Margaret, 35, has a history of violent behaviour which has cost her a romantic relationship. She has moved back in with her mother Christina, a fragile, immature 55-year-old woman who blames Margaret, her firstborn, for ruining her dreams of a career as a concert pianist. In a state of unbridled fury during an argument, Margaret hits Christina. The law steps in, further complicating family dynamics. As she awaits trial, Margaret is forbidden from coming into contact with her mother or within 100 metres of their home. This only intensifies her desire to be closer to her family. Every day, Margaret appears at this 100-metre threshold to see her 12-year-old sister Marion and give her music lessons.
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Production | Jean-Pierre Dardenne | Co-Producer |
Production | Luc Dardenne | Co-Producer |
Directing | Ursula Meier | Director |
Editing | Nelly Quettier | Editor |
Production | Max Karli | Producer |
Writing | Antoine Jaccoud | Co-Writer |
Writing | Nathalie Najem | Co-Writer |
Camera | Agnès Godard | Director of Photography |
Writing | Ursula Meier | Writer |
Writing | Robin Campillo | Co-Writer |
Production | Marie-Ange Luciani | Co-Producer |
Production | Pauline Gygax | Producer |
Writing | Stéphanie Blanchoud | Writer |
Costume & Make-Up | Kaatje Van Damme | Makeup Designer |
Production | Ksenia Baucher | Administration |
Production | Adrienne D'Anna | Production Assistant |
Crew | Samuel Maurer | Video Assist Operator |
Production | Philippe Logie | Associate Producer |
Directing | Oceane Wannaz | Crowd Assistant Director |
Production | Nicolas Zen-Ruffinen | Line Producer |
Production | Marine Dumas | Production Coordinator |
Visual Effects | Delphine Lasserre | Visual Effects Producer |
Production | Delphine Tomson | Co-Producer |
Production | Antoine Lepetit | Administration |
Art | Margaux Renvoisé | Assistant Art Director |
Sound | Lucas Le Bart | Boom Operator |
Visual Effects | Niranjan Siva | Compositing Supervisor |
Costume & Make-Up | Catherine Schneider | Wardrobe Supervisor |
Camera | François Tille | Key Grip |
Production | Olivier Père | Co-Producer |
Camera | Lukas Franz | Steadicam Operator |
Directing | Louis Morier-Genoud | Second Assistant Director |
Lighting | Dino Berguglia | Electrician |
Lighting | Thibault Danjou | Gaffer |
Camera | Fred Bagoë Fauguet | Second Assistant Camera |
Camera | Sophie Poncin | Grip |
Lighting | Mathieu Werlen | Electrician |
Editing | Yov Moor | Colorist |
Sound | Antoine Francois | Dialogue Editor |
Sound | Timothée Montani | Boom Operator |
Crew | Marie-Lou Pahud | Post Production Supervisor |
Sound | Valène Leroy | Dialogue Editor |
Sound | Alexis Oscari | Foley Mixer |
Directing | Sonia Rossier | First Assistant Director |
Sound | Christina Crevillén | ADR Supervisor |
Sound | Franco Piscopo | Sound Re-Recording Mixer |
Editing | Marina Amaro | Dailies Operator |
Editing | Audrey Kleinclaus | Digital Intermediate Producer |
Production | Aurélie Guichard | Casting Director |
Sound | Pierre Greco | Foley Artist |
Lighting | Romain Schar | Electrician |
Visual Effects | My Lan Nguyen Quang | Visual Effects |
Directing | Léon Yersin | Third Assistant Director |
Production | Camille Kohli | Location Assistant |
Lighting | Elías Fernández Salomón | Electrician |
Editing | Indy Adjovi | Dailies Operator |
Editing | Mia Collins | First Assistant Editor |
Production | Yannick Ducrot | Assistant Location Manager |
Costume & Make-Up | Virginie Berland | Facial Setup Artist |
Sound | Patrick Becker | Sound Mixer |
Art | Yannick Ducrot | Location Scout |
Sound | Étienne Curchod | Sound Designer |
Sound | Selıa Çakir | Foley Editor |
Production | Kévin Chatelain | Location Manager |
Sound | Benjamin Biolay | Original Music Composer |
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