In 1985, Willem de Kooning’s “Woman-Ochre,” one of the most valuable paintings of the 20th century, vanished into the Arizona desert after being cut from its frame at the University of Arizona Museum of Art. 32 years later, the $160 million painting was found hanging in the home of Jerry and Rita Alter in rural New Mexico.
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Directing | Allison Otto | Director |
Writing | Mark Monroe | Screenplay |
Production | Bryn Mooser | Executive Producer |
Production | Kathryn Everett | Executive Producer |
Production | Tony Hsieh | Executive Producer |
Production | Andy Hsieh | Executive Producer |
Production | Justin Lacob | Executive Producer |
Production | John Boccardo | Executive Producer |
Production | Derek Esplin | Executive Producer |
Production | Shizuka Asakawa | Executive Producer |
Production | Kathleen L'Esperance | Executive Producer |
Production | Caryn Capotosto | Producer |
Production | Jill Latiano Howerton | Producer |
Production | Joshua A. Kunau | Producer |
Writing | Nick Andert | Screenplay |
Editing | Nick Andert | Editor |
Camera | Rod Hassler | Director of Photography |
Camera | Matt Ryan | Director of Photography |
Production | Mary Kay Cook | Co-Producer |
Production | Heath Cullens | Co-Producer |
Editing | Elizabeth Marie Barrett | Associate Editor |
Art | Scott Grossman | Graphic Designer |
Art | Michael Lloyd | Title Designer |
Visual Effects | Michael Lloyd | Animation |
Camera | Daniel Brothers | Additional Camera |
Camera | Christopher Sprinkle | Additional Camera |
Camera | Daniel J. Clark | Additional Camera |
Camera | Brett Wiley | Additional Camera |
Sound | Ivan Basauri | Sound Mixer |
Sound | Jake McDaniel | Sound Mixer |
Sound | Ryan Bertolami | Sound Mixer |
Sound | Ryan Stewart | Sound Mixer |
Sound | Rod Hassler | Sound Mixer |
Lighting | Tom Chaves | Gaffer |
Lighting | Eric Koski | Gaffer |
Lighting | Jake McDaniel | Gaffer |
Lighting | Kyle Reid | Gaffer |
Lighting | Nick deRuve | Gaffer |
Lighting | Justin Kreinbrink | Gaffer |
Lighting | Michael Proa | Gaffer |
Lighting | Chris Walters | Gaffer |
Lighting | Chris Joehnk | Gaffer |
Lighting | Phil Matarese | Gaffer |
Lighting | Conor O'Mara | Gaffer |
Art | Mercer Boffey | Storyboard Artist |
Costume & Make-Up | Armando Toro | Makeup Artist |
Costume & Make-Up | Armando Toro | Hairstylist |
Camera | Colin Earner | Key Grip |
Camera | Hallie Neely | Key Grip |
Production | Mary Kay Cook | Production Manager |
Directing | Saró Melero Bonnin | First Assistant Director |
Directing | Alex Wilson | Second Assistant Director |
Camera | Jonathan Medina | First Assistant Camera |
Camera | Stephen Huffman | Second Assistant Camera |
Camera | Brian Tooker | Digital Imaging Technician |
Camera | Mic Waugh | Steadicam Operator |
Camera | Jacqueline Alpers | Still Photographer |
Directing | Lori Franklin-Garcia | Script Supervisor |
Sound | Fred Porter | Production Sound Mixer |
Camera | Greg Harris | Key Grip |
Lighting | Caleb Smith | Best Boy Electric |
Camera | Eric Koski | Best Boy Grip |
Art | Josh Zientarski | Swing |
Art | Kim Bailey | Production Design |
Art | Jennifer Jones Nesbit | Art Direction |
Art | Jennifer Jones Nesbit | Property Master |
Art | Louie Duran | Art Direction |
Costume & Make-Up | Jessica Peel | Costume Design |
Costume & Make-Up | Noelle Knipe | Costume Assistant |
Costume & Make-Up | Jane Bosman | Tailor |
Costume & Make-Up | Margarita Potts | Makeup Department Head |
Costume & Make-Up | Margarita Potts | Hair Department Head |
Costume & Make-Up | Raemie Reyes-Barnes | Makeup Artist |
Costume & Make-Up | Raemie Reyes-Barnes | Hairstylist |
Production | Bella Hibbs | Casting |
Production | Faith Hibbs-Clark | Casting |
Editing | James Honaker | Colorist |
Sound | Matt Vowles | Sound Re-Recording Mixer |
Sound | Catherine Wheatley | Sound Editor |
Crew | Jon Lloyd | Additional Music |
Sound | Brady Cohan | Music Producer |
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