A young Jew in 1911 Wales tries to make his living by selling fabrics door to door, but to do so he must hide his nationality. On one of his sales he meets and falls in love with a demure young woman with a strong-willed father and a Jew-hating brother. The two fall in love and she becomes pregnant, but only then does she learn of his ethnic background. When anti-Jewish riots break out, the two are forced to flee and become separated.
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| Writing | Paul Morrison | Writer |
| Directing | Paul Morrison | Director |
| Production | David Green | Executive Producer |
| Production | Chris Nixon | Post Production Coordinator |
| Directing | Rhian Williams | Second Assistant Director |
| Art | Phil Payter | Standby Carpenter |
| Costume & Make-Up | Maxine Brown | Costume Design |
| Directing | Howard Arundel | First Assistant Director |
| Art | Rory Armstrong | Dressing Prop |
| Art | Nicole Northridge | Assistant Art Director |
| Crew | Gareth Richards | Prop Maker |
| Editing | Kant Pan | Editor |
| Directing | Jonathan Hunter | Third Assistant Director |
| Art | Mike Weston | Construction Manager |
| Art | Hayden Pearce | Production Design |
| Art | Wayne Maggs | Painter |
| Art | Ron Muston | Painter |
| Production | Andy Porter | Executive Producer |
| Sound | Ilona Sekacz | Music |
| Costume & Make-Up | Derek Lloyd | Hairstylist |
| Costume & Make-Up | Michael Moustafi | Prosthetic Makeup Artist |
| Costume & Make-Up | Gill Rees | Makeup Designer |
| Sound | Pat Boxshall | Sound Editor |
| Camera | Annie Dibling | Camera Trainee |
| Camera | Paul Edwards | Steadicam Operator |
| Sound | Danny Longhurst | Sound Editor |
| Lighting | Bob Milton | Electrician |
| Production | David Mellor | Production Accountant |
| Camera | Nina Kellgren | Director of Photography |
| Costume & Make-Up | Gill Rees | Hair Designer |
| Camera | John Bailie | First Assistant Camera |
| Camera | Kevin Rudge | Focus Puller |
| Camera | Peter Thornton | Camera Operator |
| Production | Joan McCann | Casting |
| Art | Frazer Pearce | Art Direction |
| Camera | Dai Hopkins | Grip |
| Lighting | Mark Hutchings | Best Boy Electrician |
| Camera | Steve Lawes | Focus Puller |
| Art | Andy Simmons | Standby Carpenter |
| Sound | Richard Dyer | Sound Mixer |
| Lighting | Chris Davies | Electrician |
| Costume & Make-Up | Sheri Lund | Costume Assistant |
| Camera | Stuart Barell | Clapper Loader |
| Production | Bryan Moses | Location Manager |
| Costume & Make-Up | Derek Lloyd | Makeup Artist |
| Editing | Angharad Owen | Assistant Editor |
| Art | Tony Wilks | Standby Carpenter |
| Production | Huw Jones | Assistant Location Manager |
| Camera | John Bailie | Focus Puller |
| Crew | Steve Harrow | Post Production Consulting |
| Crew | Richard Reeve | Special Effects |
| Production | Sheryl Crown | Producer |
| Directing | Nerys Phillips | Third Assistant Director |
| Directing | Jon Williams | First Assistant Director |
| Art | Ray Weston | Standby Painter |
| Sound | Jeff Welch | Boom Operator |
| Camera | Mark Tillie | Still Photographer |
| Costume & Make-Up | Alison Callaghan | Costume Assistant |
| Sound | Richard Dyer | Sound Recordist |
| Camera | Adrian Rogers | Still Photographer |
| Camera | Matt Woolf | Clapper Loader |
| Writing | Clare Alan | Script Editor |
| Writing | Gruffudd Jones | Script Editor |
| Production | Rupert Allan | Production Runner |
| Crew | Mark Dunford | Thanks |
| Production | Menna Jones | Production Coordinator |
| Camera | Alan Stewart | Camera Operator |
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