In 2047, a group of astronauts are sent to investigate and salvage the starship Event Horizon which disappeared mysteriously seven years before on its maiden voyage. However, it soon becomes evident that something sinister resides in its corridors.
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Sound | Michael Kamen | Original Music Composer |
Art | Joseph Bennett | Production Design |
Camera | Adrian Biddle | Director of Photography |
Writing | Philip Eisner | Writer |
Production | Nick Gillott | Executive Producer |
Production | Jeremy Bolt | Producer |
Editing | Martin Hunter | Editor |
Directing | Paul W. S. Anderson | Director |
Production | Lawrence Gordon | Producer |
Production | Lloyd Levin | Producer |
Production | Colin Brown | Executive Producer |
Sound | Dean Humphreys | Sound Re-Recording Mixer |
Sound | Craig Irving | Sound Re-Recording Mixer |
Sound | Mark Lafbery | Sound Re-Recording Mixer |
Crew | Phil Hartnoll | Additional Music |
Crew | Paul Hartnoll | Additional Music |
Production | John Hubbard | Casting |
Production | Ros Hubbard | Casting |
Costume & Make-Up | John Mollo | Costume Design |
Production | Deborah Aquila | Casting |
Art | Giles Masters | Art Direction |
Art | Mark Harris | Art Direction |
Art | Philip Elton | Art Direction |
Costume & Make-Up | Nuala Conway | Makeup Artist |
Crew | Waldo Mason | Makeup Effects |
Costume & Make-Up | Catherine Heys | Makeup Artist |
Art | Michael Lamont | Art Direction |
Costume & Make-Up | Stephanie Kaye | Hairstylist |
Crew | Pauline Fowler | Makeup Effects |
Art | Sara-Jane Valentine | Art Department Coordinator |
Art | Simon Lamont | Art Direction |
Costume & Make-Up | Nuala Conway | Hairstylist |
Art | Harry Metcalfe | Construction Coordinator |
Art | Tony Reading | Art Direction |
Art | Sarah Horton | Set Designer |
Art | David Allday | Art Direction |
Art | Crispian Sallis | Set Decoration |
Art | Malcolm Middleton | Supervising Art Director |
Crew | Anna Stacey | Stunts |
Crew | Mark Anthony Newman | Stunts |
Directing | Robin Vidgeon | Second Unit Director |
Crew | Steen Young | Stunts |
Crew | Mark Southworth | Stunt Double |
Writing | Andrew Kevin Walker | Writer |
Sound | Brigitte Arnold | Dialogue Editor |
Sound | Pete Tong | Music Supervisor |
Costume & Make-Up | Ken Crouch | Costume Supervisor |
Sound | Graham Sutton | Music Editor |
Visual Effects | Trevor Wood | Special Effects Supervisor |
Crew | Marc Boyle | Stunt Coordinator |
Visual Effects | Clive Beard | Special Effects Supervisor |
Directing | Caroline Sax | Script Supervisor |
Camera | David Worley | Camera Operator |
Editing | Colin Chapman | Dialogue Editor |
Sound | Alex Gibson | Music Editor |
Directing | Jo Beckett | Script Supervisor |
Camera | Alf Tramontin | Steadicam Operator |
Directing | Patrick Clayton | First Assistant Director |
Sound | Christopher Brooks | Music Editor |
Sound | Ross Adams | Sound Effects Editor |
Editing | Tony Message | Dialogue Editor |
Visual Effects | Paul Corbould | Special Effects Supervisor |
Sound | Campbell Askew | Sound Designer |
Visual Effects | Richard Yuricich | Visual Effects Supervisor |
Editing | Nick Lowe | Dialogue Editor |
Crew | Katie Gabriel | Special Effects Coordinator |
Visual Effects | Neil Corbould | Special Effects Supervisor |
Camera | Roderick Barron | Camera Operator |
Sound | Phil Hartnoll | Original Music Composer |
Sound | Paul Hartnoll | Original Music Composer |
Sound | Orbital | Original Music Composer |
Production | Ben Link | Unit Manager |
Art | Kevin Herd | Leadman |
Production | Dusty Symonds | Unit Production Manager |
Art | Alastair Bullock | Art Department Assistant |
Crew | Jim Simpson | Set Production Assistant |
Crew | Nikki Inwood | Stand In |
Crew | Bob Keen | Animatronic and Prosthetic Effects |
Art | David Ackrill | Props |
Art | Arthur Wicks | Property Master |
Sound | John Ireland | Foley Editor |
Crew | Lubo Hristov | Supervising Animator |
Sound | John Bellow | Orchestrator |
Directing | Paddy Carpenter | First Assistant Director |
Visual Effects | Chas Cash | 3D Animator |
Visual Effects | Martin Gabriel | Visual Effects Coordinator |
Lighting | Gary Nagle | Electrician |
Production | Alex Wald | Casting Associate |
Sound | Mark Berrow | Musician |
Crew | Kim Libreri | Digital Effects Supervisor |
Costume & Make-Up | Barbara Rutter | Assistant Costume Designer |
Sound | Tim Partridge | Dolby Consultant |
Crew | Pat Conran | CG Supervisor |
Production | Derek Harrington | Location Manager |
Lighting | Eddie Done | Lighting Technician |
Crew | Peter Hodgson | Video Assist Operator |
Costume & Make-Up | Pauline Heys | Key Makeup Artist |
Art | Kate Murray | Sculptor |
Sound | Paul Conway | Sound Editor |
Lighting | Michael Chambers | Rigging Gaffer |
Editing | Joe Gallagher | Additional Editor |
Visual Effects | Lisa Fisher | Visual Effects Producer |
Camera | Adam Biddle | First Assistant Camera |
Camera | Paul Hatchman | Grip |
Sound | Chris Munro | Sound Mixer |
Sound | Mike Dowson | Sound Re-Recording Mixer |
Sound | Peter Dansie | Assistant Sound Editor |
Visual Effects | Nathalie Buce | 3D Artist |
Crew | Paul Jennings | Stunts |
Lighting | Kevin Day | Gaffer |
Camera | John Flemming | Key Grip |
Crew | Caimin Bourne | Special Effects |
Visual Effects | John Schoonraad | Visual Effects |
Crew | Ty Senior | Propmaker |
Crew | Muriel Gérard | Unit Publicist |
Production | Maureen Blume | Production Coordinator |
Crew | Ian Fishlock | Systems Administrators & Support |
Production | Don Miller | Production Accountant |
Editing | David Rees | Color Timer |
Crew | Ed Hawkins | Sequence Supervisor |
Crew | Colin Brown | Executive Visual Effects Producer |
Directing | Sean Clayton | Second Second Assistant Director |
Crew | Simon Cockren | Special Effects Technician |
Crew | Lawrence Gordon | Presenter |
Art | Richard Morrison | Title Designer |
Crew | Emma Ibbetson | Digital Effects Producer |
Art | Tony Rimmington | Draughtsman |
Visual Effects | Dave Child | CG Animator |
Art | Lucinda Sturgis | Property Buyer |
Sound | John Ireland | Foley Artist |
Crew | Alex Burdett | Special Effects Assistant |
Visual Effects | Dan Glass | Visual Effects Designer |
Camera | David Cozens | Clapper Loader |
Visual Effects | Sonia Calvert | Digital Compositor |
Costume & Make-Up | Mark Coulier | Prosthetic Designer |
Costume & Make-Up | Ken Crouch | Wardrobe Supervisor |
Editing | Adrian Trent | Assistant Editor |
Visual Effects | Dave Bonneywell | Effects Supervisor |
Costume & Make-Up | Jemma Scott-Knox-Gore | Contact Lens Technician |
Directing | Charlotte Cinalli | Assistant Director |
Sound | Michael Kamen | Conductor |
Visual Effects | Olaf Przybyszewski | CG Artist |
Art | Richard K. Buoen | Storyboard Artist |
Production | Aron Clayton | Production Assistant |
Directing | Michael Stevenson | Second Assistant Director |
Editing | Simon Astbury | Colorist |
Art | Gary Fox | Dressing Prop |
Sound | Simon Harris | First Assistant Sound Editor |
Production | Deborah Leakey | Assistant Accountant |
Art | Carol Kupisz | Graphic Designer |
Visual Effects | Courtney Vanderslice | Visual Effects Production Manager |
Camera | Ashley Bond | Second Assistant Camera |
Crew | Robin Demetriou | Catering |
Costume & Make-Up | Duncan Jarman | Prosthetic Makeup Artist |
Art | Peter Mitchell Rubin | Concept Artist |
Sound | Alastair Sirkett | Assistant Dialogue Editor |
Crew | Mirjam Montandon | Stunt Double |
Production | Dayna Polehanki | Casting Assistant |
Sound | Arthur Graley | Second Assistant Sound |
Camera | Karl Morgan | Focus Puller |
Sound | Stephen McLaughlin | Music Producer |
Visual Effects | Michele Moen | Matte Painter |
Crew | Carlos Fidel | Set Runner |
Crew | Russ Woolnough | Visual Effects Editor |
Crew | Robert Jackson | Carpenter |
Costume & Make-Up | Chris Lyons | Special Effects Makeup Artist |
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