When a 747 crashes shortly after take-off, the sole survivor is the pilot. Virtually unhurt, he and the investigators look for the answers to the disaster. Meanwhile mysterious deaths occur in the community and only a psychic, in touch with the supernatural, can help the pilot unravel the mystery surrounding the doomed plane.
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| Directing | David Hemmings | Director |
| Writing | David Ambrose | Screenplay |
| Writing | James Herbert | Novel |
| Production | Antony I. Ginnane | Producer |
| Camera | John Seale | Director of Photography |
| Editing | Tony Paterson | Editor |
| Art | Bernard Hides | Production Design |
| Costume & Make-Up | Terry Ryan | Costume Design |
| Art | Herbert Pinter | Construction Manager |
| Sound | Brian May | Original Music Composer |
| Crew | Ian Scarffe | Stand In |
| Production | William Fayman | Executive Producer |
| Production | Jane Scott | Associate Producer |
| Costume & Make-Up | Sash Lamey | Hairstylist |
| Costume & Make-Up | Jill Porter | Makeup Artist |
| Art | Virginia Bieneman | Assistant Art Director |
| Art | Herbert Pinter | Construction Coordinator |
| Art | Lee Carey | Construction Foreman |
| Art | Dennis Smith | Construction Foreman |
| Art | Peter Templeton | Construction Foreman |
| Crew | Steve Courtley | Propmaker |
| Art | Owen Paterson | Property Buyer |
| Crew | Billy Malcolm | Scenic Artist |
| Sound | Jack Friedman | Boom Operator |
| Sound | Bruce Lamshed | Sound Editor |
| Sound | Peter Fenton | Sound Mixer |
| Sound | Tim Lloyd | Sound Recordist |
| Crew | Dennis Hunt | Stunt Coordinator |
| Camera | Geoff Tanner | Assistant Camera |
| Camera | Martin Turner | Assistant Camera |
| Camera | Robert Verkerk | Assistant Grip |
| Lighting | Reg Garside | Best Boy Electric |
| Camera | Peter Moss | Camera Operator |
| Camera | Daro Gunzberg | Clapper Loader |
| Camera | Jan Kenny | Focus Puller |
| Lighting | Sam Bienstock | Electrician |
| Lighting | Nick Morris | Gaffer |
| Crew | Simon Perton | Generator Operator |
| Camera | Robin Morgan | Grip |
| Camera | Ross Erickson | Key Grip |
| Camera | Mike Giddens | Still Photographer |
| Lighting | Graeme Shelton | Electrician |
| Production | Tim Sanders | Location Manager |
| Writing | Russell Hagg | Script Editor |
| Directing | Caroline Stanton | Script Supervisor |
| Crew | Lynette Thorburn | Unit Publicist |
| Directing | Steve E. Andrews | Second Assistant Director |
| Directing | Marshall Crosby | Third Assistant Director |
| Directing | Mark Egerton | First Assistant Director |
| Art | John Carroll | Props |
| Art | Owen Paterson | Set Dresser |
| Crew | Mont Fieguth | Special Effects Assistant |
| Crew | Chris Murray | Special Effects |
| Crew | Vic Wilson | Special Effects |
| Visual Effects | Roger Cowland | Visual Effects |
| Crew | Glenn Boswell | Stunts |
| Crew | Richard Boué | Stunts |
| Crew | Claude Lambert | Stunts |
| Crew | Michael Read | Stunts |
| Crew | Marijke Rikki van Gyen | Stunts |
| Crew | Laurence Myers | Presenter |
| Production | Janene Knight | Production Assistant |
| Crew | Antony I. Ginnane | Presenter |
| Crew | William Fayman | Presenter |
| Production | Jennifer Barty | Production Secretary |
| Production | Catherine Barber | Production Accountant |
| Sound | Roger Savage | Recording Supervision |
| Sound | Brian May | Conductor |
| Editing | Carmen Galán | Assistant Editor |
| Editing | Margaret Cardin | Negative Cutter |
| Editing | Arthur Cambridge | Color Grading |
| Costume & Make-Up | Heather McLaren | Wardrobe Assistant |
| Costume & Make-Up | Stirling Cooper | Dresser |
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