A tiger shark bred by the Navy as a killing machine is wreaking havoc in the sleepy tourist town of Hampton Bay.
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| Directing | Bruno Mattei | Director |
| Costume & Make-Up | Jean Wynn | Key Makeup Artist |
| Art | Dave Del Monte | Leadman |
| Costume & Make-Up | Polly Smith | On Set Dresser |
| Sound | Roger Avedon | Sound Mixer |
| Costume & Make-Up | Brenda Luse | Key Hair Stylist |
| Costume & Make-Up | Melinda Sperber | Assistant Makeup Artist |
| Directing | Geoff Turner | Second Assistant Director |
| Art | Peter Hall | Assistant Property Master |
| Sound | David Quadroli | Sound Effects Editor |
| Crew | Larry Mannini | Special Effects |
| Art | Tim Freeman | Assistant Property Master |
| Sound | Paolo Amici | Sound Effects Editor |
| Lighting | John Emory | Electrician |
| Camera | Terrance Ragin | Grip |
| Art | Mike Mangano | Set Designer |
| Art | Paula Johnson | Set Dresser |
| Sound | Daniele Quadroli | Sound Effects Editor |
| Costume & Make-Up | Bonnie Mesa | On Set Dresser |
| Visual Effects | Ernest Stark | Mechanical & Creature Designer |
| Lighting | Patrick Irwin | Rigging Gaffer |
| Camera | Ken Mullenix | Second Assistant Camera |
| Lighting | Joel Stuart | Electrician |
| Camera | Daniel Steele | Best Boy Grip |
| Camera | David Worley | Additional Camera |
| Lighting | Terry Stiller | Electrician |
| Art | Jeff Tonyo | Storyboard Artist |
| Sound | Leonard Nordell | Boom Operator |
| Visual Effects | Larry Mannini | Creature Design |
| Camera | Nathan Quaid | Grip |
| Lighting | Jeff Togno | Gaffer |
| Lighting | David Jacobs | Rigging Gaffer |
| Lighting | Cory Morin | Rigging Grip |
| Lighting | Jack Towens | Gaffer |
| Art | Vic Freeman | Property Master |
| Costume & Make-Up | Stephen Wood | On Set Dresser |
| Sound | Paolo Pucci | Sound Effects Editor |
| Visual Effects | John Meads | Special Effects Supervisor |
| Camera | Michael Barclay | Steadicam Operator |
| Camera | Alan Best | Grip |
| Camera | William Tinder | Key Grip |
| Camera | Germano Saracco | Second Unit Director of Photography |
| Lighting | Stan Vogel | Best Boy Electric |
| Camera | Martin Dills | Additional Camera |
| Camera | Mark O'Neill | First Assistant Camera |
| Camera | Bob Randall | Second Assistant Camera |
| Camera | Reid Smolka | Dolly Grip |
| Crew | Eddie Wise | Loader |
| Camera | Charles Young | Steadicam Operator |
| Camera | Randy Quilley | Grip |
| Camera | Jason Hag | Grip |
| Sound | Alex Thomas | Music Supervisor |
| Costume & Make-Up | Ann Elliot | Set Costumer |
| Production | Shelley Haddock | Production Accountant |
| Production | Margie Hagen | Production Secretary |
| Costume & Make-Up | Patricia Muelle | Wardrobe Supervisor |
| Production | Nicholas Clarke | Post Production Accountant |
| Sound | Don Lee Major | Music Editor |
| Sound | Alan Brown | Music Editor |
| Directing | Diana Morse | Script Supervisor |
| Costume & Make-Up | Debra Jett | Set Costumer |
| Crew | Gil Evans | Production Controller |
| Production | Germano Saracco | Production Coordinator |
| Writing | Bruno Mattei | Screenplay |
| Writing | Robert Feen | Story |
| Writing | Linda Morrison | Screenplay |
| Art | Sidney Penn | Set Decoration |
| Art | Tim Hewans | Art Direction |
| Production | John Kent | Producer |
| Art | Terence Humme | Production Design |
| Camera | Ben Jackson | Director of Photography |
| Writing | Robert Feen | Screenplay |
| Camera | Luigi Ciccarese | Director of Photography |
| Sound | Michael Morahan | Original Music Composer |
| Editing | Bruno Mattei | Editor |
| Writing | Linda Morrison | Story |
| Art | Fred Mosley | Art Direction |
| Costume & Make-Up | Emma Gaynor | Costume Design |
| Writing | Peter Benchley | Story |
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