An aging ex-boxer gangster working as muscle for a Boston crime boss receives an upsetting diagnosis. Despite a faltering memory, he attempts to rectify the sins of his past and reconnect with his estranged children. He is determined to leave a positive legacy for his grandson, but the criminal underworld isn’t done with him and won’t loosen their grip willingly.
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| Directing | Hans Petter Moland | Director |
| Production | James Masciello | Executive Producer |
| Production | Roger Birnbaum | Producer |
| Production | Mitchell Zhang | Executive Producer |
| Production | Matthew Sidari | Executive Producer |
| Production | Michael Besman | Producer |
| Camera | Dean Egan | Steadicam Operator |
| Lighting | Patrick Hines | Best Boy Electric |
| Sound | Gisle Tveito | Sound Designer |
| Art | Brian Hakala | Set Dressing Buyer |
| Art | Lauren Mooney | Set Dresser |
| Crew | Paul Marini | Stunt Driver |
| Crew | Aaron Emery | Carpenter |
| Art | Helen Eggleston Peabody | Set Dresser |
| Crew | Bree Dagdagan | Scenic Artist |
| Crew | Anthony Phelps | Charge Scenic Artist |
| Costume & Make-Up | Craig Lindberg | Key Makeup Artist |
| Art | Lindsey Douglas | Art Department Assistant |
| Art | David T. Parsons | Construction Foreman |
| Sound | Santino Tartaglia | Sound |
| Camera | Mike Henry | Best Boy Grip |
| Directing | Colin Flaherty | Second Assistant Director |
| Art | Masha Kurenkov | Set Designer |
| Crew | Kamy D. Bruder | Stunts |
| Camera | Nolan Ball | First Assistant "A" Camera |
| Production | Leslie Wasserman | Casting Associate |
| Editing | Andrew Hodgdon | Colorist |
| Production | Mark Fitzgerald | Location Manager |
| Art | Rob Haworth | Assistant Property Master |
| Art | Lauren Ashly Suchecki | Construction Buyer |
| Crew | Levon Panek | Stunts |
| Camera | Tomek Doroz | Grip |
| Costume & Make-Up | Monique Peoples Graham | Hairstylist |
| Directing | Daniel Lugo | First Assistant Director |
| Sound | Gisle Tveito | Sound Re-Recording Mixer |
| Crew | Mark Vanselow | Stunt Coordinator |
| Camera | Thomas Bellotti | Second Assistant "A" Camera |
| Editing | Tom Barile | Dailies Manager |
| Production | Enoch-Jude Danquah | Assistant Location Manager |
| Art | Justin Bliss | Property Master |
| Visual Effects | Brian Yuan Zhang | Visual Effects Producer |
| Crew | Sean Lyle | Stunt Double |
| Crew | Jonathan Kobs | Video Assist Operator |
| Costume & Make-Up | Anastasia Tsikhanava | Key Costumer |
| Costume & Make-Up | Tina Ulee | Costume Supervisor |
| Production | Katie Dunn | Production Secretary |
| Production | Kelly Kreiser | Production Coordinator |
| Camera | Micah Nusbaum | Grip |
| Production | Michael Judge | Assistant Location Manager |
| Production | Michael Swanton | Location Production Assistant |
| Crew | Alex Albavera | Stunts |
| Art | Michael A. Myles | Set Dresser |
| Camera | Jenna Hobgood | Digital Imaging Technician |
| Camera | Joseph L. Melendez | Grip |
| Directing | Kit Conners | Second Second Assistant Director |
| Art | Jason Joubert | Construction Coordinator |
| Visual Effects | Karoline Nilssen | VFX Editor |
| Visual Effects | Johan Bøgeberg | Visual Effects Producer |
| Camera | Benjamin Tyler Knight | Still Photographer |
| Lighting | Evan Aurelio | Lighting Technician |
| Costume & Make-Up | Candace Masterson | Costumer |
| Production | Bill Wingate | Production Accountant |
| Production | Tyler Fennyery | Production Secretary |
| Production | Matt Bouldry | Casting Director |
| Production | Anne Mulhall | Extras Casting |
| Editing | Lasse Rosenquist Bækkel | Assistant Editor |
| Production | Katrina Cabral | Location Assistant |
| Production | Owen Mone | Location Production Assistant |
| Camera | Sam Krueger | Additional Grip |
| Crew | Mckenzie Raycroft | Loader |
| Production | Jason Fritz | Assistant Location Manager |
| Production | Valerie Rose Bronte | Controller |
| Production | Courtney Nowobilski | Production Assistant |
| Production | Jenna-Lee Carreiro | Assistant Production Coordinator |
| Camera | Graham Tait Mason | Digital Imaging Technician |
| Lighting | Derek Whittington | Rigging Gaffer |
| Costume & Make-Up | Marion O'Sullivan | Costume Coordinator |
| Production | Liz Power | Production Assistant |
| Camera | Derek Raimo | Grip |
| Camera | Michael Spurling | Grip |
| Lighting | Jason Platt | Lighting Technician |
| Production | Juan Sebastian Rossetti Pardo | Location Assistant |
| Camera | Darrell Temple | Dolly Grip |
| Crew | Beau Turgeon | Video Assist Operator |
| Production | Samuel Hall | Executive Producer |
| Art | Ana Weiss | Art Direction |
| Production | Eric Gold | Producer |
| Production | Michael J. Rothstein | Executive Producer |
| Writing | Tony Gayton | Writer |
| Production | Jamie Buckner | Executive Producer |
| Production | Tina Wang | Executive Producer |
| Art | Jørgen Stangebye Larsen | Production Design |
| Production | Mark Kimsey | Executive Producer |
| Production | Warren T. Goz | Producer |
| Visual Effects | Jamison Scott Goei | Visual Effects Supervisor |
| Costume & Make-Up | Deborah Newhall | Costume Design |
| Sound | Jared Detsikas | Sound Mixer |
| Production | David Becker | Location Coordinator |
| Production | Richard Hicks | Casting |
| Editing | Elise Olavsen | First Assistant Editor |
| Production | Alex Peace | Production Supervisor |
| Production | Jamie Buckner | Production Manager |
| Art | Jennifer Engel | Set Decoration |
| Editing | Dino Jonsäter | Editor |
| Crew | Brian Yuan Zhang | Post Production Supervisor |
| Sound | Kelly Doran | Boom Operator |
| Camera | Philip Øgaard | Director of Photography |
| Sound | Kaspar Kaae | Original Music Composer |
| Directing | Frankie Ferrari | Script Supervisor |
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