When Aida Teagarden's real estate client is found murdered, her sleuthing daughter Aurora sets out with her fiancé Nick and the Real Murders Club to solve the murder.
Unfortunately the movie Aurora Teagarden Mysteries: How to Con a Con is not yet available on Netflix. Follow us on Facebook to see when Aurora Teagarden Mysteries: How to Con a Con becomes available on Netflix!
| Sound | Mario Vaira | Music |
| Writing | Charlaine Harris | Characters |
| Camera | Collin Morrison | "A" Camera Operator |
| Camera | Mark LeClair | First Assistant "A" Camera |
| Crew | Brad Turner | Stunt Double |
| Directing | Kevin Speckmaier | First Assistant Director |
| Camera | Coenraad Been | Second Assistant "B" Camera |
| Camera | Patrick Paes | Second Assistant "A" Camera |
| Directing | Adam McCarthy | Second Assistant Director |
| Sound | Devin Baril | Boom Operator |
| Crew | Carolyn Anderson | Stunt Double |
| Sound | Tor Dekker | Boom Operator |
| Crew | Landon Jackle | Stunt Coordinator |
| Camera | Kailey Schwerman | Still Photographer |
| Costume & Make-Up | Michael David George | Assistant Costume Designer |
| Sound | Hollie Sanders | Music Coordinator |
| Production | Joey Setter | Production Coordinator |
| Crew | Andy Levine | Post Production Supervisor |
| Art | Daniel Cipilinsky | Property Master |
| Art | Lauryn Wachter | Assistant Set Decoration |
| Production | David Rice | Post Production Coordinator |
| Sound | Josef Floris | Boom Operator |
| Directing | Masha Jenkins | Third Assistant Director |
| Production | Trudi Thorwaldson | Production Accountant |
| Sound | Daniel Cardona | Sound Re-Recording Mixer |
| Costume & Make-Up | Kayla Kertesz | Assistant Hairstylist |
| Production | Martina Smyth | Casting Assistant |
| Art | Coralee Draginda | Assistant Property Master |
| Costume & Make-Up | Aine Plunkett | Assistant Makeup Artist |
| Camera | Keith Granger | Dolly Grip |
| Sound | Sian O'Byrne | Music Supervisor |
| Directing | Janice Liew | Script Supervisor |
| Costume & Make-Up | Amy Lamon | Hair Department Head |
| Camera | Cholo Medina | Best Boy Grip |
| Editing | Lorne Wright | Colorist |
| Sound | Rob Coxford | Sound Re-Recording Mixer |
| Costume & Make-Up | Ashley Lamon | Makeup Department Head |
| Lighting | Rob Hamilton | Gaffer |
| Costume & Make-Up | Barbara Gregusova | Costume Design |
| Editing | Chi Toa So | Assistant Editor |
| Sound | Eric Weisner | Boom Operator |
| Sound | Adam Sharpe | Sound Supervisor |
| Editing | Joselyn Hernandez | Assistant Editor |
| Sound | Tim McCann | Foley Artist |
| Sound | Wen Du | Foley Mixer |
| Sound | Shane Rees | Foley Artist |
| Sound | Matt Dawson | ADR & Dubbing |
| Editing | Tony Rodney | Assistant Editor |
| Sound | Ken Cade | Sound Designer |
| Camera | Jeffery Scott Lando | "B" Camera Operator |
| Sound | James Schoening | Sound Mixer |
| Directing | Tony Dean Smith | Director |
| Writing | Teena Booth | Writer |
| Production | Jim Head | Executive Producer |
| Production | Suzan Derkson | Production Manager |
| Art | Elliott Vion | Set Decoration |
| Production | Shawn Williamson | Executive Producer |
| Production | Charlaine Harris | Executive Producer |
| Production | Joel S. Rice | Executive Producer |
| Production | Candace Cameron Bure | Executive Producer |
| Production | John MacCarthy | Producer |
| Production | Jamie Goehring | Executive Producer |
| Camera | Pieter Stathis | Director of Photography |
| Production | Michael Prupas | Executive Producer |
| Production | Candice Elzinga | Casting |
| Art | Heath Whitelock | Art Direction |
| Art | Lloyd Stone | Production Design |
| Editing | Mauri Bernstein | Editor |
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