When the moral values of a longtime wetwork black ops agent is tested during his last operation, he receives an unfavorable psych evaluation. Now he is given a break and a seemingly uncomplicated assignment of simply protecting the security of a young female code announcer, code resources and remote station they are assigned to. After an ambush and one phone call later, it becomes a complicated fight for their survival.
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| Directing | Kasper Barfoed | Director |
| Production | Bryan Furst | Producer |
| Production | Dan Hubbard | Casting |
| Production | Sean Furst | Producer |
| Writing | F. Scott Frazier | Screenplay |
| Production | Nigel Thomas | Producer |
| Costume & Make-Up | Sian Jenkins | Costume Design |
| Camera | Vince McGahon | Camera Operator |
| Camera | Abigail Catto | Clapper Loader |
| Camera | Jeremy Braben | Aerial Camera |
| Camera | Dominique Cheung | Camera Trainee |
| Lighting | Barry Bellotti | Electrician |
| Camera | Liam Daniel | Still Photographer |
| Camera | David Ashby | Key Grip |
| Camera | Mat Brooks | Data Wrangler |
| Camera | David Churchyard | Clapper Loader |
| Camera | Tristan Hey | Digital Imaging Technician |
| Camera | Spencer Murray | First Assistant Camera |
| Camera | Laurence Cendrowicz | Additional Still Photographer |
| Lighting | Vince Madden | Electrician |
| Lighting | Paul Brown | Electrician |
| Camera | Peter Byrne | First Assistant Camera |
| Camera | Emily Payne | Camera Trainee |
| Camera | Marc-Jason Maier | Digital Imaging Technician |
| Camera | Oliver Ward | Aerial Camera Technician |
| Camera | Lee Godfrey | Best Boy Grip |
| Costume & Make-Up | Kate Benton | Makeup Artist |
| Production | Jeremy Burdek | Executive Producer |
| Production | Doug Mankoff | Executive Producer |
| Production | Neil Tabatznik | Executive Producer |
| Art | Liz Griffiths | Set Decoration |
| Production | Chris Cowles | Executive Producer |
| Production | Steven Silver | Executive Producer |
| Production | Gilles Waterkeyn | Executive Producer |
| Sound | Niv Adiri | Sound Re-Recording Mixer |
| Costume & Make-Up | Kristyan Mallett | Makeup Designer |
| Production | Christopher Figg | Executive Producer |
| Production | Charlotte Walls | Executive Producer |
| Sound | Glen Gathard | Foley Mixer |
| Sound | Paul Leonard-Morgan | Original Music Composer |
| Production | Jamie Carmichael | Executive Producer |
| Sound | Glenn Freemantle | Sound Designer |
| Art | Ged Clarke | Production Design |
| Costume & Make-Up | Graham Johnston | Makeup Designer |
| Production | Karl Richards | Executive Producer |
| Sound | Peter Burgis | Foley Artist |
| Production | Peter Bevan | Executive Producer |
| Production | Erick Kwak | Executive Producer |
| Production | Robert Whitehouse | Executive Producer |
| Sound | Jean-Stephane Garbe | Sound Re-Recording Mixer |
| Editing | Per Sandholt | Editor |
| Costume & Make-Up | Lorna McGowan | Makeup Artist |
| Production | James Gibb | Executive Producer |
| Editing | Chris Gill | Editor |
| Production | John Papsidera | Casting |
| Sound | Hugo Adams | Foley Editor |
| Sound | Gillian Dodders | Dialogue Editor |
| Production | Adrian Politowski | Executive Producer |
| Sound | Emilie O'Connor | ADR Editor |
| Production | Andrew Spaulding | Executive Producer |
| Production | Nadia Khamlichi | Executive Producer |
| Sound | Ben Barker | Sound Designer |
| Crew | Greg Powell | Stunt Coordinator |
| Production | Chris Fenton | Executive Producer |
| Camera | Óttar Guðnason | Director of Photography |
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