When detectives Sikes and Francisco are presented with the mysterious death of an Eeno, Matt is stupefied to discover that George rudely snubs the case. He, like most newcomers, reviles the outcast Eenos. As the case unfolds, George has to reassess his prejudices, and George's family help save the city from an alien threat originating in an Eeno waste disposal facility.
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| Directing | Kenneth Johnson | Director |
| Crew | Kenneth Johnson | Creator |
| Sound | Steve Dorff | Music |
| Writing | Diane Frolov | Writer |
| Writing | Andrew Schneider | Writer |
| Writing | Rockne S. O'Bannon | Characters |
| Crew | Kurt D. Lott | Stunts |
| Crew | Nancy Thurston | Stunts |
| Crew | Jennifer Watson-Johnston | Stunts |
| Costume & Make-Up | Craig Reardon | Makeup Artist |
| Production | Enid L. Kantor | Production Supervisor |
| Art | Joe Del Monte | Construction Coordinator |
| Crew | Walter Lab | Scenic Artist |
| Art | Kathy Curtis-Cahill | Set Decoration |
| Costume & Make-Up | Rick Stratton | Makeup Designer |
| Costume & Make-Up | Karen Westerfield | Makeup Artist |
| Production | Irene Cagen | Casting |
| Crew | Richard Snell | Makeup Effects |
| Sound | Thierry J. Couturier | Supervising Sound Editor |
| Editing | David Strohmaier | Editor |
| Costume & Make-Up | Carolyn Ferguson | Hairstylist |
| Art | Drew Williams | Leadman |
| Sound | Todd Orr | Sound Re-Recording Mixer |
| Sound | Christopher B. Reeves | Dialogue Editor |
| Art | Caroline Quinn | Set Designer |
| Costume & Make-Up | Edouard F. Henriques | Makeup Artist |
| Costume & Make-Up | Janna Phillips | Makeup Artist |
| Art | Rob Tharp | Lead Painter |
| Visual Effects | F. Lee Stone | Special Effects Supervisor |
| Art | Colin D. Irwin | Production Design |
| Costume & Make-Up | David Abbott | Makeup Department Head |
| Costume & Make-Up | Catherine Adair | Costume Design |
| Sound | David Rawlinson | Supervising Sound Editor |
| Costume & Make-Up | Kenny Myers | Makeup Artist |
| Directing | Venita Ozols-Graham | First Assistant Director |
| Art | Michael Wilson | Property Master |
| Production | Ron Mitchell | Producer |
| Camera | Ronald Víctor García | Director of Photography |
| Art | Martha Goode | Art Department Coordinator |
| Sound | Edward L. Moskowitz | Sound Mixer |
| Sound | Maciek Malish | Dialogue Editor |
| Costume & Make-Up | Ellen Powell | Hairstylist |
| Camera | Wendy Van Dyke | First Assistant Camera |
| Sound | Anthony David Sanucci | Boom Operator |
| Costume & Make-Up | Yvonne Kubis | Key Costumer |
| Sound | David John West | Sound Re-Recording Mixer |
| Visual Effects | Tim Landry | Visual Effects Supervisor |
| Lighting | Jeffrey Ray Strong | Best Boy Electric |
| Visual Effects | Angie Russell | Visual Effects Producer |
| Sound | Doug E. Turner | Sound Re-Recording Mixer |
| Crew | Scott Sohan | Visual Effects Editor |
| Crew | Jon H. Epstein | Stunt Coordinator |
| Sound | Nello Torri | Sound Re-Recording Mixer |
| Costume & Make-Up | Buffy Snyder | Wardrobe Supervisor |
| Directing | Judith Saunders | Script Supervisor |
| Camera | Sean Doyle | Camera Operator |
| Production | Marvin J. Bernstein | Location Manager |
| Sound | Kim Naves | Music Editor |
| Crew | Denney Pierce | Stunts |
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