Natalie, a gifted New York photographer, has a troubled past reflected in her art. When she struggles to make ends meet in the city, her agent, arranges an assignment in Boston for a considerable sum of money. Unable to turn it down in her dire straits, Natalie takes the job -- only to find that her estranged gay brother, Roy, is the employer. Roy wants to mend their broken past, but must convince her to stay long enough to do so.
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| Camera | Robert Elswit | Director of Photography |
| Writing | Matia Karrell | Writer |
| Writing | C.W. Cressler | Writer |
| Directing | Matia Karrell | Director |
| Production | Anna Petras | Production Secretary |
| Art | Geoff Younghusband | Props |
| Sound | Don Ellis | Boom Operator |
| Directing | Terry Stone | Third Assistant Director |
| Production | Tony Butt | Location Manager |
| Art | Derek Holmes | Set Dresser |
| Art | Debbie Vatcher | Assistant Art Director |
| Directing | Dana Warren | First Assistant Director |
| Production | Barry Nichols | Production Coordinator |
| Camera | Nigel Markham | Second Unit Director of Photography |
| Directing | Kelly Stone | Second Assistant Director |
| Art | Kerri MacDonald | Set Propsman |
| Art | Pam Hall | Production Design |
| Crew | Justin Simms | Unit Publicist |
| Crew | Paul Wade | Carpenter |
| Production | Mary Sexton | Co-Producer |
| Production | Cara Powell | Production Coordinator |
| Costume & Make-Up | Marie J. Sharpe | Costume Design |
| Production | Matia Karrell | Producer |
| Editing | Barry Farrell | Editor |
| Sound | David Fleury | Music |
| Lighting | Kevin Alanthwaite | Gaffer |
| Production | Deborah Thompson Duda | Co-Producer |
| Production | Jeff Geoffray | Executive Producer |
| Production | Walter Josten | Executive Producer |
| Production | Jay E. Joyce | Executive Producer |
| Production | Carlo Liconti | Co-Producer |
| Production | Jim Melino | Co-Executive Producer |
| Production | Michael Mosca | Co-Producer |
| Camera | Ray Fennelly | Still Photographer |
| Production | Kjehl Rasmussen | Producer |
| Production | Pierre Rene | Executive Producer |
| Production | Charles J. Wilson | Co-Executive Producer |
| Production | Lindsay Chag | Casting |
| Production | Karen Hazzard | Casting |
| Production | Roe Baker | Casting |
| Costume & Make-Up | Linda Dowds | Key Makeup Artist |
| Costume & Make-Up | Charmaine Furneaux | Assistant Hairstylist |
| Costume & Make-Up | Dorothy Martin | Assistant Makeup Artist |
| Costume & Make-Up | Sandy Sokolowski | Key Hair Stylist |
| Crew | Sean Atkinson | Post Production Supervisor |
| Production | Charles Braive | Production Manager |
| Production | Ritchard Findlay | Production Manager |
| Crew | Allen Ford | Post Production Supervisor |
| Production | Carri Gutknecht | Production Executive |
| Production | Debbie Wilson | Production Executive |
| Production | Kim Yu | Production Supervisor |
| Art | Terry Thompson | Set Buyer |
| Camera | Keith Burgess | Second Assistant Camera |
| Camera | Mike Clarke | Grip |
| Camera | Darryl Couch | Additional Grip |
| Crew | Tim Murphy | Generator Operator |
| Lighting | Michael Worthman | Lighting Technician |
| Camera | John Roche | Additional Grip |
| Lighting | Tom Dunphy | Electrician |
| Costume & Make-Up | Deborah Clarke | Wardrobe Master |
| Production | Scott Taylor | Location Production Assistant |
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