When a nuclear attack submarine crashes on the floor of the Artic ocean, it's up to a pair of research scientists to save the entire crew before time and oxygen run out.
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| Camera | Hiro Narita | Director of Photography |
| Production | Silvio Muraglia | Producer |
| Crew | Cort Hessler | Stunts |
| Production | Paul de Bourcy | Location Manager |
| Camera | Wolfgang Wesemann | Clapper Loader |
| Lighting | Marco Sticchi | Gaffer |
| Editing | Cary Shott | Editor |
| Directing | Alan Smithee | Director |
| Crew | Rick Wiessenhaan | Stunts |
| Art | Peter Powis | Art Direction |
| Directing | Claude de Bourcy | Third Assistant Director |
| Costume & Make-Up | Cathy Folmer | Makeup Artist |
| Visual Effects | Holger Wehrle | Animation |
| Camera | Benny Ashoff | Assistant Camera |
| Camera | Rolf Buegler | Underwater Camera |
| Sound | Stefano Mainetti | Original Music Composer |
| Art | Beck Taylor | Set Designer |
| Art | David Hogan | Storyboard Artist |
| Art | Elsemieke Meijer | Art Department Coordinator |
| Directing | Ralph Eisenmann | Third Assistant Director |
| Crew | Rob Weissenhaan | Pyrotechnician |
| Editing | Ian Differ | Assistant Editor |
| Sound | Jeffrey R. Whitcher | Sound Effects Editor |
| Sound | Eric Thompson | ADR Mixer |
| Sound | David Horner | ADR Mixer |
| Production | Stirling Belefant | Associate Producer |
| Directing | Annie Simpson | Script Supervisor |
| Crew | Harry Wiesenhaan | Special Effects Coordinator |
| Camera | Alessandro Bolognesi | Camera Operator |
| Costume & Make-Up | Lisa Johnson | Costume Designer |
| Costume & Make-Up | Vincenzo Mastrantonio | Makeup Designer |
| Sound | Michael Kamper | Sound Effects Editor |
| Sound | Ken Teaney | Sound Re-Recording Mixer |
| Production | Jeffrey White | Producer |
| Directing | Gregg Champion | Director |
| Production | Howard Chesley | Associate Producer |
| Camera | Chantal Schaul | Camera Trainee |
| Lighting | Severino Tramontani | Best Boy Electric |
| Directing | Sheila McNaught | Script Supervisor |
| Camera | Maurizio Salvatori | Grip |
| Directing | Rolf Buegler | Second Unit Director |
| Sound | Frederick H. Stahly | Dialogue Editor |
| Sound | John C. Stuver | Dialogue Editor |
| Editing | Andrew MacRitchie | Assistant Editor |
| Writing | Howard Chesley | Story |
| Production | Cameron Jones | Associate Producer |
| Production | Jeremy Zimmermann | Casting Consultant |
| Costume & Make-Up | Vessna Kovacevic | Costumer |
| Costume & Make-Up | Vivian Nowak | Hairstylist |
| Production | Meinir Stoutt | Production Manager |
| Editing | Saar Klein | Additional Editing |
| Sound | Gregg Barbanell | Foley Artist |
| Camera | Maurizio Cremisini | Focus Puller |
| Sound | Ann Scibelli | Sound Effects Editor |
| Sound | Paul Curtis | Dialogue Editor |
| Sound | Laura Macias | Foley Artist |
| Sound | Vince Nicastro | Foley Artist |
| Directing | Iseult Frere | Second Assistant Director |
| Art | Chaz Prestidge | Set Dresser |
| Crew | Cam Eason | Creative Consultant |
| Camera | Luciano Giuseppone | Key Grip |
| Sound | John Rodda | Sound Recordist |
| Crew | Peter Field | Lighting Camera |
| Camera | Martin Gehbauer | Assistant Camera |
| Camera | Claus Henrich | Assistant Camera |
| Editing | Glenn Cocco | Assistant Editor |
| Sound | Eric Thompson | Foley Mixer |
| Sound | Joshua Winget | Music Editor |
| Production | Lynne Polak | Casting Director |
| Costume & Make-Up | Elaine Colombana | Costumer |
| Crew | Edward Wiesenhaan | Special Effects Technician |
| Camera | Bruce Malone | Still Photographer |
| Sound | Marshall Garlington | Sound Re-Recording Mixer |
| Production | Tom Reeve | Executive Producer |
| Production | Romain Schroeder | Executive Producer |
| Crew | Stacy Courtney | Stunts |
| Camera | Alessandro Bolognesi | Steadicam Operator |
| Costume & Make-Up | Klaus Lehofer | Wardrobe Supervisor |
| Sound | Mike Reardon | Boom Operator |
| Directing | Cort Hessler | Second Unit First Assistant Director |
| Editing | Pam Sharp | Assistant Editor |
| Sound | Tim Walston | Sound Effects Editor |
| Sound | Juan Peralta | Sound Re-Recording Assistant |
| Sound | Shiro Gutzie | Music Supervisor |
| Production | Daniel Sladek | Producer |
| Writing | Silvio Muraglia | Story |
| Writing | Daniel Sladek | Story |
| Writing | Howard Chesley | Screenplay |
| Production | Ros Davidson | Production Coordinator |
| Directing | Jeff Jensen | Second Unit Director |
| Sound | Marc Fishman | Sound Director |
| Visual Effects | Bruce Walters | Visual Effects Supervisor |
| Production | Tom Piskura | Associate Producer |
| Costume & Make-Up | David Whiteing | Wardrobe Supervisor |
| Crew | Rick Wiessenhaan | Special Effects Technician |
| Camera | Rolf Buegler | Camera Operator |
| Editing | Russell Eaton | Assistant Editor |
| Sound | Harry Cohen | Supervising Sound Editor |
| Sound | Elisabeth Flaum | Sound Effects Editor |
| Sound | Jason Lezama | Foley Editor |
| Art | Jimmy Zelinger | Title Designer |
| Sound | Michael Hashimoto | Music Coordinator |
| Directing | Scott Metcalfe | First Assistant Director |
| Art | Simon Bowles | Assistant Art Director |
| Costume & Make-Up | Mauro Tamagnini | Hair Supervisor |
| Camera | Alex Aach | Clapper Loader |
| Sound | Colin Rogers | ADR Recordist |
| Editing | Dale E. Grahn | Color Timer |
| Crew | Roger Simonsz | Lighting Camera |
| Sound | Andrew DeCristofaro | Supervising Sound Editor |
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