Nesib adopts Amar’s two boys Saleeh and Auda as a guarantee against invasion. Twelve years later, Saleeh and Auda have grown into young men. Saleeh, the warrior, itches to escape his gilded cage and return to his father’s land. Auda cares only for books and the pursuit of knowledge. One day, their adopted father Nesib is visited by an American from Texas. He tells the Emir that his land is blessed with oil and promises him riches beyond his wildest imagination. Nesib imagines a realm of infinite possibility, a kingdom with roads, schools and hospitals all paid for by the black gold beneath the barren sand. There is only one problem. The precious oil is located in the Yellow Belt.
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Writing | Menno Meyjes | Screenplay |
Directing | Jean-Jacques Annaud | Director |
Crew | James Logan | Stunts |
Sound | James Horner | Original Music Composer |
Costume & Make-Up | Sarah Ellis | Costume Design |
Art | Thierry Poulet | Assistant Art Director |
Costume & Make-Up | Céline Pelé | Assistant Costume Designer |
Camera | Jan Rubens | Steadicam Operator |
Crew | Absi Anis | Special Effects Coordinator |
Sound | Lee Herrick | ADR & Dubbing |
Sound | Jim Henrikson | Music Editor |
Sound | Nicolas Fioraso | Foley |
Art | Emma Pucci | Art Direction |
Crew | Susana Gomes | Second Unit Cinematographer |
Sound | Jennie Evans | ADR & Dubbing |
Art | Pierre Quefféléan | Production Design |
Visual Effects | Virginie Wintrebert | Visual Effects Coordinator |
Sound | Vincent Arnardi | Sound Re-Recording Mixer |
Crew | Stéphane Linet | Armorer |
Crew | Laurent Ripoll | Visual Effects Editor |
Writing | Hans Ruesch | Novel |
Camera | Jean-Marie Dreujou | Director of Photography |
Camera | Denis Garnier | First Assistant Camera |
Editing | Capucine Courau | Dialogue Editor |
Production | Tarak Ben Ammar | Producer |
Camera | David Koskas | Still Photographer |
Sound | Dick Bernstein | Music Editor |
Visual Effects | Uli Nefzer | Special Effects Supervisor |
Crew | David Gourmaud | Visual Effects Editor |
Visual Effects | Eric Carme | VFX Supervisor |
Art | Lilith Bekmezian | Assistant Art Director |
Sound | Nicolas Becker | Foley |
Art | Fabienne Guillot | Set Decoration |
Sound | Selim Azzazi | Supervising Sound Editor |
Sound | Frédéric Le Louet | Supervising Sound Effects Editor |
Writing | Jean-Jacques Annaud | Adaptation |
Directing | Natasha Gomes de Almeida | Script Supervisor |
Crew | Benoit De Longlee | CG Supervisor |
Writing | Alain Godard | Adaptation |
Editing | Hervé Schneid | Editor |
Sound | Julien Perez | Sound Re-Recording Mixer |
Editing | Anita Roth | First Assistant Editor |
Editing | Sarah Zaanoun | Assistant Editor |
Costume & Make-Up | Amélie Grossier | Special Effects Makeup Artist |
Costume & Make-Up | Christophe Chabenet | Special Effects Makeup Artist |
Sound | Cédric Denooz | Sound Effects Editor |
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