Jack Carver, a former member of the Special Forces takes the journalist Valerie Cardinal to an Island to visit her uncle Max who is working in a Military complex on the Island. As they arrive Valerie gets captured by the minions of Doctor Krüger. After the destruction of his boat Jack finds out about the true purpose of the Facilities on the Island, which is the creation of genetic soldiers.
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| Writing | Michael Roesch | Screenplay |
| Directing | Uwe Boll | Director |
| Writing | Peter Scheerer | Screenplay |
| Production | Wolfgang Herold | Executive Producer |
| Crew | Janene Carleton | Stunts |
| Crew | Brett Armstrong | Stunts |
| Crew | Owen Walstrom | Stunts |
| Production | Shawn Williamson | Producer |
| Production | Eyde Belasco | Casting |
| Production | Uwe Boll | Producer |
| Costume & Make-Up | Carla Hetland | Costume Design |
| Camera | Mathias Neumann | Director of Photography |
| Production | Maureen Webb | Casting |
| Costume & Make-Up | Danna Rutherford | Hairstylist |
| Crew | Kyla Rose Tremblay | Makeup Effects |
| Art | Allan Burdett | Construction Coordinator |
| Art | Ide Foyle | Set Decoration |
| Editing | Karen Porter | Editor |
| Art | Tink | Production Design |
| Costume & Make-Up | Charmaine Clark | Hairstylist |
| Crew | Leeann Charette | Makeup Effects |
| Costume & Make-Up | Leah Schweiger | Hairstylist |
| Costume & Make-Up | Naomi Bakstad | Makeup Artist |
| Art | Iesza Jessica Jordan | Assistant Art Director |
| Art | Melanie Haines | Art Department Coordinator |
| Costume & Make-Up | Tanya Howard | Makeup Artist |
| Art | Catherine Ircha | Art Direction |
| Costume & Make-Up | Trudy Parisien | Makeup Artist |
| Sound | Gina Ponting | Dolby Consultant |
| Camera | A.J. Vesak | Helicopter Camera |
| Visual Effects | Florian Gellinger | Visual Effects Supervisor |
| Sound | Manuel Karakas | Sound Designer |
| Crew | Jak Osmond | Special Effects Coordinator |
| Camera | Junichi Hosoi | Camera Operator |
| Visual Effects | Christel Brunn | Visual Effects Producer |
| Visual Effects | Phil Jones | Visual Effects Supervisor |
| Art | Richard Schultz | Greensman |
| Camera | Quincy Paglaro | Camera Operator |
| Visual Effects | Doug Oddy | Visual Effects Supervisor |
| Crew | Ed Anders | Stunt Coordinator |
| Visual Effects | Sven Pannicke | Visual Effects Producer |
| Crew | William Wanstrom | Unit Publicist |
| Sound | Jochen Engelke | Sound Re-Recording Mixer |
| Camera | John Davidson | Camera Operator |
| Camera | Braden Haggerty | Underwater Camera |
| Directing | Joecy Shepherd | Script Supervisor |
| Crew | Graham Johnston | Scenic Artist |
| Crew | Danny Nowak | Second Unit Cinematographer |
| Art | James Summers | Greensman |
| Art | Vince Zastre | Greensman |
| Camera | Jim Stacey | Camera Operator |
| Directing | Debra Margolis | Script Supervisor |
| Editing | Deirdre Bennett | Digital Intermediate |
| Sound | Peter Roigk | Foley |
| Production | Terry Mackay | Location Manager |
| Art | Jay Robinson | Lead Painter |
| Visual Effects | Colleen Jenkinson | Visual Effects Producer |
| Lighting | Paul Slatter | Gaffer |
| Crew | Gordon Alyward | Transportation Coordinator |
| Crew | Laura Lee Connery | Stunts |
| Crew | Doug Chapman | Stunts |
| Art | David Dowling | Property Master |
| Sound | Jessica de Rooij | Original Music Composer |
| Crew | Rick Pearce | Stunts |
| Crew | Loyd Bateman | Stunts |
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