Sussex, England, 1938. Shortly before the outbreak of World War II, Thomasina and Martha Hanbury, two ingenious sisters, create LOLA, a miraculous machine.
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| Directing | Andrew Legge | Director |
| Writing | Angeli Macfarlane | Screenplay |
| Camera | Oona Menges | Director of Photography |
| Writing | Andrew Legge | Screenplay |
| Writing | Henrietta Ashworth | Screenstory |
| Costume & Make-Up | Gary Carolan | Hair Designer |
| Production | Maria Mulhall | Production Manager |
| Production | Tom Harberd | Associate Producer |
| Camera | Andrew Legge | Additional Photography |
| Production | Stephen Kelliher | Executive Producer |
| Directing | Mike Hayes | First Assistant Director |
| Production | Emma Gunnery | Casting Director |
| Production | Dearbhla Regan | Executive Producer |
| Production | Andrew Legge | Executive Producer |
| Sound | Simon H. Jones | Sound Mixer |
| Production | Sophie Green | Executive Producer |
| Sound | Neil Hannon | Original Music Composer |
| Sound | Neil Hannon | Songs |
| Sound | Olly Astles-Jones | Sound Recordist |
| Crew | Helen O'Dea | Stunt Double |
| Directing | Amy Burke | Third Assistant Director |
| Writing | Jessica Ashworth | Screenstory |
| Crew | Nora Brabazon | Stand In |
| Production | Bizzy Day | Executive Producer |
| Costume & Make-Up | Edwina Kelly | Makeup Designer |
| Production | Jessie Frost | Casting Director |
| Writing | Andrew Legge | Screenstory |
| Production | Phil Hunt | Executive Producer |
| Production | Alice Lusher | Co-Producer |
| Production | Catryn Ramasut | Co-Producer |
| Production | Compton Ross | Executive Producer |
| Production | Danielle Ryan | Executive Producer |
| Costume & Make-Up | Lara Campbell | Costume Designer |
| Production | Gus Legge | Co-Executive Producer |
| Production | Mary Legge | Co-Executive Producer |
| Camera | Stefanie Martini | Additional Photography |
| Crew | Serena Brabazon | Creative Consultant |
| Crew | Jane Shortall | Choreographer |
| Production | Gina Casey | Production Coordinator |
| Visual Effects | Brendan Byrne | Special Effects Supervisor |
| Crew | Michelle O'Loughlin | Stunt Double |
| Directing | Sarah Beth Moylan | Second Assistant Director |
| Art | Aoife Quinn | Graphic Designer |
| Production | David Legge | Co-Executive Producer |
| Production | Thomas Legge | Co-Executive Producer |
| Camera | Eleanor Bowman | Additional Photography |
| Lighting | Simon Magee | Gaffer |
| Art | Anaïs Mulgrew | Graphic Designer |
| Visual Effects | Andy Clarke | Visual Effects Supervisor |
| Art | Martin Carey | Property Master |
| Crew | Therese Caldwell | Post Production Supervisor |
| Art | Kerry Ann Ridley | Graphic Designer |
| Directing | Louise Gaffney | Script Supervisor |
| Art | Helen Logan | Property Buyer |
| Art | Mike Burke | Set Dresser |
| Sound | Simon H. Jones | Foley Mixer |
| Art | Andrew Legge | Title Designer |
| Crew | Chacha Seigne | Creative Consultant |
| Editing | Dara McKeagney | Assistant Editor |
| Camera | Howard Woods | Grip |
| Crew | Brendan Condren | Stunt Coordinator |
| Sound | Simon H. Jones | Foley Artist |
| Editing | Stuart Fyvie | Colorist |
| Camera | James Pierce | Still Photographer |
| Camera | Oscar Legge | Still Photographer |
| Visual Effects | Christian Lett | Visual Effects Supervisor |
| Camera | Conor Hammond | Focus Puller |
| Sound | Alan Maher | Sound Recordist |
| Visual Effects | Dave Osborne | Photo Retouching |
| Crew | Serena Brabazon | Thanks |
| Sound | Nicholas Allan | Sound Effects Editor |
| Art | Vanessa Zanardo | Art Direction |
| Editing | Colin Campbell | Editor |
| Art | Ferdia Murphy | Production Design |
| Production | John Wallace | Producer |
| Production | Alan Maher | Producer |
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