Dahlia Williams and her daughter Cecelia move into a rundown apartment on New York's Roosevelt Island. Dahlia is in the midst of divorce proceedings, and the apartment, though near an excellent school for her daughter, is all she can afford. From the time she arrives, there are mysterious occurrences—and there is a constant drip from the ceiling in her daughter's bedroom…
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| Directing | Walter Salles | Director |
| Production | Doug Davison | Producer |
| Production | Roy Lee | Producer |
| Production | Mark Logan | Location Manager |
| Sound | Dan Wilken | Sound Recordist |
| Crew | Morgan Rue | Stunts |
| Crew | Jamie Jones | Stunt Coordinator |
| Crew | Jeffrey Lee Gibson | Stunts |
| Crew | Blaise Corrigan | Stunts |
| Crew | Tom Farr | Stunts |
| Crew | Mavis Corrigan | Stunts |
| Crew | Chloe Jones | Stunts |
| Crew | Kelly Jones | Stunts |
| Crew | Jay Spadaro | Stunts |
| Crew | Dana Jones | Stunts |
| Crew | Ciara Jones | Stunts |
| Art | Peter DeCurtis | Set Dresser |
| Production | Daniela Barbosa | Production Assistant |
| Camera | Affonso Beato | Director of Photography |
| Production | Tina Gerussi | Casting |
| Production | Carole Tarlington | Casting |
| Editing | Daniel Rezende | Editor |
| Writing | Kōji Suzuki | Novel |
| Art | Thérèse DePrez | Production Design |
| Writing | Rafael Yglesias | Screenplay |
| Production | Bill Mechanic | Producer |
| Production | Ashley Kramer | Executive Producer |
| Sound | Angelo Badalamenti | Original Music Composer |
| Production | Kelli Lerner | Casting |
| Production | Mali Finn | Casting |
| Production | Kerry Foster | Associate Producer |
| Production | Diana Pokorny | Co-Producer |
| Costume & Make-Up | Michael Wilkinson | Costume Design |
| Art | Clive Thomasson | Set Decoration |
| Art | Nicholas Lundy | Art Direction |
| Art | Andrew M. Stearn | Art Direction |
| Costume & Make-Up | David R. Beecroft | Key Hair Stylist |
| Crew | Francie Brown | Dialect Coach |
| Crew | B.J. Smith | Set Medic |
| Art | Jonathan Roumie | Location Scout |
| Art | Vic Rigler | Property Master |
| Art | John Mackenzie | Construction Coordinator |
| Camera | Tony Arnaud | Grip |
| Costume & Make-Up | Sylvain Cournoyer | Key Makeup Artist |
| Art | J. Ryan Halpenny | Assistant Art Director |
| Art | Jennifer Santucci | Art Department Assistant |
| Art | Rudy Braun | Set Designer |
| Camera | Mike Kirilenko | Key Grip |
| Crew | Lauren A. Bonfiglio | Stunts |
| Crew | Gordon J. Smith | Makeup Effects |
| Art | Gary Cergol | Art Department Coordinator |
| Camera | Jim Bridges | Still Photographer |
| Costume & Make-Up | Wayne Herndon | Hairstylist |
| Crew | Mark Bero | Special Effects Coordinator |
| Art | Jennifer Jacobsen | Set Decoration Buyer |
| Camera | Angelo Colavecchia | Camera Operator |
| Costume & Make-Up | Debbie Lucas | Seamstress |
| Crew | Martin Clark | Technical Supervisor |
| Crew | Jason Messeri | Set Production Assistant |
| Crew | Lauren Gale | Craft Service |
| Crew | Robert S. Smith | Carpenter |
| Crew | Brooke Cale | Stand In |
| Costume & Make-Up | Tina Earnshaw | Makeup Artist |
| Crew | Rickey Giallonardo | Transportation Co-Captain |
| Crew | Lincoln Kupchak | Visual Effects Editor |
| Editing | Dawn M. Stoliar | First Assistant Editor |
| Camera | Russel Bowie | First Assistant Camera |
| Costume & Make-Up | Jay Du Boisson | Assistant Costume Designer |
| Crew | Olívia Guimarães | Post Production Supervisor |
| Crew | G.A. Aguilar | Stunt Coordinator |
| Crew | Ahmad Ismail | Telecine Colorist |
| Directing | David Webb | First Assistant Director |
| Lighting | Bill Almeida | Best Boy Electric |
| Directing | Susan Marucci | Script Supervisor |
| Crew | Karen Pidgurski | Unit Publicist |
| Art | Joseph Proscia | Leadman |
| Production | Amy Herman | Unit Production Manager |
| Crew | Brian Carmichael | Video Assist Operator |
| Sound | Willy Allen | Dialogue Editor |
| Lighting | Donald M. Angst | Electrician |
| Editing | Kenny Becker | Color Timer |
| Lighting | Morris Flam | Gaffer |
| Sound | Javier Bennassar | Foley Editor |
| Sound | David Bach | ADR Supervisor |
| Lighting | Clay Liversidge | Rigging Gaffer |
| Sound | Rickley W. Dumm | First Assistant Sound Editor |
| Sound | Frank Gaeta | Sound Designer |
| Sound | Paul Berolzheimer | Sound Effects Editor |
| Sound | Michael Barosky | Sound Mixer |
| Production | Sabine Graham | Production Coordinator |
| Sound | James Wright | Dolby Consultant |
| Visual Effects | John Coats | 3D Animator |
| Visual Effects | Dan Cobbett | Digital Compositors |
| Sound | Frank Gaeta | Supervising Sound Editor |
| Production | Jonathan Leeder | Casting Associate |
| Crew | Henrique Rezende | Special Sound Effects |
| Visual Effects | Tim Everitt | Animation Supervisor |
| Visual Effects | Todd Isroelit | Visual Effects Producer |
| Sound | Patrick Russ | Orchestrator |
| Sound | Glen Gauthier | Production Sound Mixer |
| Sound | Steve Switzer | Boom Operator |
| Sound | Joe E. Rand | Music Editor |
| Visual Effects | Mark Owen Forker | Visual Effects Supervisor |
| Visual Effects | Peter Chesney | Special Effects Supervisor |
| Visual Effects | Heather Elisa Hill | Visual Effects Coordinator |
| Production | Andrea Isaacs | Production Supervisor |
| Sound | Robert Fernandez | Scoring Mixer |
| Costume & Make-Up | Nicci Schinman | Costumer |
| Directing | Bruno Bryniarski | Second Assistant Director |
| Art | Susan Bradley | Title Designer |
| Visual Effects | Sean Devereaux | Visual Effects Compositor |
| Crew | Wendi Bromley | Stunt Double |
| Art | Rob McCallum | Storyboard Artist |
| Crew | Mike Thompson | Special Effects Technician |
| Visual Effects | Jamison Huber | Visual Effects Production Assistant |
| Directing | Adam Weisinger | Second Second Assistant Director |
| Camera | John Colavecchia | Assistant Camera |
| Directing | Devin Hillier | Third Assistant Director |
| Sound | Cameron Steenhagen | ADR Editor |
| Sound | Peter Gleaves | ADR Mixer |
| Sound | Catherine Harper | Foley Artist |
| Sound | Dennis Twitty | Sound Assistant |
| Costume & Make-Up | Julia Valente | Assistant Makeup Artist |
| Sound | Brian Dunlop | ADR Recordist |
| Art | David Best | Graphic Designer |
| Crew | Timothy R. Hoffman | Special Effects Assistant |
| Sound | Chris Trent | Foley Mixer |
| Camera | Kevin Flynn | Best Boy Grip |
| Camera | Matt Blades | Dolly Grip |
| Editing | Suzy Gilbert | Assistant Editor |
| Camera | João Villela | Camera Trainee |
| Camera | Kathleen Corgan | Second Assistant Camera |
| Production | Judy Pursley | First Assistant Accountant |
| Lighting | Kenny Burke | Key Rigging Grip |
| Editing | David Bernstein | Colorist |
| Production | Lee Ann Cotton | Assistant Production Coordinator |
| Visual Effects | Mesrop Abrahamian | Rotoscoping Artist |
| Production | Peter Madamba | Script Researcher |
| Camera | Elizabeth Hedges | Camera Loader |
| Visual Effects | Darren Poe | Compositing Supervisor |
| Production | Audra Gorman | Location Coordinator |
| Editing | Mary Beth Smith | Negative Cutter |
| Production | Claudine Franco | Post Production Coordinator |
| Production | Lynn H. Powers | Assistant Location Manager |
| Costume & Make-Up | Kate Quinlan | Wardrobe Supervisor |
| Editing | Maria Montoreano | Associate Editor |
| Production | Kip Myers | Location Assistant |
| Production | Scott Ross | General Manager |
| Lighting | Richard Yacuk | Rigging Grip |
| Production | Alison Davis | Production Secretary |
| Crew | Cameron S. Brooke | Key Scenic Artist |
| Crew | Timothy Healy | Generator Operator |
| Visual Effects | Metin Gungor | Matte Painter |
| Production | Andrew Jablonski | Assistant Accountant |
| Production | Melissa Girotti | Travel Coordinator |
| Production | Maurice Sessoms | Additional Production Assistant |
| Crew | Mark Rice | Key Special Effects |
| Art | Nick Evans | Set Decoration |
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