The project was initiated as the result of the forced cancellation of Eric’s concerts scheduled for May 2021 at the Royal Albert Hall due to the continued disruption caused by the pandemic. Looking for a viable alternative and hoping to keep his options open, he reconvened with his band to the English countryside and staged a concert in the presence of only the participants themselves while letting the cameras roll. (Eric’s wife, Melia, the sole outside observer inspired the Sessions title.) The mostly acoustic set was envisioned to be like an "Eric Clapton Unplugged II," but not quite, as three songs are played with electric guitars. The result became far more than simply a sequence of greatest hits. Rather, it’s one of the most intimate and authentic performances of his entire career, an offering flush with real insight into the make-up of his indelible catalogue.
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Writing | David Barnard | Writer |
Sound | Mark Theriault | Sound Engineer |
Camera | Barrie Dodd | Camera Operator |
Camera | Oleg Poupko | Focus Puller |
Production | Olivia Chads | Production Runner |
Sound | Simon Climie | Music Producer |
Production | Michael Scanlon | Production Assistant |
Camera | Andy Watt | Camera Operator |
Crew | Lady Cowdray (Cowdray House) | Thanks |
Production | Matt Cummins | Production Manager |
Camera | Warren Buckingham | Focus Puller |
Sound | Russ Titelman | Music Producer |
Sound | Robert Collins | Recording Supervision |
Sound | Richard King | Recording Supervision |
Camera | Gilles Mallard | Camera Operator |
Crew | Lord Cowdray (Cowdray House) | Thanks |
Sound | Michael Fitzsimons | Audio Post Coordinator |
Crew | Ed Phul | Technical Supervisor |
Camera | Mark Sayers | Camera Operator |
Camera | James Carroll | Camera Operator |
Camera | Dave Evans | Camera Operator |
Sound | Ollie Nesham | Sound Engineer |
Directing | Billy Payn | First Assistant Director |
Camera | Adam Rodgers | Camera Operator |
Writing | Eric Clapton | Writer |
Crew | Guy Pridie (Cowdray House) | Thanks |
Sound | Richard King | Music Arranger |
Camera | Dave Tree | Still Photographer |
Camera | John Simmons | Camera Operator |
Camera | Ashley Bond | Focus Puller |
Crew | Neil Georges (Cowdray House) | Thanks |
Crew | Joanna Harris | Thanks |
Directing | Samuel Fullerton | Second Assistant Director |
Camera | Sam Garwood | Focus Puller |
Lighting | Mark England | Best Boy Lighting Technician |
Camera | James Woods | Camera Technician |
Camera | Simon Stevenson | Camera Technician |
Costume & Make-Up | Jackie Tyson | Makeup & Hair |
Lighting | Mike Sanchez | Electrician |
Camera | Dave Griffiths | Video Report |
Editing | Adam Sample | Online Editor |
Lighting | Steve Smyth | Electrician |
Production | Chris Hooper | General Manager |
Lighting | Andy Walton | Lighting Director |
Lighting | Tom Parkinson | Electrician |
Sound | Sophie Lambert | Sound Engineer |
Production | Rik Tester | Post Production Producer |
Production | Jess Netley-Verrinder | Post Production Producer |
Camera | Andrew Trewartha | Assistant Camera |
Camera | Ben Parish | Assistant Camera |
Lighting | Paul Burns | Gaffer |
Lighting | Harry Gay | Electrician |
Production | Tony Maher | Post Production Producer |
Lighting | Ian Snuggs | Rigging Supervisor |
Production | Geoff Kempin | Executive Producer |
Editing | Mark 'Reg' Wrench | Editor |
Editing | Jerry Chater | Editor |
Production | Michael Eaton | Executive Producer |
Directing | David Barnard | Director |
Production | Peter Worsley | Producer |
Production | James Chads | Producer |
Production | Martin Dacre | Executive Producer |
Production | Alice Webb | Executive Producer |
Editing | Andy Lee | Colorist |
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