When an alien takes the form of a young widow's husband and asks her to drive him from Wisconsin to Arizona, the government tries to stop them.
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Writing | Raynold Gideon | Writer |
Directing | John Carpenter | Director |
Editing | Marion Rothman | Editor |
Writing | Bruce A. Evans | Writer |
Camera | Donald M. Morgan | Director of Photography |
Production | Bruce A. Evans | Associate Producer |
Production | Raynold Gideon | Associate Producer |
Crew | Kerry Rossall | Stunts |
Crew | William T. Lane | Stunts |
Editing | Craig Ridenour | Assistant Editor |
Sound | Thomas Causey | Sound Mixer |
Costume & Make-Up | Andy Hylton | Costumer |
Crew | Robert Jauregui | Stunts |
Crew | John-Clay Scott | Stunts |
Camera | Tony Rivetti Sr. | First Assistant Camera |
Crew | Ben Scott | Stunts |
Sound | Jay Engel | ADR Editor |
Sound | Hank Garfield | Boom Operator |
Costume & Make-Up | Robin Michel Bush | Costumer |
Camera | Richard Dow | Dolly Grip |
Editing | Virginia Katz | Assistant Editor |
Crew | Marguerite Happy | Stunts |
Camera | Marc Margulies | Second Assistant Camera |
Sound | Curt Sobel | Supervising Music Editor |
Camera | Calvin Sterry | Key Grip |
Production | Anna Zappia | Production Coordinator |
Sound | Joseph F. Brennan | Boom Operator |
Lighting | Mike Amorelli | Best Boy Electric |
Production | Paul Pav | Location Manager |
Production | Patricia Ledford | Location Manager |
Visual Effects | Bruce Nicholson | Special Effects Supervisor |
Crew | Eddie Lee Voelker | Transportation Coordinator |
Crew | David Turner | Transportation Captain |
Directing | Joe Alves | Second Unit Director |
Lighting | Eric Smith | Best Boy Electric |
Production | Pennie DuPont | Additional Casting |
Editing | Brian Ralph | Negative Cutter |
Production | Michael Hill | Production Accountant |
Production | Jennifer Shull | Casting |
Art | Robert R. Benton | Set Decoration |
Art | Daniel A. Lomino | Production Design |
Directing | Sandy King | Script Supervisor |
Sound | Kevin O'Connell | Sound Re-Recording Mixer |
Camera | Dean Williams | Still Photographer |
Art | William J. Durrell Jr. | Set Designer |
Lighting | Hugo Cortina | Gaffer |
Sound | Don S. Walden | Sound Editor |
Sound | Bill Varney | Sound Re-Recording Mixer |
Camera | Chris Schwiebert | Camera Operator |
Crew | Roy Arbogast | Special Effects Coordinator |
Visual Effects | Charlie Mullen | Animation Supervisor |
Crew | Bill Kimberlin | Visual Effects Editor |
Sound | Michael P. Redbourn | Sound Editor |
Sound | Tom McCarthy Jr. | Supervising Sound Editor |
Sound | Steve Maslow | Sound Re-Recording Mixer |
Camera | George Kohut | Camera Operator |
Camera | Sidney Ray Baldwin | Still Photographer |
Costume & Make-Up | Pete Altobelli | Makeup Artist |
Art | Walt Hadfield | Construction Coordinator |
Production | Carl Mazzocone | Researcher |
Costume & Make-Up | Marina Pedraza | Hairstylist |
Art | Bill Gay | Leadman |
Art | Ken Zimmerman | Assistant Property Master |
Art | Larry Clark Bird | Property Master |
Production | Mark C. Haskins | Production Assistant |
Sound | Jack Nitzsche | Original Music Composer |
Crew | Terry Leonard | Stunt Coordinator |
Directing | Jeffrey Chernov | Second Assistant Director |
Production | Michael Douglas | Executive Producer |
Production | Barry Bernardi | Co-Producer |
Production | Larry Franco | Producer |
Production | Tom Joyner | Production Manager |
Directing | Larry Franco | First Assistant Director |
Camera | Steven Poster | Second Unit Director of Photography |
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