Based her grandfather’s boyhood in St. Louis, Yasmin Gorenberg tells a story of the pain passed from refugee parents to their children and the hope that can overcome it. “40 Nickels” captures the image of a generation of immigrants to the United States in the 1920’s and 1930’s and through that spotlights the effects of the 1919 pogroms in Eastern Europe. This is a film about parents and children: how trauma never leaves a family, and how hope and resilience is also passed down. It asks the question: Can a new generation look at the world with wonder rather than fear?
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Writing | Yasmin Gorenberg | Writer |
Writing | Myra Noveck | Writer |
Directing | Yasmin Gorenberg | Director |
Costume & Make-Up | Danielle Privat | Key Makeup Artist |
Art | Rosalie Whitehead | Art Department Assistant |
Sound | Grant Thorshov | Boom Operator |
Costume & Make-Up | Dannie Giglevitch | Costume Design |
Sound | Iris Liu | Sound Mixer |
Camera | Danyal Niazi | Director of Photography |
Sound | Pete Christmann | Sound Mixer |
Sound | Noah Horowitz | Music |
Art | Sibel Elaltunterin | Property Master |
Art | Allison Ikeda | Concept Artist |
Art | Werno Oosthuyzen | Set Dresser |
Art | Cami Arias Silva | Art Direction |
Directing | Lucy Smith-Williams | Second Assistant Director |
Production | Demetrius Beckham | Producer |
Production | Brooke Gehris | Producer |
Directing | Beth Derouin | First Assistant Director |
Art | Ainé Gleeson | Concept Artist |
Art | Eli Kuli | Art Department Assistant |
Production | Siya Bahal | Unit Production Manager |
Production | Olivia Krueger | Producer |
Editing | Lily Newton | Editor |
Art | Derin Egrikavuk | Set Dresser |
Art | Phillip Michael Youmans | Art Department Assistant |
Directing | Kara Bartek | First Assistant Director |
Production | Veronica Polsgrove | Producer's Assistant |
Production | J. Anthony Roman | Unit Production Manager |
Production | Olivia Krueger | Casting |
Art | Derya Celikkol | Production Design |
Production | Pinar Binay | Producer |
Production | Shilpa Kunnappillil | Unit Production Manager |
Art | Odelya Toder | Graphic Designer |
Art | Malcolm Quinn Silver-Van Meter | Set Dresser |
Sound | Natalie Pierce | Boom Operator |
Camera | Christian Forte | Best Boy Grip |
Camera | Shilpa Kunnappillil | Second Assistant Camera |
Sound | Jiwon Uhm | Sound Editor |
Visual Effects | Danielle Benedict | Visual Effects |
Camera | Sarah Gold | First Assistant Camera |
Sound | Genny Seifert | Musician |
Production | Benna Van Der Walt | Production Assistant |
Camera | Michael Parry | First Assistant Camera |
Camera | Daniel Cho | Key Grip |
Camera | Zoë Yi | First Assistant Camera |
Production | Annie Barson | Casting Assistant |
Costume & Make-Up | Halle Hewitt | Wardrobe Assistant |
Visual Effects | Alex Noble | Visual Effects Supervisor |
Sound | Jameson Caps | Musician |
Sound | Shalemar Coloma | Sound Mixer |
Sound | John Konsolakis | Musician |
Crew | Dulany Foster IV | CG Supervisor |
Camera | Ruchit Negotia | Best Boy Grip |
Crew | Lili Rosen | Dialect Coach |
Crew | Lili Rosen | Translator |
Lighting | Ace Buckley | Gaffer |
Camera | Matt Iacono | Second Assistant Camera |
Camera | Stefan Nachmann | Key Grip |
Camera | Linda Wu | Grip |
Lighting | John Zeng | Best Boy Electric |
Directing | Shivangani Suri | Script Supervisor |
Camera | Hana Kim | Second Assistant Camera |
Production | Ethan Nelson | Unit Production Manager |
Sound | Saki Kanomata | Sound Mixer |
Sound | Vanneeda Keowmang | Sound Mixer |
Sound | Katherine Margall | Foley Artist |
Sound | Kristal Salazar | Sound Mixer |
Directing | Alina Olnick | Script Supervisor |
Crew | Pan Ferguson | Driver |
Production | Malcolm Quinn Silver-Van Meter | Production Assistant |
Camera | James Dayton | Best Boy Grip |
Camera | Maximo Maluso | Grip |
Production | Emilio Miguel Torres | Production Assistant |
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