Matt and George investigate a series of strange occurrences involving newcomers, who are found to be programmed to carry out someone's dirty work. The method by which they are brainwashed dates back to the slave ship's rebellion group, the Udara, who, we discover, Susan was a part of. Susan and George's lives are further disrupted when Buck enrols in the police academy.
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| Costume & Make-Up | Ellen Powell | Hairstylist |
| Art | Martha Goode | Art Department Coordinator |
| Art | Michael Wilson | Property Master |
| Directing | Kenneth Johnson | Director |
| Production | Ron Mitchell | Production Manager |
| Art | Joe Del Monte | Construction Coordinator |
| Visual Effects | Tim Landry | Visual Effects Supervisor |
| Camera | Wendy Van Dyke | First Assistant Camera |
| Sound | Maciek Malish | Dialogue Editor |
| Sound | Anthony David Sanucci | Boom Operator |
| Sound | David John West | Sound Re-Recording Mixer |
| Art | Rob Tharp | Lead Painter |
| Art | Kathy Curtis-Cahill | Set Decoration |
| Production | Enid L. Kantor | Production Supervisor |
| Camera | Sean Doyle | Camera Operator |
| Writing | Harry Longstreet | Writer |
| Costume & Make-Up | David Abbott | Key Makeup Artist |
| Costume & Make-Up | Janna Phillips | Makeup Artist |
| Sound | Edward L. Moskowitz | Sound Mixer |
| Camera | Gary Welch | Key Grip |
| Costume & Make-Up | Yvonne Kubis | Key Costumer |
| Sound | Doug E. Turner | Sound Re-Recording Mixer |
| Editing | Alan C. Marks | Editor |
| Crew | Rick Stratton | Makeup Effects |
| Crew | Walter Lab | Scenic Artist |
| Sound | Kim Naves | Music Editor |
| Camera | Ronald Víctor García | Director of Photography |
| Costume & Make-Up | Craig Reardon | Makeup Artist |
| Directing | Venita Ozols-Graham | First Assistant Director |
| Visual Effects | F. Lee Stone | Special Effects Supervisor |
| Writing | Rockne S. O'Bannon | Characters |
| Costume & Make-Up | Carolyn Ferguson | Hairstylist |
| Sound | Steve Dorff | Original Music Composer |
| Production | Marvin J. Bernstein | Location Manager |
| Costume & Make-Up | Zoltan Elek | Makeup Artist |
| Costume & Make-Up | Edouard F. Henriques | Makeup Artist |
| Art | Drew Williams | Leadman |
| Directing | Petra Jorgensen | Script Supervisor |
| Production | Ron Mitchell | Producer |
| Art | Colin D. Irwin | Art Direction |
| Costume & Make-Up | Catherine Adair | Costume Design |
| Writing | Renee Longstreet | Writer |
| Production | Irene Cagen | Casting |
| Editing | Carin-Anne Strohmaier | First Assistant Editor |
| Costume & Make-Up | Karen Westerfield | Makeup Artist |
| Sound | David Rawlinson | Supervising Sound Editor |
| Sound | Christopher B. Reeves | Supervising Sound Editor |
| Sound | Nello Torri | Sound Re-Recording Mixer |
| Crew | Jon H. Epstein | Stunt Coordinator |
| Costume & Make-Up | Buffy Snyder | Wardrobe Supervisor |
| Lighting | Jeffrey Ray Strong | Best Boy Electric |
| Crew | Bob Brown | Stunts |
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