Robin Hood comes home after fighting in the Crusades to learn that the noble King Richard is in exile and that the despotic King John now rules England, with the help of the Sheriff of Rottingham. Robin Hood assembles a band of fellow patriots to do battle with King John and the Sheriff.
Is Robin Hood: Men in Tights on Netflix? Yes! The movie Robin Hood: Men in Tights is now on Netflix in the countries listed below.
| Directing | Mel Brooks | Director |
| Production | Mel Brooks | Producer |
| Camera | Michael D. O'Shea | Director of Photography |
| Writing | J.D. Shapiro | Screenplay |
| Writing | Evan Chandler | Screenplay |
| Production | Bill Shepard | Casting |
| Writing | Mel Brooks | Screenplay |
| Writing | J.D. Shapiro | Story |
| Production | Peter Schindler | Executive Producer |
| Production | Lindsay Chag | Casting |
| Art | Roy Forge Smith | Production Design |
| Sound | Hummie Mann | Original Music Composer |
| Editing | Stephen E. Rivkin | Editor |
| Writing | Evan Chandler | Story |
| Production | Kenneth Chamitoff | Extras Casting |
| Crew | Dick Warlock | Stunts |
| Production | Evan Chandler | Associate Producer |
| Crew | Erik Cord | Stunts |
| Crew | Troy Gilbert | Stunts |
| Crew | Loren Janes | Stunts |
| Art | W. Wayne Walser | Construction Coordinator |
| Sound | Mark 'Frito' Long | Sound Recordist |
| Art | Terry Kempf | Construction Foreman |
| Costume & Make-Up | Charles DeMuth | Costume Supervisor |
| Costume & Make-Up | Dodie Shepard | Costume Design |
| Camera | James D. Doherty | Grip |
| Crew | Neil Gahm | Propmaker |
| Camera | Lloyd Ahern II | Additional Photography |
| Camera | Robert Isenberg | Still Photographer |
| Costume & Make-Up | Danielle Feller | Set Costumer |
| Art | Cate Bangs | Set Designer |
| Camera | Robert Duggan | Key Grip |
| Costume & Make-Up | Judith Tiedemann | Hairstylist |
| Art | Jack M. Marino | Property Master |
| Crew | Daniel W. Barringer | Stunts |
| Crew | Jim Chesney | Transportation Coordinator |
| Sound | Armin Steiner | Scoring Mixer |
| Sound | Gary S. Gerlich | Supervising Sound Editor |
| Crew | Brian Burrows | Stunt Coordinator |
| Sound | Brad Dechter | Orchestrator |
| Art | Jacqueline English | Art Department Coordinator |
| Crew | Antoine Mascaro | Chef |
| Crew | Cindy Montoya-Picker | Choreographer |
| Crew | John Moy | Craft Service |
| Crew | Richard Ratliff | Special Effects Coordinator |
| Art | Dave Newhouse | Greensman |
| Art | Al Kenders | Standby Painter |
| Camera | Michael A. Chavez | First Assistant Camera |
| Crew | Thomas R. Burman | Makeup Effects |
| Lighting | Gary Tandrow | Gaffer |
| Directing | Gregg Goldstone | First Assistant Director |
| Lighting | James F. Cornick | Electrician |
| Production | Cynthia Quan | Production Accountant |
| Lighting | James M. Cox | Best Boy Electric |
| Production | Alyson Evans | Production Coordinator |
| Production | Saul Kahan | Publicist |
| Sound | Harry E. Snodgrass | Sound Designer |
| Sound | William Jacobs | Sound Editor |
| Costume & Make-Up | Mark Boucher | Set Dressing Artist |
| Editing | Dale Caldwell | Color Timer |
| Art | Ronald R. Reiss | Set Decoration |
| Costume & Make-Up | Linle White | Key Hair Stylist |
| Costume & Make-Up | Todd McIntosh | Makeup Artist |
| Costume & Make-Up | Bari Dreiband-Burman | Makeup Department Head |
| Crew | Martin Glover | Loader |
| Crew | John Armstrong | Transportation Captain |
| Production | Robert Latham Brown | Executive In Charge Of Production |
| Visual Effects | Mat Beck | Visual Effects Supervisor |
| Lighting | Jerry Enright | Rigging Gaffer |
| Production | William Bowling | Location Manager |
| Sound | Michelle Pleis | Assistant Sound Editor |
| Sound | Brian L. McCarty | Music Supervisor |
| Directing | Kristine Greco | Script Supervisor |
| Lighting | Jim Duggan | Rigging Grip |
| Art | Stephen Myles Berger | Art Direction |
| Camera | Michael Genne | Camera Operator |
| Sound | Chris Ledesma | Music Editor |
| Crew | Larry Holt | Stunts |
| Crew | Chuck Picerni Jr. | Stunts |
| Crew | Lance Gilbert | Stunts |
| Production | Arlane J. Crawford | Casting Assistant |
| Directing | Kenneth Silverstein | Second Assistant Director |
| Art | Peter Kuran | Main Title Designer |
| Art | Michael Sarley | Storyboard Artist |
| Editing | Gary Burritt | Negative Cutter |
| Production | Chris Armstrong | Production Assistant |
| Sound | David Jobe | ADR Recordist |
| Sound | Nerses Gezalyan | Foley Recordist |
| Crew | Julie Adams | Dialogue Coach |
| Directing | Judith Moore | Second Second Assistant Director |
| Art | Jennifer Dawson | Assistant Property Master |
| Crew | Larry Odien | Special Effects Assistant |
| Camera | Alberto S. Ramos | Dolly Grip |
| Costume & Make-Up | Robert Q. Mathews | Key Costumer |
| Sound | Robert Deschaine | ADR Mixer |
| Sound | James Ashwill | Foley Mixer |
| Sound | Petra Bach | Supervising ADR Editor |
| Editing | Gina Lombardo | Assistant Editor |
| Production | Dennis Brown | Art Department Production Assistant |
| Camera | Vincent Mata | Second Assistant Camera |
| Visual Effects | Syd Dutton | Matte Painter |
| Sound | Gary A. Hecker | Foley Artist |
| Directing | Peter Schindler | Second Unit Director |
| Camera | Richard Redlin | Best Boy Grip |
| Production | Joshua Ornstein | Assistant Accountant |
| Editing | Darren T. Holmes | Associate Editor |
| Production | Leah Zappy | Production Executive |
| Sound | Robert Ulrich | ADR Editor |
| Crew | John Armstrong | Generator Operator |
| Costume & Make-Up | Marcie Olivi | Costumer |
| Production | Steve Kornacki | Assistant Production Coordinator |
| Crew | Steve Picerni | Stunts |
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