After the sudden death of magazine publisher Colonel Ryder, his nephew, Tony inherits the magazine and has big plans to expand it. While negotiating a loan from the bank, Tony gets a call from a detective surrounding his uncle's death. It turns out Colonel Ryder died in his hotel room with a smile on his face and a young woman was seen fleeing his room wearing only a towel. Suspicious of this woman and afraid the magazine's wholesome image may be tarnished and their loan denied, Tony asks the detective to stick around and find her.
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Directing | Joseph Anthony | Director |
Camera | Richard Mueller | Other |
Visual Effects | Farciot Edouart | Visual Effects |
Writing | Edmund Beloin | Screenplay |
Writing | Maurice Richlin | Screenplay |
Writing | Sidney Sheldon | Screenplay |
Writing | Margit Veszi | Story |
Writing | Owen Elford | Theatre Play |
Camera | Joseph LaShelle | Director of Photography |
Art | Hal Pereira | Art Direction |
Art | Walter H. Tyler | Art Direction |
Crew | John P. Fulton | Special Effects |
Art | Sam Comer | Set Decoration |
Art | Arthur Krams | Set Decoration |
Editing | Howard A. Smith | Editor |
Directing | Daniel McCauley | Assistant Director |
Production | Paul Nathan | Associate Producer |
Costume & Make-Up | Edith Head | Costume Design |
Costume & Make-Up | Wally Westmore | Makeup Supervisor |
Costume & Make-Up | Nellie Manley | Hair Supervisor |
Sound | Gene Merritt | Sound Recordist |
Sound | Charles Grenzbach | Sound Recordist |
Sound | André Previn | Original Music Composer |
Production | Hal B. Wallis | Producer |
Production | Joseph H. Hazen | Producer |
Editing | Warren Low | Supervising Editor |
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