Tom Merrick gets caught up in a time-traveling conspiracy and must set the timeline right before it is irrevocably altered.
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Directing | Mario Philip Azzopardi | Director |
Writing | Gay Walch | Screenplay |
Writing | Kurt Inderbitzin | Screenplay |
Production | Jon Comerford | Casting |
Sound | Michael Baskerville | Sound Re-Recording Mixer |
Crew | Randy Butcher | Stunts |
Sound | Owen Langevin | Sound Mixer |
Crew | Michael Kavanagh | Special Effects Coordinator |
Production | Fern Orenstein | Casting |
Crew | Matt Birman | Stunts |
Crew | Brittney Banks | Utility Stunts |
Directing | Susan Marucci | Script Supervisor |
Crew | Bryan J. Thomas | Stunts |
Crew | John Stoneham Jr. | Stunt Coordinator |
Lighting | Kevin Alanthwaite | Gaffer |
Crew | Robert Racki | Stunts |
Crew | Brayden Jones | Stunts |
Crew | Don Stockford | Stunts |
Visual Effects | John D.B. Cox | Visual Effects Supervisor |
Production | Susan Glicksman | Casting |
Directing | William Spahic | First Assistant Director |
Sound | Alan deGraaf | Sound Re-Recording Mixer |
Crew | Billy Oliver | Stunts |
Directing | Jonathan Wright | Second Assistant Director |
Art | Peter Cosco | Production Design |
Costume & Make-Up | Trysha Bakker | Costume Design |
Production | Tom Luse | Producer |
Camera | Derick V. Underschultz | Director of Photography |
Costume & Make-Up | Linda Steeves | Key Makeup Artist |
Production | Kurt Inderbitzin | Executive Producer |
Art | Greg Chown | Art Direction |
Costume & Make-Up | Karola Dirnberger | Makeup Department Head |
Editing | Ron Wisman | Editor |
Sound | Fred Mollin | Music |
Art | Gareth Wilson | Set Decoration |
Production | J.J. Jamieson | Executive Producer |
Production | Cary Brokaw | Executive Producer |
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