A mid-19th century mulatto slave is torn between his success as a pit-fighter and the injustices of white society.
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Directing | Steve Carver | Director |
Production | Dino De Laurentiis | Producer |
Writing | Norman Wexler | Screenplay |
Sound | Charlie Smalls | Music |
Editing | Carl Kress | Editor |
Camera | Lucien Ballard | Director of Photography |
Writing | Kyle Onstott | Novel |
Production | Ralph B. Serpe | Producer |
Production | Jack Baur | Casting |
Art | Stan Jolley | Production Design |
Art | Bill Kenney | Art Direction |
Art | John McCarthy Jr. | Set Decoration |
Costume & Make-Up | Ann Roth | Costume Design |
Costume & Make-Up | Kathryn Blondell | Hairstylist |
Costume & Make-Up | William Turner | Makeup Artist |
Costume & Make-Up | Mike Bacarella | Makeup Artist |
Production | E. Darrell Hallenbeck | Unit Production Manager |
Directing | Peter Bogart | Assistant Director |
Directing | Al Sheppard | Second Assistant Director |
Art | V.R. Bud Shelton | Property Master |
Sound | Robert Gravenor | Sound Mixer |
Sound | Gilbert D. Marchant | Sound Effects Editor |
Sound | Bill Varney | Sound Re-Recording Mixer |
Sound | Joseph Kite | Boom Operator |
Crew | Roger George | Special Effects |
Crew | Chuck Schulthies Jr. | Special Effects |
Crew | Eddie Smith | Stunt Coordinator |
Camera | Clyde Hart | Key Grip |
Lighting | Ted Holt | Gaffer |
Camera | Roger Shearman Jr. | Camera Operator |
Camera | Harry Young | Other |
Sound | Charles H. Coleman | Conductor |
Crew | Richard Hazard | Additional Music |
Sound | Kenneth Wannberg | Music Editor |
Directing | Terry Terrill | Script Supervisor |
Art | Don Record | Title Designer |
Art | Sam Moore | Property Master |
Sound | Gordon Daniel | Sound Effects Editor |
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