Rick Harding is a former Marines officer, now working in the FBI as a chemical weapons designer. While packing up for the night, a group of armed soldiers led by wanted criminal Carlos Gruber, break into the FBI research lab. They steal large amounts of a newly created germ warfare chemical called Bromax-360, loosing two of their men in the process before escaping into the night.
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| Directing | Rick Jacobson | Director |
| Production | Andrew Stevens | Producer |
| Production | Alan B. Bursteen | Executive Producer |
| Production | Ashok Amritraj | Producer |
| Sound | Eric Wurst | Music |
| Costume & Make-Up | Gwen Lavery | Costume Design |
| Art | Steve Ralph | Production Design |
| Editing | Barry Zetlin | Editor |
| Sound | Bill Montei | Sound Designer |
| Sound | David Wurst | Music |
| Camera | Gary Graver | Director of Photography |
| Crew | Anita Hart | Stunts |
| Crew | Rick Avery | Stunts |
| Production | William B. Steakley | Line Producer |
| Production | Larry Poindexter | Casting Director |
| Directing | Paul Bough | Second Second Assistant Director |
| Camera | James Wylie | First Assistant Camera |
| Camera | Brian Knappenberger | Camera Loader |
| Directing | Michael Becker | First Assistant Director |
| Camera | Mary Kasparian | Second Assistant Camera |
| Crew | Dan Koko | Stunts |
| Directing | Edward O. Kosakoski | Second Assistant Director |
| Lighting | Thomas Von Wendt | Electrician |
| Crew | Jan Kikumoto | Post Production Supervisor |
| Crew | Robert Langlois | Stunts |
| Crew | Kim Robert Koscki | Stunts |
| Sound | Arnold Braun | Sound Mixer |
| Art | Gabriella Goor | Set Decoration |
| Camera | Ron Baldwin | Steadicam Operator |
| Camera | Janice Belson | Still Photographer |
| Art | Christopher Poindexter | Leadman |
| Art | Jon Moberg | Set Dresser |
| Directing | David Joshua Smith | Second Second Assistant Director |
| Production | Jennifer Steven | Production Coordinator |
| Crew | Brian Avery | Stunts |
| Camera | Brian Byram | Best Boy Grip |
| Sound | Paul Di Franco | Music Supervisor |
| Crew | Irving E. Lewis | Stunts |
| Costume & Make-Up | Bridget Sweet | Wardrobe Supervisor |
| Camera | Christopher Graver | Grip |
| Costume & Make-Up | Megan M. Johnson | Hair Supervisor |
| Production | Maureen Norton | Production Secretary |
| Crew | Cristina Maxwell | Craft Service |
| Editing | Scott Ostrowsky | Colorist |
| Art | Mike Lopez | Construction Coordinator |
| Crew | Joe Skorpen | Stunts |
| Sound | Omar Menjivar | Boom Operator |
| Camera | Ronald Edmonson | Key Grip |
| Costume & Make-Up | Kirsten McFadden | Makeup & Hair |
| Production | Angie Chiquette | Production Accountant |
| Art | Barbara Ann O'Connor | Props |
| Sound | Bill Montei | Sound Re-Recording Mixer |
| Sound | Dan Lipe | Boom Operator |
| Lighting | Ted T.E. Tunney | Gaffer |
| Art | Elizabeth M. Burhop | Set Decoration |
| Sound | Tom Morse | Dialogue Editor |
| Art | Adriano Karasek | Set Dresser |
| Crew | Chuck Madalone | Stunts |
| Crew | Salomon I. Marx | Stunts |
| Sound | Catherine Tanner | Boom Operator |
| Camera | Peter Haskell | Key Grip |
| Art | J.B. Hertz | Property Master |
| Crew | William Kuehn | Transportation Coordinator |
| Camera | Edgar Pankey | Dolly Grip |
| Art | Chris Herwegh | Set Dresser |
| Costume & Make-Up | Megan M. Johnson | Makeup Supervisor |
| Editing | Brian J. Cavanaugh | First Assistant Editor |
| Lighting | Clarence Smith | Best Boy Electric |
| Art | Gregory Meichtry | Property Master |
| Costume & Make-Up | Alejandra Mejía | Wardrobe Assistant |
| Production | Bill Langlois | Location Manager |
| Sound | Bill Montei | Sound Effects Editor |
| Writing | Tripp Reed | Writer |
| Writing | Sean McGinly | Writer |
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