A romance between two temperamental singing stars. Highlights include a lengthy selection from Faust, with Gigli making a most impressive Mephistopheles. The plot takes a melodramatic turn towards the climax, with the lives of the characters mirrored in their on-stage behavior. Director Carmine Gallone was something of an expert in the field of filmed opera, as witness his Tosca, Rigoletto and Il Trovatore.
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Directing | Carmine Gallone | Director |
Art | Ernst Richter | Production Design |
Art | Heinrich Richter | Production Design |
Art | Gabriel Pellon | Production Design |
Writing | Thea von Harbou | Story |
Writing | Thea von Harbou | Screenplay |
Camera | Georg Bruckbauer | Director of Photography |
Costume & Make-Up | Paul Dannenberg | Makeup Artist |
Sound | Cesare A. Bixio | Original Music Composer |
Camera | Massimo Terzano | Director of Photography |
Editing | Giorgio Simonelli | Editor |
Production | Alberto Giacalone | Executive Producer |
Production | Max G. Hüske | Production Manager |
Production | Ferruccio Biancini | Co-Producer |
Editing | Oswald Hafenrichter | Editor |
Costume & Make-Up | Maria Jamitzky | Makeup Artist |
Directing | Ernesto Remani | Assistant Director |
Art | Giorgio Pinzauti | Art Direction |
Sound | Alois Melichar | Original Music Composer |
Production | Max Paetz | Unit Manager |
Writing | Aldo De Benedetti | Adaptation |
Writing | Bernd Hoffmann | Screenplay |
Writing | Bernd Hoffmann | Story |
Writing | Leonhard Fürst | Novel |
Writing | Philipp Lothar Mayring | Novel |
Writing | Iwa Raffay | Novel |
Writing | Ernst Günter Techow | Novel |
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