Dahlia Williams and her daughter Cecelia move into a rundown apartment on New York's Roosevelt Island. Dahlia is in the midst of divorce proceedings, and the apartment, though near an excellent school for her daughter, is all she can afford. From the time she arrives, there are mysterious occurrences—and there is a constant drip from the ceiling in her daughter's bedroom…
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| Production | Roy Lee | Producer |
| Production | Doug Davison | Producer |
| Directing | Walter Salles | Director |
| Production | Mark Logan | Location Manager |
| Sound | Dan Wilken | Sound Recordist |
| Crew | Ciara Jones | Stunts |
| Crew | Dana Jones | Stunts |
| Crew | Mavis Corrigan | Stunts |
| Crew | Jeffrey Lee Gibson | Stunts |
| Crew | Blaise Corrigan | Stunts |
| Crew | Jay Spadaro | Stunts |
| Crew | Jamie Jones | Stunt Coordinator |
| Crew | Kelly Jones | Stunts |
| Crew | Tom Farr | Stunts |
| Crew | Chloe Jones | Stunts |
| Crew | Morgan Rue | Stunts |
| Art | Peter DeCurtis | Set Dresser |
| Production | Daniela Barbosa | Production Assistant |
| Writing | Kōji Suzuki | Novel |
| Writing | Rafael Yglesias | Screenplay |
| Production | Ashley Kramer | Executive Producer |
| Editing | Daniel Rezende | Editor |
| Production | Tina Gerussi | Casting |
| Production | Carole Tarlington | Casting |
| Production | Bill Mechanic | Producer |
| Production | Mali Finn | Casting |
| Camera | Affonso Beato | Director of Photography |
| Production | Kelli Lerner | Casting |
| Art | Thérèse DePrez | Production Design |
| Sound | Angelo Badalamenti | Original Music Composer |
| Production | Diana Pokorny | Co-Producer |
| Production | Kerry Foster | Associate Producer |
| Costume & Make-Up | Michael Wilkinson | Costume Design |
| Art | Clive Thomasson | Set Decoration |
| Art | Andrew M. Stearn | Art Direction |
| Art | Nicholas Lundy | Art Direction |
| Art | Jennifer Jacobsen | Set Decoration Buyer |
| Camera | Tony Arnaud | Grip |
| Costume & Make-Up | Sylvain Cournoyer | Key Makeup Artist |
| Costume & Make-Up | Jay Du Boisson | Assistant Costume Designer |
| Art | Rudy Braun | Set Designer |
| Costume & Make-Up | Debbie Lucas | Seamstress |
| Camera | Jim Bridges | Still Photographer |
| Art | Gary Cergol | Art Department Coordinator |
| Art | John Mackenzie | Construction Coordinator |
| Art | Jonathan Roumie | Location Scout |
| Costume & Make-Up | Tina Earnshaw | Makeup Artist |
| Crew | Lauren Gale | Craft Service |
| Crew | Francie Brown | Dialect Coach |
| Crew | Lauren A. Bonfiglio | Stunts |
| Crew | Ahmad Ismail | Telecine Colorist |
| Art | Jennifer Santucci | Art Department Assistant |
| Costume & Make-Up | David R. Beecroft | Key Hair Stylist |
| Crew | Jason Messeri | Set Production Assistant |
| Crew | G.A. Aguilar | Stunt Coordinator |
| Directing | Susan Marucci | Script Supervisor |
| Sound | Frank Gaeta | Supervising Sound Editor |
| Art | J. Ryan Halpenny | Assistant Art Director |
| Costume & Make-Up | Wayne Herndon | Hairstylist |
| Crew | B.J. Smith | Set Medic |
| Editing | Dawn M. Stoliar | First Assistant Editor |
| Crew | Rickey Giallonardo | Transportation Co-Captain |
| Sound | Steve Switzer | Boom Operator |
| Visual Effects | Mark Owen Forker | Visual Effects Supervisor |
| Lighting | Donald M. Angst | Electrician |
| Camera | Mike Kirilenko | Key Grip |
| Crew | Mark Bero | Special Effects Coordinator |
| Crew | Lincoln Kupchak | Visual Effects Editor |
| Directing | David Webb | First Assistant Director |
| Lighting | Morris Flam | Gaffer |
| Sound | Glen Gauthier | Production Sound Mixer |
| Sound | Paul Berolzheimer | Sound Effects Editor |
| Visual Effects | Peter Chesney | Special Effects Supervisor |
| Crew | Robert S. Smith | Carpenter |
| Crew | Brooke Cale | Stand In |
| Editing | Kenny Becker | Color Timer |
| Crew | Gordon J. Smith | Makeup Effects |
| Crew | Martin Clark | Technical Supervisor |
| Production | Andrea Isaacs | Production Supervisor |
| Crew | Henrique Rezende | Special Sound Effects |
| Art | Joseph Proscia | Leadman |
| Art | Vic Rigler | Property Master |
| Production | Amy Herman | Unit Production Manager |
| Sound | Willy Allen | Dialogue Editor |
| Visual Effects | John Coats | 3D Animator |
| Crew | Brian Carmichael | Video Assist Operator |
| Crew | Karen Pidgurski | Unit Publicist |
| Production | Sabine Graham | Production Coordinator |
| Sound | Frank Gaeta | Sound Designer |
| Sound | Michael Barosky | Sound Mixer |
| Sound | Javier Bennassar | Foley Editor |
| Camera | Angelo Colavecchia | Camera Operator |
| Camera | Russel Bowie | First Assistant Camera |
| Crew | Olívia Guimarães | Post Production Supervisor |
| Sound | Rickley W. Dumm | First Assistant Sound Editor |
| Sound | Joe E. Rand | Music Editor |
| Visual Effects | Dan Cobbett | Digital Compositors |
| Sound | James Wright | Dolby Consultant |
| Lighting | Clay Liversidge | Rigging Gaffer |
| Production | Jonathan Leeder | Casting Associate |
| Sound | David Bach | ADR Supervisor |
| Sound | Patrick Russ | Orchestrator |
| Visual Effects | Heather Elisa Hill | Visual Effects Coordinator |
| Lighting | Bill Almeida | Best Boy Electric |
| Visual Effects | Tim Everitt | Animation Supervisor |
| Visual Effects | Todd Isroelit | Visual Effects Producer |
| Sound | Robert Fernandez | Scoring Mixer |
| Sound | Cameron Steenhagen | ADR Editor |
| Sound | Catherine Harper | Foley Artist |
| Crew | Timothy R. Hoffman | Special Effects Assistant |
| Costume & Make-Up | Nicci Schinman | Costumer |
| Art | Susan Bradley | Title Designer |
| Editing | David Bernstein | Colorist |
| Production | Judy Pursley | First Assistant Accountant |
| Production | Peter Madamba | Script Researcher |
| Directing | Bruno Bryniarski | Second Assistant Director |
| Art | Rob McCallum | Storyboard Artist |
| Crew | Mike Thompson | Special Effects Technician |
| Visual Effects | Jamison Huber | Visual Effects Production Assistant |
| Crew | Wendi Bromley | Stunt Double |
| Visual Effects | Sean Devereaux | Visual Effects Compositor |
| Camera | Elizabeth Hedges | Camera Loader |
| Visual Effects | Mesrop Abrahamian | Rotoscoping Artist |
| Visual Effects | Darren Poe | Compositing Supervisor |
| Crew | Cameron S. Brooke | Key Scenic Artist |
| Production | Alison Davis | Production Secretary |
| Costume & Make-Up | Julia Valente | Assistant Makeup Artist |
| Camera | Matt Blades | Dolly Grip |
| Editing | Suzy Gilbert | Assistant Editor |
| Art | David Best | Graphic Designer |
| Sound | Chris Trent | Foley Mixer |
| Camera | Kevin Flynn | Best Boy Grip |
| Editing | Mary Beth Smith | Negative Cutter |
| Crew | Mark Rice | Key Special Effects |
| Sound | Brian Dunlop | ADR Recordist |
| Production | Audra Gorman | Location Coordinator |
| Crew | Timothy Healy | Generator Operator |
| Sound | Peter Gleaves | ADR Mixer |
| Sound | Dennis Twitty | Sound Assistant |
| Camera | Kathleen Corgan | Second Assistant Camera |
| Costume & Make-Up | Kate Quinlan | Wardrobe Supervisor |
| Editing | Maria Montoreano | Associate Editor |
| Production | Lynn H. Powers | Assistant Location Manager |
| Lighting | Kenny Burke | Key Rigging Grip |
| Production | Andrew Jablonski | Assistant Accountant |
| Production | Melissa Girotti | Travel Coordinator |
| Camera | John Colavecchia | Assistant Camera |
| Camera | João Villela | Camera Trainee |
| Production | Lee Ann Cotton | Assistant Production Coordinator |
| Production | Scott Ross | General Manager |
| Directing | Adam Weisinger | Second Second Assistant Director |
| Lighting | Richard Yacuk | Rigging Grip |
| Visual Effects | Metin Gungor | Matte Painter |
| Production | Claudine Franco | Post Production Coordinator |
| Production | Maurice Sessoms | Additional Production Assistant |
| Directing | Devin Hillier | Third Assistant Director |
| Production | Kip Myers | Location Assistant |
| Art | Nick Evans | Set Decoration |
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