West Point, New York, 1830. When a cadet at the burgeoning military academy is found hanged with his heart cut out, the top brass summons former New York City constable Augustus Landor to investigate. While attempting to solve this grisly mystery, the reluctant detective engages the help of one of the cadets: a strange but brilliant young fellow by the name of Edgar Allan Poe.
Is The Pale Blue Eye on Netflix? Yes! The movie The Pale Blue Eye is now on Netflix in the countries listed below.
Production | Dylan Weathered | Executive Producer |
Directing | Christopher Surgent | First Assistant Director |
Crew | Antonio Grassano | Special Effects Technician |
Art | Troy Sizemore | Supervising Art Director |
Art | Jane Madden | Set Decoration |
Visual Effects | David C. Sales | Visual Effects Coordinator |
Costume & Make-Up | Kasia Walicka Maimone | Costume Design |
Production | Tracey Landon | Unit Production Manager |
Production | Ryan Donnell Smith | Executive Producer |
Production | Tracey Landon | Executive Producer |
Camera | Masanobu Takayanagi | Director of Photography |
Production | Corey Sklov | Production Supervisor |
Production | Evelyn Chafin | Production Supervisor |
Art | Michael E. Goldman | Art Direction |
Art | Stefania Cella | Production Design |
Directing | Takahide Kawakami | Second Assistant Director |
Directing | Ana Drasinover | Additional Second Assistant Director |
Crew | Adam Hart | Stunt Coordinator |
Production | Buddy Patrick | Executive Producer |
Directing | Jordan Weir | Second Second Assistant Director |
Sound | Tom Williams | Sound Mixer |
Camera | Scott Garfield | Still Photographer |
Costume & Make-Up | Nancy Keslar | Hairstylist |
Costume & Make-Up | Eve Negley | Makeup Artist |
Visual Effects | Jeremy Hays | VFX Supervisor |
Visual Effects | Brandon England | Visual Effects |
Costume & Make-Up | Bunny Giuliani | Hairstylist |
Costume & Make-Up | Lori Guidroz | Hair Department Head |
Costume & Make-Up | Jason Renner | Key Hair Stylist |
Crew | Kyle Roberts | Special Effects |
Visual Effects | Alexander Ha | Visual Effects |
Costume & Make-Up | Autumn Butler | Makeup Department Head |
Costume & Make-Up | Melissa Yonkey | Key Hair Stylist |
Crew | Mike Garvey | Special Effects |
Directing | Scott Peterson | Script Supervisor |
Camera | Sean Flaherty | Key Grip |
Art | Patrick Campbell | Storyboard Artist |
Camera | Drew Roberts | Drone Pilot |
Costume & Make-Up | Ned Neidhardt | Makeup Department Head |
Costume & Make-Up | Christopher Patrick | Makeup Artist |
Art | Kate Dougherty | Set Designer |
Costume & Make-Up | Rachel Geary | Makeup Artist |
Costume & Make-Up | Darylin Nagy | Makeup Artist |
Costume & Make-Up | Rachel Kick | Key Makeup Artist |
Costume & Make-Up | Krista Montgomery | Hairstylist |
Art | John Finnell | Art Department Coordinator |
Crew | Daniel Stevens | Stunts |
Crew | Michelle Elise Shock | Stunt Double |
Editing | Alex Kaufman | Dailies Operator |
Crew | Doug Coleman | Stunts |
Sound | Sam Okell | Scoring Mixer |
Crew | Cole Eckert | Stunts |
Crew | Adam Hart | Stunt Double |
Crew | Joseph Edward Myers | Stunts |
Editing | Andrew Dearnley | Dailies Operator |
Crew | Erin Haus | Stunt Double |
Crew | Tom Russbueldt | Score Engineer |
Crew | Dawson Towery | Stunt Double |
Camera | Richard S. Crumrine Jr. | First Assistant "B" Camera |
Sound | Alistair Bolt | ADR Mixer |
Camera | Dana Morris | Camera Operator |
Lighting | Brian Abate | Lighting Technician |
Visual Effects | Jeremy Hays | Special Effects Supervisor |
Camera | John Janusek | Key Grip |
Crew | Kevin Gilligan | Techno Crane Operator |
Lighting | Mark Yancey | Electrician |
Camera | Matt Beran | Camera Loader |
Sound | Benjamin Darier | ADR Mixer |
Crew | Cheryl L. Sorice | Special Effects |
Camera | Dan Sotak | Second Assistant Camera |
Crew | Ted Williams | Special Effects |
Camera | Chad Cunningham | Grip |
Lighting | Jay Kemp | Gaffer |
Crew | Dana Morris | Steadycam |
Camera | James W. Apted | First Assistant "A" Camera |
Camera | David Jaxx Nagro | Dolly Grip |
Crew | Doug Stanczak | Video Assist Operator |
Lighting | Dakota Hadix | Rigging Grip |
Camera | John E. Tremba | Grip |
Camera | Daniel Hernandez | Digital Imaging Technician |
Costume & Make-Up | Jennifer Bechak | On Set Dresser |
Sound | Mark DeSimone | ADR Mixer |
Sound | James Trusson | ADR Mixer |
Art | Kris Peck | Property Master |
Art | Thomas J. Garrigan | Assistant Property Master |
Art | Chip Eccles | Construction Foreman |
Sound | Jennie Shea | ADR Recordist |
Art | Kate Bechak | Set Designer |
Art | Raquel Bouvy | Graphic Designer |
Art | Jason Baker | Props |
Art | Allison Klein | Assistant Art Director |
Art | Mandy Simpson | Props |
Writing | Scott Cooper | Writer |
Production | Vincent Grashaw | Co-Executive Producer |
Editing | Dylan Tichenor | Editor |
Writing | Louis Bayard | Novel |
Sound | Skip Lievsay | Sound Re-Recording Mixer |
Sound | Wyatt Sprague | Sound Effects Editor |
Costume & Make-Up | Melissa Yancey | Set Costumer |
Sound | Skip Lievsay | Supervising Sound Editor |
Sound | Chris Chae | Sound Designer |
Costume & Make-Up | Darcie Buterbaugh | Costume Supervisor |
Sound | Chris Chae | Sound Re-Recording Mixer |
Art | Mitchell Poljak | Set Dresser |
Sound | Howard Shore | Original Music Composer |
Production | Chris Sharp | Executive Producer |
Production | Tyler Thompson | Producer |
Directing | Scott Cooper | Director |
Production | Christian Bale | Producer |
Production | John Lesher | Producer |
Production | Scott Cooper | Producer |
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