Summoned by his dying father, Miyagi returns to his homeland of Okinawa, with Daniel, after a 40-year exile. There he must confront Yukie, the love of his youth, and Sato, his former best friend turned vengeful rival. Sato is bent on a fight to the death, even if it means the destruction of their village. Daniel finds his own love in Yukia's niece, Kumiko, and his own enemy in Sato's nephew, the vicious Chozen. Now, far away from the tournaments, cheering crowds and safety of home, Daniel will face his greatest challenge ever when the cost of honor is life itself.
Is The Karate Kid Part II on Netflix? Yes! The movie The Karate Kid Part II is now on Netflix in the countries listed below.
Editing | Jane Kurson | Editor |
Directing | John G. Avildsen | Director |
Editing | John G. Avildsen | Editor |
Production | Jerry Weintraub | Producer |
Editing | David Garfield | Editor |
Camera | Craig Denault | Camera Operator |
Directing | Clifford C. Coleman | First Assistant Director |
Production | Diane Bandolas | Production Accountant |
Production | Jan Foreman | Assistant Accountant |
Crew | Linda Arvidson | Stunts |
Crew | Roger Ito | Stunts |
Camera | Ralph Nelson Jr. | Still Photographer |
Crew | Mike Hassett | Stunts |
Crew | Lori Lynn Ross | Stunts |
Directing | Dennis Maguire | Second Assistant Director |
Directing | Christine Larson | Second Second Assistant Director |
Camera | Alan R. Disler | First Assistant Camera |
Crew | Erik Felix | Stunts |
Camera | Mario Zavala | Second Assistant Camera |
Crew | Bill M. Ryusaki | Stunts |
Sound | Brooks Arthur | Music Supervisor |
Production | Jeannie Jeha | Production Coordinator |
Camera | Stephen St. John | Steadicam Operator |
Camera | Brad Edmiston | First Assistant Camera |
Lighting | Ross A. Maehl | Chief Lighting Technician |
Art | Danny Wynands | Construction Foreman |
Crew | Paul H. Haines Jr. | Special Effects |
Sound | David Stafford | Boom Operator |
Art | Ronnie Wexler | Swing |
Camera | O.T. Henderson | Dolly Grip |
Sound | Don Digirolamo | Sound Re-Recording Mixer |
Art | Glen Cooper | Standby Painter |
Art | Lee Poll | Set Decoration |
Sound | Robert 'Buzz' Knudson | Sound Re-Recording Mixer |
Sound | Robert Glass | Sound Re-Recording Mixer |
Crew | William M. Randall Jr. | Cableman |
Editing | Karen Kory | Assistant Editor |
Sound | Tom C. McCarthy | Supervising Sound Editor |
Crew | Harry Ueshiro | Transportation Coordinator |
Crew | Paul De Rolf | Choreographer |
Art | William James Teegarden | Set Designer |
Crew | Tino Caira | Transportation Captain |
Editing | Douglas Brumer | Assistant Editor |
Sound | Michael P. Redbourn | Sound Editor |
Sound | Joseph Holsen | Sound Editor |
Art | Mark Hite | Leadman |
Art | Michael Van Dyke | Construction Foreman |
Directing | Marshall Schlom | Script Supervisor |
Camera | James M. Sheppherd | Key Grip |
Art | Richard Leon | Props |
Crew | Gary Walter Dion | Special Effects |
Editing | Penelope Shaw | Assistant Editor |
Sound | William Randall Jr. | Sound Mixer |
Crew | Alan Falco | Transportation Coordinator |
Sound | Bob Cornett | Sound Editor |
Camera | John Lubin | Best Boy Grip |
Sound | Jim Bullock | Foley Editor |
Crew | Peter Benoit | Unit Publicist |
Art | Sam Gordon | Property Master |
Art | Hendrik Wynands | Construction Coordinator |
Crew | Al Wininger | Special Effects |
Art | Mike Wynands | Construction Foreman |
Sound | Neil Burrow | Sound Editor |
Sound | Doreen A. Dixon | Supervising ADR Editor |
Sound | Jay Kamen | ADR Editor |
Sound | Richard Friedman | ADR Editor |
Production | Pete Corral | Location Manager |
Sound | Blake R. Cornett | Assistant Sound Editor |
Crew | Nobuko Miyamoto | Choreographer |
Crew | Jose De Vega | Choreographer |
Editing | Reid Burns | Color Timer |
Crew | Zenko Heshiki | Technical Advisor |
Sound | Martha Burns Holsen | Assistant Sound Editor |
Sound | Jack Eskew | Orchestrator |
Sound | Stephen A. Hope | Music Editor |
Production | Marge Spencer | Extras Casting |
Costume & Make-Up | Eddie Marks | Costume Supervisor |
Costume & Make-Up | Elizabeth Pine | Costume Supervisor |
Lighting | Phil Walker | Best Boy Electric |
Sound | Carly Simon | Songs |
Writing | Robert Mark Kamen | Writer |
Production | Caro Jones | Casting |
Art | William F. Matthews | Art Direction |
Sound | Bill Conti | Original Music Composer |
Production | Howard Pine | Unit Production Manager |
Costume & Make-Up | John M. Elliott Jr. | Key Makeup Artist |
Costume & Make-Up | Jim Kail | Makeup Artist |
Production | R.J. Louis | Executive Producer |
Production | Karen Rosenfelt | Associate Producer |
Costume & Make-Up | Steve Elsbree | Hairstylist |
Production | William J. Cassidy | Associate Producer |
Camera | James Crabe | Director of Photography |
Production | Susan Ekins | Associate Producer |
Crew | Pat E. Johnson | Martial Arts Choreographer |
Art | William J. Cassidy | Production Design |
Costume & Make-Up | Cheri Ruff | Key Hair Stylist |
Costume & Make-Up | Mary Malin | Costume Designer |
Writing | Robert Mark Kamen | Characters |
Production | Jennifer Erskine | Producer's Assistant |
Production | Julie Weintraub | Producer's Assistant |
Production | Jamie Weintraub | Producer's Assistant |
Production | Jody Weintraub | Producer's Assistant |
Camera | Stephen St. John | Camera Operator |
Art | Robert Branham | Production Illustrator |
Art | David J. Negrón Jr. | Production Illustrator |
Sound | Dan Wallin | Scoring Mixer |
Visual Effects | Syd Dutton | Visual Effects |
Visual Effects | Bill Taylor | Visual Effects |
Crew | Yasukazu Takushi | Technical Advisor |
Sound | Peter Cetera | Theme Song Performance |
Writing | Peter Cetera | Lyricist |
Writing | David Foster | Lyricist |
Writing | Diane Nini | Lyricist |
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