In this reenactment of a propaganda documentary, a woman is falling prey to the role assigned to her in slow motion. Upon her arrest, diplomat Mária Kerényi is interviewed by the state television. Her story in espionage confronts the mechanisms of autocracy and the concept of guilt in a closed society.
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| Editing | Daniel Misota | Editor |
| Costume & Make-Up | Réka Wolf | Makeup Artist |
| Camera | Máté Miklósfalvi | Assistant Camera |
| Camera | Gergely Gyenes-Kristófi | Focus Puller |
| Lighting | Ferenc Halabuk | Gaffer |
| Lighting | Tamás Lovizer | Electrician |
| Lighting | Bence Pintér | Electrician |
| Costume & Make-Up | Niccolo Cina | Hair Designer |
| Costume & Make-Up | Dóra Pattantyus | Costume Design |
| Sound | Csaba Zubonyai | Boom Operator |
| Writing | Daniel Misota | Screenplay |
| Art | Gréta Melicher | Production Design |
| Lighting | Konrád Taródi-Nagy | Electrician |
| Sound | András Pór | Boom Operator |
| Production | Marcell Marton | Executive Producer |
| Camera | Attila Bakos | Grip |
| Art | László Kanyó | Art Department Assistant |
| Art | Máté Kudar | Art Direction |
| Camera | Endre Dániel Tóth | Assistant Camera |
| Camera | Bálint Orosz | Director of Photography |
| Camera | Daniella Grinberg | Camera Trainee |
| Sound | Bálint Zándoki | Location Sound Mixer |
| Production | József Fülöp | Producer |
| Lighting | György Tóth | Best Boy Electrician |
| Directing | Daniel Misota | Director |
| Production | Gerzson Szántó | Production Manager |
| Directing | Kata Incze | First Assistant Director |
| Directing | Adam Angyalosi | Second Assistant Director |
| Visual Effects | András Pflum | Visual Effects |
| Editing | András Szűcs | Colorist |
| Sound | Tamás Zányi | Sound Designer |
| Camera | Janos Toth | Dolly Grip |
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