The residents of a small town are excited when a flaming meteor lands in the hills, until they discover it is the first of many transport devices from Mars bringing an army of invaders invincible to any man-made weapon, even the atomic bomb.
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Costume & Make-Up | Edith Head | Costume Design |
Crew | Chesley Bonestell | Technical Advisor |
Visual Effects | Marcel Delgado | Modeling |
Directing | Michael D. Moore | Assistant Director |
Art | Emile Kuri | Set Decoration |
Writing | Barré Lyndon | Screenplay |
Crew | Jimmie Dundee | Stunts |
Crew | Chester Pate | Special Effects |
Sound | Howard Beals | Sound Effects |
Crew | Robert S. Richardson | Technical Advisor |
Crew | Fred Graham | Stunts |
Crew | Mushy Callahan | Stunts |
Crew | Barney Wolff | Special Effects |
Sound | Tommy Middleton | Sound Effects |
Art | Romaine Birkmeyer | Props |
Editing | Everett Douglas | Editor |
Costume & Make-Up | Diana Gemora | Costumer |
Costume & Make-Up | Charles Gemora | Costumer |
Crew | Charles Morton | Stunts |
Crew | Chet Brandenburg | Stunts |
Visual Effects | W. Wallace Kelley | Visual Effects |
Visual Effects | Ivyl Burks | Visual Effects |
Visual Effects | Aubrey Law | Visual Effects |
Production | Frank Caffey | Production Manager |
Production | Gae Griffith | Producer's Assistant |
Crew | George Bruggeman | Stunts |
Visual Effects | Irmin Roberts | Visual Effects |
Art | Gene Lauritzen | Construction Coordinator |
Crew | Jack Stoney | Stunts |
Visual Effects | Jan Domela | Visual Effects |
Sound | William M. Andrews | Sound Editor |
Art | Lee Vasque | Props |
Art | Albert Nozaki | Art Direction |
Crew | Bob Morgan | Stunts |
Crew | Bob Springfield | Special Effects |
Art | Ivyl Burks | Props |
Sound | Leith Stevens | Original Music Composer |
Directing | Byron Haskin | Director |
Crew | A. Edward Sutherland | Special Effects |
Sound | Harry Lindgren | Sound Recordist |
Art | Albert Nozaki | Set Decoration |
Crew | David Sharpe | Stunts |
Crew | George Magrill | Stunts |
Visual Effects | Walter Hoffman | Visual Effects |
Sound | Dan Johnson | Sound Effects |
Sound | Gene Garvin | Sound Recordist |
Editing | Monroe W. Burbank | Color Grading |
Camera | Murray Young | Key Grip |
Crew | Joe Gray | Stunts |
Crew | Slim Gaut | Stunts |
Sound | Loren L. Ryder | Sound Director |
Camera | George Barnes | Director of Photography |
Production | Frank Freeman Jr. | Associate Producer |
Crew | Herman Hack | Stunts |
Visual Effects | Paul K. Lerpae | Visual Effects |
Visual Effects | Gordon Jennings | Visual Effects |
Sound | Walter Oberst | Sound Effects |
Art | Hal Pereira | Art Direction |
Production | George Pal | Producer |
Lighting | Soldier Graham | Gaffer |
Crew | Fred Zendar | Stunts |
Crew | Dale Van Sickel | Stunts |
Crew | Tex Holden | Stunts |
Crew | Ken Strickfaden | Special Effects |
Art | Charles Davies | Props |
Production | Cecil B. DeMille | Executive Producer |
Writing | H.G. Wells | Novel |
Sound | George Parrish | Orchestrator |
Crew | Bobby Somers | Stunts |
Sound | Lovell Norman | Sound Editor |
Art | Gordon Cole | Property Master |
Art | Chesley Bonestell | Painter |
Crew | Bud Wolfe | Stunts |
Crew | Chalky Williams | Stunts |
Visual Effects | Cliff Shirpser | Visual Effects Camera |
Visual Effects | Jack Caldwell | Visual Effects |
Art | Milt Olson | Props |
Costume & Make-Up | Wally Westmore | Makeup Supervisor |
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