The plane carrying wealthy Charles Morse crashes down in the Alaskan wilderness. Together with the two other passengers, photographer Robert and assistant Stephen, Charles devises a plan to help them reach civilization. However, his biggest obstacle might not be the elements, or even the Kodiak bear stalking them -- it could be Robert, whom Charles suspects is having an affair with his wife and would not mind seeing him dead.
Unfortunately the movie The Edge is not yet available on Netflix. Follow us on Facebook to see when The Edge becomes available on Netflix!
| Production | Art Linson | Producer |
| Production | Lloyd Phillips | Producer |
| Directing | Lee Tamahori | Director |
| Writing | David Mamet | Screenplay |
| Sound | Jerry Goldsmith | Original Music Composer |
| Editing | Neil Travis | Editor |
| Camera | Donald McAlpine | Director of Photography |
| Crew | Betty Thomas Quee | Stunt Coordinator |
| Art | Melodi Petrigo | Art Department Coordinator |
| Sound | David A. Arnold | Sound Editor |
| Sound | Dave Kulczycki | Sound Editor |
| Camera | Richard G. Mason | Underwater Camera |
| Camera | Patrick McArdle | First Assistant Camera |
| Costume & Make-Up | Gail Kennedy | Makeup Artist |
| Sound | Donald Sylvester | Foley |
| Camera | Pauline Heaton | Underwater Camera |
| Costume & Make-Up | Julie Weiss | Costume Design |
| Art | Robert LaPrell | Construction Coordinator |
| Art | Wolf Kroeger | Production Design |
| Camera | Wayne Goodchild | Key Grip |
| Editing | Michael J. Wechsler | Assistant Editor |
| Sound | Alexander Courage | Orchestrator |
| Art | Robert Dawson | Title Designer |
| Art | Janice Blackie-Goodine | Set Decoration |
| Sound | Harry B. Miller III | ADR Supervisor |
| Visual Effects | Kent Houston | Visual Effects Supervisor |
| Production | Rino Pace | Location Manager |
| Costume & Make-Up | Iloe Flewelling | Key Hair Stylist |
| Art | Alfred A. Arndt | Construction Foreman |
| Directing | Philip A. Patterson | First Assistant Director |
| Sound | Steve Bissinger | Sound Editor |
| Sound | Michael Playfair | Boom Operator |
| Camera | Tim Milligan | Dolly Grip |
| Camera | Kurt E. Soderling | Aerial Camera |
| Lighting | Burton 'Joe' Kuchera | Rigging Gaffer |
| Art | Pierre Bartlette | Construction Foreman |
| Sound | Paul Urmson | Sound Editor |
| Camera | John Clothier | Camera Operator |
| Production | Donna Isaacson | Casting |
| Crew | John Dambrauskas | Carpenter |
| Sound | Kenneth Hall | Music Editor |
| Sound | Ted Caplan | Sound Editor |
| Sound | J.D. Ward | Sound Recordist |
| Lighting | Rick Youck | Best Boy Electric |
| Art | Gary Clayton Ripley | Painter |
| Directing | Christine Wilson | Script Supervisor |
| Costume & Make-Up | Christine Beveridge | Makeup Designer |
| Sound | Jay Wilkinson | Supervising Sound Editor |
| Crew | Mike Vézina | Special Effects Coordinator |
| Camera | Joseph Lederer | Still Photographer |
| Costume & Make-Up | Gail Johns | Seamstress |
| Editing | Nicolas De Toth | First Assistant Editor |
| Crew | Smith Wordes | Choreographer |
| Production | Yvonne Melville | Production Coordinator |
| Costume & Make-Up | B.J. Rogers | Costume Supervisor |
| Production | Alice Ferrier | Production Coordinator |
| Directing | Kevin Leslie | Third Assistant Director |
| Art | Richard Harrison | Art Direction |
We have detected that you are using an ad blocker. In order to view this page please disable your ad blocker or whitelist this site from your ad blocker. Thanks!