World War II vet Paul Sutton falls for a pregnant and unwed woman who persuades him -- during their first encounter -- to pose as her husband so she can face her family.
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| Production | David Zucker | Producer |
| Writing | Robert Mark Kamen | Screenplay |
| Directing | Alfonso Arau | Director |
| Writing | Harvey Weitzman | Screenplay |
| Writing | Mark Miller | Screenplay |
| Production | Jerry Zucker | Producer |
| Production | James D. Brubaker | Executive Producer |
| Sound | Maurice Jarre | Original Music Composer |
| Production | Gil Netter | Producer |
| Editing | Don Zimmerman | Editor |
| Camera | Emmanuel Lubezki | Director of Photography |
| Crew | Steven Lambert | Stunts |
| Costume & Make-Up | Judy L. Ruskin | Costume Design |
| Art | David Gropman | Production Design |
| Production | Bill Johnson | Co-Producer |
| Production | Christine Sheaks | Casting |
| Writing | Cesare Zavattini | Original Story |
| Production | John S. Lyons | Casting |
| Production | Gretchen van Zeebroeck | Production Coordinator |
| Visual Effects | Bill Taylor | Visual Effects |
| Directing | Ingrid Urich-Sass | Script Supervisor |
| Costume & Make-Up | Julie Hewett | Makeup Artist |
| Production | James D. Brubaker | Unit Production Manager |
| Art | Mauricio de Aguinaco | Assistant Art Director |
| Camera | Rodrigo García | Camera Operator |
| Sound | Jonathan Fuh | Boom Operator |
| Sound | B. Tennyson Sebastian III | Sound Re-Recording Mixer |
| Production | Stephen Lytle | Associate Producer |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Crew | Jake Crawford | Stunt Coordinator |
| Costume & Make-Up | Beth Miller | Key Hair Stylist |
| Art | Denise Pizzini | Set Decoration |
| Art | Daniel Maltese | Art Direction |
| Production | Tina Fortenberry | Production Supervisor |
| Costume & Make-Up | Mindy Hall | Makeup Artist |
| Art | John Dexter | Assistant Art Director |
| Production | Garrison M. Singer | Production Accountant |
| Costume & Make-Up | Catherine Childers | Hairstylist |
| Sound | Roxanne Jones McCarthy | Sound Editor |
| Sound | Don Hall | Supervising Sound Editor |
| Writing | Piero Tellini | Original Story |
| Visual Effects | Syd Dutton | Visual Effects |
| Art | Robert Fechtman | Set Designer |
| Sound | Chris Carpenter | Sound Re-Recording Mixer |
| Sound | Cindy Marty | Sound Editor |
| Production | Paul Moen | Unit Production Manager |
| Sound | Sergio Reyes | Sound Re-Recording Mixer |
| Sound | Bill W. Benton | Sound Re-Recording Mixer |
| Sound | Phillip Linson | Sound Editor |
| Sound | José Antonio García | Sound Mixer |
| Art | Bruce DiValerio | Construction Coordinator |
| Camera | Murray Close | Still Photographer |
| Crew | Lauren Beth Strogoff | Unit Publicist |
| Crew | John McLeod | Special Effects Coordinator |
| Sound | Dan Carlin Sr. | Music Editor |
| Editing | Bob Kaiser | Color Timer |
| Crew | Julie Adams | Dialect Coach |
| Crew | Heather Burton | Stunts |
| Sound | Elizabeth Kenton | Dialogue Editor |
| Sound | Cindy Marty | Dialogue Editor |
| Sound | Hilda Hodges | Foley Artist |
| Sound | R.J. Kizer | Supervising ADR Editor |
| Sound | Rick Canelli | ADR Recordist |
| Art | Emily Ferry | Property Master |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Art | John Zemansky | Property Master |
| Sound | Carolyn Tapp | Foley Recordist |
| Sound | Mary Jo Lang | Foley Mixer |
| Sound | George H. Anderson | ADR Editor |
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