Failed London banker Max Skinner inherits his uncle's vineyard in Provence, where he spent many childhood holidays. Upon his arrival, he meets a woman from California who tells Max she is his long-lost cousin and that the property is hers.
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Production | Ridley Scott | Producer |
Directing | Ridley Scott | Director |
Editing | Dody Dorn | Editor |
Sound | Marc Streitenfeld | Original Music Composer |
Camera | Philippe Le Sourd | Director of Photography |
Production | Dixie Chassay | Casting Assistant |
Writing | Peter Mayle | Novel |
Writing | Marc Klein | Screenplay |
Art | Amy Simons | Art Department Coordinator |
Costume & Make-Up | Fabrizio Sforza | Makeup Artist |
Crew | Ernie Malik | Unit Publicist |
Production | Jina Jay | Casting |
Art | Bárbara Pérez-Solero | Set Decoration |
Costume & Make-Up | Catherine Leterrier | Costume Design |
Production | Antoinette Boulat | Casting |
Art | Robert Cowper | Art Direction |
Costume & Make-Up | Hayat Ouled Dahhou | Hairstylist |
Art | Sonja Klaus | Production Design |
Art | Frederic Evard | Art Direction |
Directing | Nikki Clapp | Script Supervisor |
Crew | Alistair Williams | Special Effects |
Production | Erin Upson Cuevas | Co-Producer |
Sound | Jean-Paul Mugel | Production Sound Mixer |
Crew | Teresa Kelly | Post Production Supervisor |
Production | Branko Lustig | Executive Producer |
Sound | Samuel Cohen | Boom Operator |
Production | Mark Allan | Unit Production Manager |
Sound | Per Hallberg | Supervising Sound Editor |
Lighting | Franck Barrault | Gaffer |
Directing | Emilie Cherpitel | Second Assistant Director |
Camera | Rico Torres | Still Photographer |
Sound | Karen Baker Landers | Supervising Sound Editor |
Sound | Doug Hemphill | Sound Mixer |
Sound | Paul Massey | Sound Mixer |
Production | Julie Payne | Executive Producer |
Production | Lisa Ellzey | Executive Producer |
Camera | Marco Sacerdoti | First Assistant Camera |
Visual Effects | Wesley Sewell | Visual Effects Supervisor |
Production | Branko Lustig | Unit Production Manager |
Camera | Basil Smith | Second Assistant Camera |
Sound | Chris Benstead | Music Editor |
Sound | Del Spiva | Music Editor |
Crew | Philippe Guégan | Stunt Coordinator |
Directing | Darin Rivetti | First Assistant Director |
Sound | Christopher Assells | Sound Effects Editor |
Sound | Craig S. Jaeger | Foley Supervisor |
Sound | Chris Jargo | Supervising ADR Editor |
Sound | Frederick H. Stahly | ADR Editor |
Costume & Make-Up | Alessandra Sampaolo | Makeup Artist |
Sound | Kerry Ann Carmean | Sound Effects Editor |
Editing | Gary Burritt | Negative Cutter |
Sound | Philip D. Morrill | Assistant Sound Editor |
Sound | Peter Staubli | Sound Effects Editor |
Editing | Jim Passon | Color Timer |
Sound | Tony Negrete | Assistant Sound Editor |
Sound | Patrick J. Foley | Dialogue Editor |
Sound | John C. Stuver | Dialogue Editor |
Costume & Make-Up | Karen Muller Serreau | Wardrobe Supervisor |
Costume & Make-Up | Raffaella Iorio | Makeup Artist |
Sound | Alicia Stevenson | Foley Artist |
Sound | Kimaree Long | ADR Editor |
Costume & Make-Up | Camille Janbon | Assistant Costume Designer |
Sound | Dino DiMuro | Sound Effects Editor |
Sound | Dawn Fintor | Foley Artist |
Sound | Dan Hegeman | Sound Effects Editor |
Lighting | Yvan Quehec | Best Boy Electric |
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