Psychiatrist Ann Hecker is ending one relationship and possibly starting an important new one, while finding that some of the sexual exploits her patients relate are weighing on her. Turning to a married friend from her research days for guidance, she finds his help increasingly important when a female patient is murdered and it turns out that her new boyfriend was also seeing the dead woman.
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Sound | Thomas Newman | Original Music Composer |
Costume & Make-Up | John Dunn | Costume Design |
Art | Justin Scoppa Jr. | Set Decoration |
Art | John Jay Moore | Production Design |
Camera | Michael Chapman | Director of Photography |
Directing | Christopher Crowe | Director |
Sound | Jellybean Benítez | Music Supervisor |
Crew | Connie Brink | Special Effects |
Costume & Make-Up | Colleen Callaghan | Hairstylist |
Sound | Harriet Fidlow | Supervising ADR Editor |
Sound | Maurice Schell | Supervising Sound Editor |
Sound | Richard P. Cirincione | Supervising Sound Editor |
Costume & Make-Up | Betsy J. Wise | Makeup Artist |
Crew | Danny Aiello III | Stunt Coordinator |
Costume & Make-Up | Todd Kleitsch | Makeup Artist |
Sound | Bill Bernstein | Music Editor |
Writing | Christopher Crowe | Writer |
Costume & Make-Up | Bernadette Mazur | Makeup Artist |
Production | Stephen F. Kesten | Co-Producer |
Costume & Make-Up | Neal Martz | Makeup Artist |
Sound | Nicholas Meyers | Music Editor |
Crew | Annie Ellis | Stunts |
Directing | David R. Ellis | Second Unit Director |
Crew | John Cenatiempo | Stunts |
Production | Mary Colquhoun | Casting |
Production | Martin Bregman | Producer |
Production | Richard Gitelson | Co-Producer |
Production | Richard Gitelson | Executive Producer |
Production | Michael Bregman | Producer |
Production | Eric Freiser | Executive Producer |
Production | William Link | Executive Producer |
Production | Andrew Deane | Executive Producer |
Editing | Ray Hubley | Editor |
Editing | Bill Pankow | Editor |
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