Robin Hood comes home after fighting in the Crusades to learn that the noble King Richard is in exile and that the despotic King John now rules England, with the help of the Sheriff of Rottingham. Robin Hood assembles a band of fellow patriots to do battle with King John and the Sheriff.
Is Robin Hood: Men in Tights on Netflix? Yes! The movie Robin Hood: Men in Tights is now on Netflix in the countries listed below.
| Directing | Mel Brooks | Director |
| Writing | Evan Chandler | Screenplay |
| Writing | Mel Brooks | Screenplay |
| Production | Mel Brooks | Producer |
| Sound | Hummie Mann | Original Music Composer |
| Camera | Michael D. O'Shea | Director of Photography |
| Writing | J.D. Shapiro | Story |
| Writing | Evan Chandler | Story |
| Writing | J.D. Shapiro | Screenplay |
| Production | Peter Schindler | Executive Producer |
| Editing | Stephen E. Rivkin | Editor |
| Production | Lindsay Chag | Casting |
| Production | Bill Shepard | Casting |
| Art | Roy Forge Smith | Production Design |
| Production | Kenneth Chamitoff | Extras Casting |
| Crew | Dick Warlock | Stunts |
| Production | Evan Chandler | Associate Producer |
| Crew | Erik Cord | Stunts |
| Crew | Troy Gilbert | Stunts |
| Crew | Loren Janes | Stunts |
| Art | Stephen Myles Berger | Art Direction |
| Art | Ronald R. Reiss | Set Decoration |
| Costume & Make-Up | Dodie Shepard | Costume Design |
| Art | Jacqueline English | Art Department Coordinator |
| Art | W. Wayne Walser | Construction Coordinator |
| Art | Terry Kempf | Construction Foreman |
| Art | Dave Newhouse | Greensman |
| Art | Cate Bangs | Set Designer |
| Art | Al Kenders | Standby Painter |
| Camera | Lloyd Ahern II | Additional Photography |
| Camera | Michael Genne | Camera Operator |
| Camera | Michael A. Chavez | First Assistant Camera |
| Camera | Robert Duggan | Key Grip |
| Camera | James D. Doherty | Grip |
| Camera | Robert Isenberg | Still Photographer |
| Costume & Make-Up | Charles DeMuth | Costume Supervisor |
| Costume & Make-Up | Judith Tiedemann | Hairstylist |
| Costume & Make-Up | Linle White | Key Hair Stylist |
| Costume & Make-Up | Todd McIntosh | Makeup Artist |
| Costume & Make-Up | Bari Dreiband-Burman | Makeup Department Head |
| Costume & Make-Up | Danielle Feller | Set Costumer |
| Costume & Make-Up | Mark Boucher | Set Dressing Artist |
| Crew | Antoine Mascaro | Chef |
| Crew | Cindy Montoya-Picker | Choreographer |
| Crew | John Moy | Craft Service |
| Crew | Martin Glover | Loader |
| Crew | Thomas R. Burman | Makeup Effects |
| Crew | Neil Gahm | Propmaker |
| Art | Jack M. Marino | Property Master |
| Sound | Mark 'Frito' Long | Sound Recordist |
| Crew | Richard Ratliff | Special Effects Coordinator |
| Crew | Brian Burrows | Stunt Coordinator |
| Crew | Daniel W. Barringer | Stunts |
| Crew | John Armstrong | Transportation Captain |
| Crew | Jim Chesney | Transportation Coordinator |
| Directing | Gregg Goldstone | First Assistant Director |
| Directing | Kristine Greco | Script Supervisor |
| Editing | Dale Caldwell | Color Timer |
| Lighting | James M. Cox | Best Boy Electric |
| Lighting | James F. Cornick | Electrician |
| Lighting | Gary Tandrow | Gaffer |
| Lighting | Jerry Enright | Rigging Gaffer |
| Lighting | Jim Duggan | Rigging Grip |
| Production | Robert Latham Brown | Executive In Charge Of Production |
| Production | William Bowling | Location Manager |
| Production | Cynthia Quan | Production Accountant |
| Production | Alyson Evans | Production Coordinator |
| Production | Saul Kahan | Publicist |
| Sound | Michelle Pleis | Assistant Sound Editor |
| Sound | Chris Ledesma | Music Editor |
| Sound | Brian L. McCarty | Music Supervisor |
| Sound | Brad Dechter | Orchestrator |
| Sound | Armin Steiner | Scoring Mixer |
| Sound | Harry E. Snodgrass | Sound Designer |
| Sound | William Jacobs | Sound Editor |
| Sound | Gary S. Gerlich | Supervising Sound Editor |
| Visual Effects | Mat Beck | Visual Effects Supervisor |
| Crew | Larry Holt | Stunts |
| Crew | Chuck Picerni Jr. | Stunts |
| Crew | Lance Gilbert | Stunts |
| Costume & Make-Up | Marcie Olivi | Costumer |
| Costume & Make-Up | Robert Q. Mathews | Key Costumer |
| Directing | Kenneth Silverstein | Second Assistant Director |
| Directing | Judith Moore | Second Second Assistant Director |
| Directing | Peter Schindler | Second Unit Director |
| Art | Jennifer Dawson | Assistant Property Master |
| Art | Peter Kuran | Main Title Designer |
| Art | Michael Sarley | Storyboard Artist |
| Sound | Robert Ulrich | ADR Editor |
| Sound | Robert Deschaine | ADR Mixer |
| Sound | David Jobe | ADR Recordist |
| Sound | Gary A. Hecker | Foley Artist |
| Sound | James Ashwill | Foley Mixer |
| Sound | Nerses Gezalyan | Foley Recordist |
| Sound | Petra Bach | Supervising ADR Editor |
| Crew | Larry Odien | Special Effects Assistant |
| Camera | Richard Redlin | Best Boy Grip |
| Camera | Alberto S. Ramos | Dolly Grip |
| Camera | Vincent Mata | Second Assistant Camera |
| Production | Arlane J. Crawford | Casting Assistant |
| Editing | Gina Lombardo | Assistant Editor |
| Editing | Darren T. Holmes | Associate Editor |
| Editing | Gary Burritt | Negative Cutter |
| Production | Dennis Brown | Art Department Production Assistant |
| Production | Joshua Ornstein | Assistant Accountant |
| Crew | Julie Adams | Dialogue Coach |
| Crew | John Armstrong | Generator Operator |
| Visual Effects | Syd Dutton | Matte Painter |
| Production | Chris Armstrong | Production Assistant |
| Production | Leah Zappy | Production Executive |
| Production | Steve Kornacki | Assistant Production Coordinator |
| Crew | Steve Picerni | Stunts |
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