Private eye Edward Mercer travels to Venice to locate a man due a reward for his aid in the war. Shortly after arriving, he becomes the prime suspect in the murder of his local contact. In his quest to clear his name, Mercer uncovers a conspiracy. Even the local magistrate seems to be working against him, and Mercer begins to suspect the man he came to find is behind it all.
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Writing | Victor Canning | Novel |
Directing | Ralph Thomas | Director |
Writing | Victor Canning | Screenplay |
Costume & Make-Up | Yvonne Caffin | Costume Design |
Production | Betty E. Box | Producer |
Crew | Ernest Steward | Cinematography |
Production | Earl St. John | Executive Producer |
Editing | Gerald Thomas | Editor |
Art | George Provis | Art Direction |
Directing | Jack N. Green | Third Assistant Director |
Directing | Peter Bolton | Assistant Director |
Directing | Tilly Day | Continuity |
Costume & Make-Up | Ernest Gasser | Makeup Artist |
Production | Douglas Peirce | Production Manager |
Sound | Gordon K. McCallum | Sound Mixer |
Costume & Make-Up | Stella Rivers | Hairstylist |
Sound | John Dennis | Sound Recordist |
Crew | Arthur Alcott | Production Controller |
Sound | Muir Mathieson | Conductor |
Camera | H. A. R. Thomson | Camera Operator |
Costume & Make-Up | Yvonne Caffin | Costume Supervisor |
Camera | Cornel Lucas | Still Photographer |
Sound | Peter Seabourne | Sound Editor |
Sound | Charles Squires | Assistant Sound Editor |
Art | John Gow | Draughtsman |
Art | Robert Cartwright | Draughtsman |
Camera | John Alcott | Clapper Loader |
Art | Iris Newell | Assistant Art Director |
Art | Roy Dorman | Draughtsman |
Sound | Nino Rota | Original Music Composer |
Camera | Ernest Steward | Director of Photography |
Directing | Jim Ware | Second Assistant Director |
Camera | Reginald H. Morris | Focus Puller |
Art | Roy Walker | Draughtsman |
Editing | Peter Boita | First Assistant Editor |
Production | Fanya Fisher | Production Secretary |
Production | Maurizio Lodi-Fè | Location Manager |
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