At a disused railway station, three men -- a con artist, a preacher, and a prospector -- discuss the recent trial and sentencing of the outlaw Juan Carrasco for the murder of a man and the rape of his wife. In their recounting, the three explore the conflicting testimonies of the parties involved in the crimes. Disconcerting new questions arise with each different version of the event.
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Camera | James Wong Howe | Director of Photography |
Directing | Martin Ritt | Director |
Production | Michael Kanin | Associate Producer |
Production | A. Ronald Lubin | Producer |
Production | Martin Ritt | Producer |
Directing | Daniel McCauley | Assistant Director |
Crew | Walon Green | Dialect Coach |
Writing | Michael Kanin | Theatre Play |
Art | Henry Grace | Set Decoration |
Writing | Michael Kanin | Screenplay |
Production | Stanley Goldsmith | Unit Production Manager |
Sound | Ethmer Roten | Musician |
Writing | Ryūnosuke Akutagawa | Original Story |
Costume & Make-Up | Sydney Guilaroff | Hairstylist |
Camera | Dewey Wrigley Jr. | Assistant Camera |
Writing | Akira Kurosawa | Original Story |
Sound | Virginia Majewski | Musician |
Sound | Franklin Milton | Recording Supervision |
Sound | Gil Grau | Orchestrator |
Sound | Alex North | Original Music Composer |
Editing | Frank Santillo | Editor |
Sound | Raymond Turner | Musician |
Crew | Julie Gibson | Dialect Coach |
Art | George W. Davis | Art Direction |
Costume & Make-Up | William Tuttle | Makeup Supervisor |
Costume & Make-Up | Donfeld | Costume Design |
Visual Effects | J. McMillan Johnson | Visual Effects |
Sound | Artie Kane | Musician |
Art | Frank Wesselhoff | Painter |
Sound | Alex North | Conductor |
Visual Effects | Robert R. Hoag | Visual Effects |
Art | Robert R. Benton | Set Decoration |
Writing | Fay Kanin | Theatre Play |
Writing | Shinobu Hashimoto | Original Story |
Art | Tambi Larsen | Art Direction |
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