Inconsolable since the death of his wife, Karsh, a prominent businessman, invents a revolutionary and controversial technology that enables the living to monitor their dear departed in their shrouds. One night, multiple graves, including that of Karsh’s wife, are desecrated, and he sets out to track down the perpetrators.
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| Directing | David Cronenberg | Director |
| Production | Michel Merkt | Producer |
| Production | Martin Katz | Producer |
| Production | Saïd Ben Saïd | Producer |
| Directing | David Warry-Smith | First Assistant Director |
| Costume & Make-Up | Jane Flanders | Costume Supervisor |
| Costume & Make-Up | Alexandra Anger | Prosthetics |
| Costume & Make-Up | Larissa Palaszczuk | Key Makeup Artist |
| Costume & Make-Up | Anna Dal Farra | Assistant Costume Designer |
| Costume & Make-Up | Silvana Sacco | Costumer |
| Crew | Douglas Wilkinson | Post Production Supervisor |
| Directing | Dug Rotstein | Script Supervisor |
| Directing | Ken A. Smith | Second Assistant Director |
| Costume & Make-Up | Monica Pavez | Prosthetic Makeup Artist |
| Writing | David Cronenberg | Writer |
| Editing | Christopher Donaldson | Editor |
| Production | Anthony Vaccarello | Producer |
| Production | Kevin Chneiweiss | Executive Producer |
| Production | Marieke Tricoire | Executive Producer |
| Sound | Rob Bertola | Supervising Sound Editor |
| Sound | Paul Germann | Sound Effects Editor |
| Sound | Jill Purdy | Supervising Sound Editor |
| Sound | Mark Zsifkovits | Sound Mix Technician |
| Sound | Christian T. Cooke | Sound Mixer |
| Lighting | Terry Barbet | Key Rigging Grip |
| Camera | Briana Blades | Grip |
| Sound | Howard Shore | Original Music Composer |
| Art | Justin Stephenson | Main Title Designer |
| Visual Effects | Guillaume Le Gouez | Visual Effects Supervisor |
| Costume & Make-Up | Diane Mazur | Makeup Department Head |
| Art | Jefferson Gonsalves | Set Dresser |
| Directing | Billy Gridley | Third Assistant Director |
| Art | Shari Spier | Graphic Designer |
| Sound | Trevor Goulet | Sound Mixer |
| Production | Steve Solomos | Co-Producer |
| Production | Deborah Marks | Production Manager |
| Art | Carol Spier | Production Design |
| Art | Jason Clarke | Art Direction |
| Costume & Make-Up | Anne Dixon | Costume Design |
| Costume & Make-Up | Jaime Donnelly | Key Hair Stylist |
| Camera | Douglas Koch | Director of Photography |
| Costume & Make-Up | Anna-Claude Biron | Seamstress |
| Sound | Jason McFarling | Boom Operator |
| Camera | Jason Greenslade | Dolly Grip |
| Costume & Make-Up | Jozie Conte | Costume Set Supervisor |
| Production | Srđan Vilotijević | Location Manager |
| Sound | Michael Lee Taylor | Sound |
| Camera | Sophie Giraud | Still Photographer |
| Crew | Arlene Halpenny-Heeley | Driver |
| Production | Winnie W. Wong | Production Assistant |
| Camera | Brian E. Hill | Assistant Grip |
| Camera | Mark Manchester | Key Grip |
| Lighting | Vasco JW Silva | Assistant Gaffer |
| Production | Sandra Alcocer | Assistant Production Coordinator |
| Sound | Steve Baine | Foley Artist |
| Visual Effects | Benjamin Blatière | Digital Compositor |
| Visual Effects | Téo L'Huillier | Digital Compositor |
| Visual Effects | Emmanuel Le Courbe | Digital Compositor |
| Visual Effects | Louis Lion | Digital Compositor |
| Visual Effects | Emilia Napame | Digital Compositor |
| Visual Effects | Eve Panneau | Digital Compositor |
| Visual Effects | Vincent Perzo | Digital Compositor |
| Visual Effects | Thomas Ravaud | Digital Compositor |
| Visual Effects | Jordan Recoquillon | Digital Compositor |
| Visual Effects | Jacob Rogers | Digital Compositor |
| Visual Effects | Anima Rolland | Digital Compositor |
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