Kurt Gerstein—a member of the Institute for Hygiene of the Waffen-SS—is horrified by what he sees in the death camps. he is then shocked to learn that the process he used to purify water for his troops by using Zyklon-B, is now used to kill people in gas chambers.
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Writing | Jean-Claude Grumberg | Screenplay |
Editing | Yannick Kergoat | Editor |
Writing | Costa-Gavras | Screenplay |
Production | Michèle Ray-Gavras | Producer |
Camera | Patrick Blossier | Director of Photography |
Writing | Rolf Hochhuth | Theatre Play |
Production | Andrei Boncea | Producer |
Sound | Armand Amar | Original Music Composer |
Directing | Costa-Gavras | Director |
Production | Sabine Schroth | Casting |
Production | Jina Jay | Casting |
Art | Emita Frigato | Art Direction |
Art | Maria Miu | Art Direction |
Costume & Make-Up | Edith Vesperini | Costume Design |
Production | Florin Kevorkian | Casting |
Art | Carmen Pasula | Set Decoration |
Art | Ari Hantke | Production Design |
Directing | Andra Barbuica | Script Supervisor |
Crew | Tony Brubaker | Stunts |
Sound | Francis Wargnier | Sound Editor |
Costume & Make-Up | Francesco Scaramella | Hairstylist |
Costume & Make-Up | Alexis Kinebanyan | Special Effects Makeup Artist |
Costume & Make-Up | John Nollet | Hairstylist |
Costume & Make-Up | Benoît Lestang | Special Effects Makeup Artist |
Sound | Pierre Gamet | Sound |
Sound | Yannick Boulot | Sound Recordist |
Sound | Jean-Pierre Lelong | Sound Effects Editor |
Costume & Make-Up | Jeni Lita | Hairstylist |
Costume & Make-Up | Lidia Ivanov | Hairstylist |
Costume & Make-Up | Lidia Constantin | Hairstylist |
Costume & Make-Up | Ferdinando Merolla | Hairstylist |
Sound | Alain Lévy | Sound |
Sound | Stefan Richter | Dialogue Editor |
Costume & Make-Up | Thi-Loan Nguyen | Makeup Artist |
Costume & Make-Up | Andrea Dardea Tesdall | Makeup Artist |
Sound | Dominique Gaborieau | Sound Re-Recording Mixer |
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