When investigative reporter Irwin "Fletch" Fletcher goes undercover to write a piece on the drug trade at a local beach, he's approached by wealthy businessman Alan Stanwyk, who offers him $50,000 to murder him. With sarcastic wit and a knack for disguises, Fletch sets out to uncover Stanwyk's story.
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| Production | Peter Douglas | Producer |
| Editing | Richard A. Harris | Editor |
| Writing | Gregory McDonald | Novel |
| Sound | Harold Faltermeyer | Original Music Composer |
| Directing | Michael Ritchie | Director |
| Production | Alan Greisman | Producer |
| Writing | Andrew Bergman | Screenplay |
| Camera | Fred Schuler | Director of Photography |
| Crew | Jeannie Epper | Stunts |
| Crew | Vince Deadrick Jr. | Stunts |
| Crew | J.N. Roberts | Stunts |
| Crew | Walter Robles | Stunts |
| Crew | Dick Warlock | Stunts |
| Crew | Larry Holt | Stunts |
| Production | Gordon A. Webb | Unit Production Manager |
| Costume & Make-Up | Ken Chase | Makeup Artist |
| Crew | Neal Kaz | Stunts |
| Crew | Gene LeBell | Stunts |
| Crew | Gary Epper | Stunts |
| Crew | Tim Gilbert | Stunts |
| Crew | Rick Overton | Stunts |
| Crew | Ray Marek | Stunts |
| Crew | Dean Jeffries | Stunt Coordinator |
| Art | Marvin March | Set Decoration |
| Crew | George P. Wilbur | Stunts |
| Crew | Carey Loftin | Stunts |
| Sound | Ronald Jacobs | Supervising Sound Editor |
| Crew | Joe Finnegan | Stunts |
| Art | Boris Leven | Production Design |
| Crew | Richard Epper | Stunts |
| Crew | Richard L. Duran | Stunts |
| Crew | Cliff Wenger | Special Effects |
| Costume & Make-Up | Bunny Parker | Hairstylist |
| Production | Patricia Mock | Casting |
| Directing | Larry Rapaport | Second Assistant Director |
| Directing | Wolfgang Glattes | First Assistant Director |
| Costume & Make-Up | Gloria Gresham | Costume Design |
| Production | Gordon A. Webb | Associate Producer |
| Crew | George Fisher | Stunts |
| Art | Todd Hallowell | Art Direction |
| Sound | Karen Brocco | Assistant Sound Editor |
| Sound | Vivien Hillgrove Gilliam | Dialogue Editor |
| Camera | Raymond Stella | Camera Operator |
| Camera | Gary B. Kibbe | Second Unit Director of Photography |
| Camera | Lou Barlia | Camera Operator |
| Art | Louis M. Mann | Set Designer |
| Sound | Dennie Thorpe | Foley |
| Sound | Robert Shoup | Sound Editor |
| Sound | James R. Alexander | Sound Mixer |
| Sound | Greg Agalsoff | Boom Operator |
| Camera | Henry M. Lebo | Camera Operator |
| Production | Carol Lefko | Casting Assistant |
| Production | Carlos Tappin | Extras Casting |
| Sound | Michael Magill | Assistant Sound Editor |
| Sound | David Franklin Bergad | Apprentice Sound Editor |
| Editing | Toni Morgan | Assistant Editor |
| Production | Ira S. Rosenstein | Location Manager |
| Directing | Peter Norman | Second Unit Director |
| Camera | Randy Tepper | Still Photographer |
| Sound | Karen Spangenberg | Sound Editor |
| Sound | Jeff Carson | Music Editor |
| Sound | Richard Portman | Sound Re-Recording Mixer |
| Directing | Marshall Schlom | Script Supervisor |
| Production | Wolfgang Glattes | Production Consultant |
| Sound | Vivien Hillgrove Gilliam | ADR Editor |
| Lighting | Earl Gilbert | Chief Lighting Technician |
| Editing | Jack Garsha | Color Timer |
| Crew | Ken Lubin | Transportation Captain |
| Crew | Craig Pinkard | Transportation Coordinator |
| Production | Chip Fowler | Production Coordinator |
| Art | Paul Myerberg | Leadman |
| Art | Richard Reseigne | Construction Coordinator |
| Crew | Phyllis Gardner Hirsen | Unit Publicist |
| Camera | Gaylin P. Schultz | Key Grip |
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