A kidnapped boy strikes up a friendship with his captor: an escaped convict on the run from the law, headed by an honorable U.S. Marshal.
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| Directing | Clint Eastwood | Director |
| Production | David Valdes | Producer |
| Sound | Lennie Niehaus | Original Music Composer |
| Editing | Ron Spang | Editor |
| Camera | Jack N. Green | Director of Photography |
| Editing | Joel Cox | Editor |
| Writing | John Lee Hancock | Writer |
| Sound | T.J. Lowther | Songs |
| Production | Mark Johnson | Producer |
| Art | Alan Hicks | Set Decoration |
| Art | Henry Bumstead | Production Design |
| Art | Jack G. Taylor Jr. | Art Direction |
| Production | Phyllis Huffman | Casting |
| Costume & Make-Up | Erica Edell Phillips | Costume Design |
| Crew | Norman Howell | Stunt Double |
| Crew | Buddy Van Horn | Stunt Coordinator |
| Directing | Bill Bannerman | Second Assistant Director |
| Production | David Valdes | Production Manager |
| Directing | Sarah Shields | Second Second Assistant Director |
| Costume & Make-Up | Fríða Aradóttir | Hairstylist |
| Sound | Rick Alexander | Sound Re-Recording Mixer |
| Production | Liz Keigley | Casting |
| Camera | Tony Rivetti Sr. | First Assistant "A" Camera |
| Production | Amy Chance | Production Secretary |
| Art | Charlie Vasser | Set Designer |
| Camera | John Patrick Smith | Second Assistant "B" Camera |
| Costume & Make-Up | Francisco X. Pérez | Makeup Artist |
| Lighting | Víctor Pérez | Assistant Chief Lighting Technician |
| Sound | Jeff Wexler | Sound Mixer |
| Sound | Alan Robert Murray | Supervising Sound Editor |
| Sound | Donald Harris | Music Editor |
| Crew | David Amborn | Special Effects |
| Production | Jeff Kloss | Production Accountant |
| Editing | Michael Cipriano | Assistant Editor |
| Directing | Karon May | Script Supervisor |
| Camera | Don Reddy | "B" Camera Operator |
| Camera | Murray Close | Still Photographer |
| Sound | Allen L. Stone | Sound Re-Recording Mixer |
| Lighting | John Lacy | Rigging Gaffer |
| Crew | James W. McCormick | Special Effects |
| Lighting | Tom Stern | Chief Lighting Technician |
| Sound | Don Coufal | Boom Operator |
| Art | Antoinette J. Gordon | Set Designer |
| Art | William F. Reynolds | Leadman |
| Costume & Make-Up | Kelly Lindquist | Set Costumer |
| Camera | Antonio V. Garrido | Dolly Grip |
| Production | Cynthia Streit | Production Coordinator |
| Directing | L. Dean Jones Jr. | First Assistant Director |
| Costume & Make-Up | James Lee McCoy | Makeup Artist |
| Lighting | Buzzy Burwell | Rigging Gaffer |
| Camera | Charles Saldaña | Key Grip |
| Camera | Hal Nelson | Best Boy Grip |
| Camera | Gary Jay | First Assistant "B" Camera |
| Camera | John Waldo | Second Assistant "A" Camera |
| Costume & Make-Up | Amy Stofsky | Costume Supervisor |
| Costume & Make-Up | Carol A. O'Connell | Hairstylist |
| Camera | Stephen St. John | "A" Camera Operator |
| Costume & Make-Up | Elle Elliott | Hairstylist |
| Crew | John Frazier | Special Effects Coordinator |
| Sound | Les Fresholtz | Sound Re-Recording Mixer |
| Crew | Marco Barla | Unit Publicist |
| Art | Edward Aiona | Property Master |
| Crew | Andy Gill | Stunts |
| Crew | Brian Smrz | Stunts |
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